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The Commodity Culture of Victorian England: Advertising and Spectacle, 1851-1914
 
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The Commodity Culture of Victorian England: Advertising and Spectacle, 1851-1914 [Paperback]

Thomas Richards (Author)
4.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

0804719012 978-0804719018 October 1, 1991
This provocative and theoretically sophisticated book reveals how capitalism produced and sustained a culture of its own in the nineteenth and early twentieth centuries.

"Richards provides a valuable account of the interaction between cultural and business development in Victorian England by focusing on the evolution of advertising. Through an examination of five case studies, ranging from how advertisers employed images of the Crystal Palace Exhibition of 1851 to their use of images of women just before WWI, he argues that the British developed a new type of culture in the mid and late-19th century--a new way of thinking and living increasingly based upon the possession of material goods, commodities. Revising the findings of some earlier scholars, Richards shows that 'cultural forms of consumerism . . . came into being well before the consumer economy did.' The 50 well-reproduced advertising images greatly enhance the value of this study." --M. Blackford, "Choice"


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Product Details

  • Paperback: 324 pages
  • Publisher: Stanford University Press (October 1, 1991)
  • Language: English
  • ISBN-10: 0804719012
  • ISBN-13: 978-0804719018
  • Product Dimensions: 8.9 x 6.2 x 0.8 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #440,916 in Books (See Top 100 in Books)

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4.0 out of 5 stars Useful Illustrations, November 30, 2009
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Jean E. Slanger (Half Moon Bay, CA USA) - See all my reviews
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This review is from: The Commodity Culture of Victorian England: Advertising and Spectacle, 1851-1914 (Paperback)
I was principally interested in this book because of its examples of nineteenth century advertising and I was happy with that. I was less inteested in the economic theory.
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