Most Helpful Customer Reviews
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16 of 17 people found the following review helpful:
5.0 out of 5 stars
Dreamy and introspective, April 24, 2000
One summer in the mid-to-late-1980s my family took a sidewinding trip to Ocean City, Maryland to visit my relatives. On the radio at the time were such high-power ballads as Heart's "These Dreams" and Ric Ocasek's "Emotion in Motion"...and then there was Til Tuesday, a band with a distinctly flamboyant veneer masking true depth. To see Aimee Mann realize her true artistic forum in Paul Thomas Anderson's "Magnolia" is, for such a musical connoisseur as myself, a true testament to the talent of the woman whose band reflects such great memories for me as throwing a fluorescent blue ball on the Ocean City beach while the waves pounded the surf and the TV show "Valerie" (which later became "The Hogan Family") played on the television eight floors above. Everything's changed now, but one still can unload with a few of the terrific songs: "Voices Carry", whose synthesized instrumentals always sounded good on lonely backroad nights, and "What About Love" (especially the opening chord, which plays like a haunting conglomeration of ghostly loss and what sounds vaguely like a hiccup). Many people drag 80s music down, yet for so many people of our generation, its innocence coalesced perfectly with our childhoods. I have followed Ms. Mann for a few years now (from her "Whatever" album to her role as the nine-toed woman in "The Big Lebowski") , and I'm pleased that she has broken through. Yet at a time where I tend to analyze music for its artistic merit, I need not question 'Til Tuesday. Like Punky Brewster, Rubik's cubes, and bright fluorescent balls, she made my childhood all the more memorable. Great stuff.
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10 of 10 people found the following review helpful:
4.0 out of 5 stars
A look at Aimee Mann's early years ..., April 26, 2005
Yes, a good chunk of the material here is very '80s, but it's all excellent. Despite the somewhat dated recordings, the songs pulse with Mann's thoughtfulness, intrigue and a touch of seething anger. Two of 'til tuesday's three hits are on this CD, which is great, but I am scratching my head at why "Looking Over My Shoulder" was left out. What a GREAT song! And it was a hit! Its omission baffles me. With that song, this would have been a five-star CD, but it's still pretty darn fabulous. If you are an Aimee Mann fan, this CD is definitely up your alley, my friend.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Brilliant, April 6, 2000
By A Customer
Having just been aquainted with the music of Aimee Mann, I have to admit I had reservations about purchasing this album. I'm not a fan of synth-pop, and "Voices Carry" certainly fits into that category.Needless to say, "Voices Carry" and "Love In A Vacuum" are the weakest tracks on this compilation. Aimee had the hindsight to see the limitations of synthesized pop and dared to progress towards a more organic sound (at a time when it wasn't in vogue to do so). This CD certainly reflects that decision. So many songs on this CD alone qualify as classic pop: "J For Jules", "Limits To Love", "The Other End (Of The Telescope)", "David Denies", "Long Gone Buddy" etc. Aimee Mann is a brilliant songwriter, arguably the most talented of her generation. Here we can track the development of her talent through her initial 'til Tuesday project. If you have any interest in pop music (in the vein of The Beatles), you NEED this album.
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Aimee Mann shares her favorite music with Amazon customers. See all artists' picks on our Music You Should Hear page.
by 'Til Tuesday 
