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A Companion to Art Theory (Blackwell Companions in Cultural Studies)
 
 
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A Companion to Art Theory (Blackwell Companions in Cultural Studies) [Hardcover]

Paul Smith (Editor), Carolyn Wilde (Editor)

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Book Description

0631207627 978-0631207627 March 20, 2007
The Companion provides an accessible critical survey of Western visual art theory from sources in Classical, Medieval and Renaissance thought through to contemporary writings.

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Editorial Reviews

Book Description

This survey of art theory in the context of Western visual art consists of 41 original essays written by experts in the field. Following an extensive introduction on the formation of modern art theory, the Companion is organized chronologically so that readers can trace developments of visual art theory, from Classical and Medieval sources and modern conceptions of art as they have been theorized since the Renaissance, through to some current theoretical preoccupations. In addition to outlining and describing various theoretical positions, the book's chapters articulate some assumptions that underpin them and raise more general questions about the nature of theorizing about art. In this way the Companion provides both an introduction to main themes of Western art theory and a source for critical enquiry into the purposes, possibilities and limitations of theory in the context of artistic practice. The work can also be used alongside the three Art in Theory anthologies published by Blackwell, as a further art theory resource.

From the Back Cover

This survey of art theory in the context of Western visual art consists of 41 original essays written by experts in the field. Following an extensive introduction on the formation of modern art theory, the Companion is organized chronologically so that readers can trace developments of visual art theory, from classical and medieval sources and modern conceptions of art as they have been theorized since the Renaissance, through to some current theoretical preoccupations.

In addition to outlining and describing various theoretical positions, the book's chapters articulate some assumptions that underpin them and raise more general questions about the nature of theorizing about art. In this way the Companion provides both an introduction to main themes of Western art theory and a source for critical enquiry into the purposes, possibilities and limitations of theory in the context of artistic practice.

The work can also be used alongside the three Art in Theory anthologies published by Blackwell, as a further art theory resource.


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Inside This Book (learn more)
First Sentence:
If we ask what a theory of art is, then both terms of our question seem problematic. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
sculptural tactility, feminist art theory, hermeneutical aesthetics, denotation systems, explanatory vacuity, critical art history, paragone debate, central angel, tactile reception, existential graphs, inverted perspective, feminist art history, sculpted objects, false attachments, classificatory sense, reception aesthetics, conceptual art, academic doctrine, picture primitives, institutional theory, mimetic faculty, drawing systems, della pittura, eccellenti pittori, icon painting
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Cambridge University Press, Yale University Press, Holy Trinity, University of Chicago Press, Oxford University Press, University of California Press, Walter Benjamin, Blackwell Publishers, Harvard University Press, Princeton University Press, Loeb Classical Library, Partisan Review, Clement Greenberg, Marcel Duchamp, Abstract Expressionism, Alois Riegl, Leonardo da Vinci, German Romanticism, Johns Hopkins University Press, Kegan Paul, Noa Noa, United States, Leon Battista Alberti, Manchester University Press
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