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Companion to Baroque Music [Paperback]

Julie Anne Sadie (Editor), Christopher Hogwood (Foreword)
4.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

June 17, 1998
The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era.

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Editorial Reviews

Review

"Enticing to the musicological sleuth. . . . A rich source of information.--Eccb: Eighteenth Century Current Bibliography

About the Author

Julie Anne Sadie is a music critic, historian, and performer specializing in Baroque music. In 1995 she was appointed Director of the Handel House Museum in London, scheduled to open in 2000. She is coeditor of the Norton-Grove Dictionary of Women Composers (1994).

Product Details

  • Paperback: 565 pages
  • Publisher: University of California Press; 1 edition (June 17, 1998)
  • Language: English
  • ISBN-10: 0520214145
  • ISBN-13: 978-0520214149
  • Product Dimensions: 9.2 x 6.1 x 1.4 inches
  • Shipping Weight: 1.8 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,455,344 in Books (See Top 100 in Books)

 

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4.0 out of 5 stars (1 customer review)
 
 
 
 
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15 of 15 people found the following review helpful:
4.0 out of 5 stars The Barogue Companion- A reference book, October 18, 2001
By 
Jerassimos Coidan (Berchem, Antwerpen Belgium) - See all my reviews
This review is from: Companion to Baroque Music (Paperback)
It is a very good presentation, a real tool for advanced baroque musicians. It includes a huge amount of articles, but sometimes a bit brief. Composers have been sorted by country or region. In fact, the book is a Composer's Lexicon, though there are some background chapters. Until now, I didnt find out a name missing from the list. What is extremely helpful is the index pages at the end. Be sure to consult them!
One will only be disappointed if looking for a name slightly earlier or later than the 'traditional' baroque limits.
Finally, it is a necessary and useful tool.
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