There has been an enormous revival of interest in Commedia dell'arte. And it remians a central part of many drama school courses. In Commedia dell'arte in the Twentieth Century John Rublin first examines the orgins of this vital theatrical form and charts its recent revival through the work of companies like Tag, Theatre de Complicite and the influential methods of Jacques Lecoq. The second part of the book provides a unique practical guide for would-be practitioners: demonstrating how to approach the roles of Zanni, Arlecchion, Brighella, Pantalone, Dottore, and the Lovers in terms of movement, mask-work and voice. As well as offering a range of lazzi or comic business, improvisation exercises, sample monologues,and dialogues. No other book so clearly outlines the specific culture of Commedia or provides such a practical guide to its techniques. This immensely timely and useful handbook will be an essential purchase for all actors, students, and teachers.
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`This new book by John Rudlin is much more than a re-examination of a theatrical style long past - in Rudlin's hands, the whole subject becomes not only vital to today's creators of theatre, but to the future as well.' - Theatre Scotland
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Most Helpful Customer Reviews
14 of 14 people found the following review helpful:
5.0 out of 5 stars
the best place to start.....,
By A Customer
This review is from: Commedia Dell'Arte: An Actor's Handbook (Paperback)
Obviously commedia dell'arte is a live theatre form, and obviously you know a bit about commedia otherwise you wouldn't be reading this review. As far as any book can help anyone do live theatre, especially a form so comic and forceful, then ths book can. Nowhere it loses sight of the fact that its job is to encourage people to action and performance and then begin to discover for themselves.It is not an esoteric bible of secret facts which will allow anyone to become a commedia performer.It is an actor's manual and, if you cannot find adequate live teaching of the form, it is one of the best books you can find to start with.
15 of 16 people found the following review helpful:
5.0 out of 5 stars
The best how-to book of comedy!,
By A Customer
This review is from: Commedia Dell'Arte: An Actor's Handbook (Paperback)
Rudlin explains in the world's most comprehensive guide to the performance of commedia dell'arte, the stock characters, masks, improvisational style, and influence of this incredible art form. The book greatly aided my study of commedia, and continues to guide me now as I am a teach it. Without Rudlin's great teaching, I could not be the teacher that I am now. A must-own for any aspiring actor or comedian, or fan of comedy.
12 of 13 people found the following review helpful:
5.0 out of 5 stars
Wonderful coverage for being so short.,
By Laser Wolf (Portland, OR USA) - See all my reviews
This review is from: Commedia Dell'Arte: An Actor's Handbook (Paperback)
If you're at all interested in Commedia and have not yet read this book, I highly recommend it. It would be beneficial for anyone at any level. Every section is just wonderful and gives out so much "secret" information. There's even an appendix on how to make leather masks in the traditional method. I have searched and not been able to find many other books that touch on that subject. It's an interesting read the whole way through and handy as a reference forever after.
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Inside This Book
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First Sentence:
In order to clear the ground to begin discussion of the origins of commedia dell'arte, scholarly caveats as to what the phrase itself means and how to translate it need reiteration. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
playing commedia, commedia erudita, commedia characters, improvised comedy, fairground booth, other masks, plot function Key Phrases - Capitalized Phrases (CAPs): (learn more)
Antonio Fava, The Servant of Two Masters, Vieux Colombier, Don Juan, Piccolo Teatro, San Francisco Mime Troupe, Carlo Boso, Happy Jack, Isabella Andreini, Jacques Lecoq, Maurice Sand, Messer Orlando, Marcello Moretti, Martin du Gard, Amleto Sartori, Mistero Buffo, Carlo Goldoni, Charles Dullin, Colombine's Scarf, Domenico Biancolelli, Flaminio Scala, Francesco Andreini, Les Fourberies de Scapin New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Surprise Me!
In order to clear the ground to begin discussion of the origins of commedia dell'arte, scholarly caveats as to what the phrase itself means and how to translate it need reiteration. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
playing commedia, commedia erudita, commedia characters, improvised comedy, fairground booth, other masks, plot function Key Phrases - Capitalized Phrases (CAPs): (learn more)
Antonio Fava, The Servant of Two Masters, Vieux Colombier, Don Juan, Piccolo Teatro, San Francisco Mime Troupe, Carlo Boso, Happy Jack, Isabella Andreini, Jacques Lecoq, Maurice Sand, Messer Orlando, Marcello Moretti, Martin du Gard, Amleto Sartori, Mistero Buffo, Carlo Goldoni, Charles Dullin, Colombine's Scarf, Domenico Biancolelli, Flaminio Scala, Francesco Andreini, Les Fourberies de Scapin New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Surprise Me!
Citations (learn more)
This book cites 39
books:
See all 39 books this book cites
1
book
cites this book:
- The Servant of Two Masters (Plays for Performance Series) by Dorothy Louise on 7 pages
- Tricks of the Trade by Dario Fo on 4 pages
- The Italian Comedy by Pierre Louis Duchartre on 4 pages
- The Tricks of the Trade (Theatre Arts (Routledge Paperback)) by Dario Fo on 4 pages
- History of the Harlequinade by Maurice Sand on 4 pages
See all 39 books this book cites
- Masking Unmasked: Four Approaches to Basic Acting by Eli Simon in Back Matter
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