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Compass Points: How I Lived [Paperback]

Edward Hoagland (Author)
4.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

March 26, 2002
In a luminous memoir of a life richly lived, one of America’s finest writers explores the themes that have shaped his life and work: the glories of the natural world, the lure of working for a circus and fighting forest fires, the afflictions of temporary blindness and blocked speech, and the enduring influence of literary friendships, including John Berryman’s, Edward Abbey’s, and his mentor, Archibald MacLeish.

From his childhood in rural Connecticut to some of the earth’s last remaining wildernesses, Hoagland has traveled the world wielding his unusual gift for observation. In Compass Points he delivers an honest and lively accounting of his voyages through two marriages; the New York parties he attended as a precocious young writer; Vermont hippiedom and academia; his many vivid sojourns into Europe, Alaska, British Columbia, the Sudan; and, perhaps most unforgettably, his stint in the “Animal Department” of Ringling Bros. and Barnum & Bailey Circus fifty years ago. Leavened with Hoagland’s trademark humor and insight, Compass Points is an entertaining and moving account of the days and nights of one of our most eminent literary voices.

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Editorial Reviews

Amazon.com Review

This engaging memoir has the same plainspoken eloquence and down-to-earth intelligence that distinguish Edward Hoagland's nature and travel writing, from Tigers & Ice to African Calliope. Compass Points opens with an account of the gradual loss of his eyesight in the 1980s, characteristically detailed and utterly lacking in self-pity: blindness made it hard to grade papers or indulge his love of walking, he writes, but it was great for his sex life, and for some reason his lifelong stutter improved. Surgery finally restored his vision, and a new look at the world prompted the writer to turn toward autobiography. Lucid, frank, and funny, his recollections range from an affluent WASP childhood in New York City and its suburbs to joining the circus in 1951 at age 18, then marrying and divorcing twice as he roamed the world and discovered his vocation. Hoagland began his writing career as a novelist, and his early fiction was fairly well received, so that readers can only be grateful that he concluded, after a few books, that he was better suited to the "familiar, unassuming" tone of the personal essay. That intimate tone binds the rambling text together, as he pauses in his personal chronicle to muse on the nature of friendship (we need both the fair- and foul-weather kinds, he concludes), the burdens and benefits of aging, or some other more general topic. There's literary gossip, too--after all, Archibald MacLeish and Alfred Kazin were his teachers, John Berryman was a friend, and Norman Podhoretz was his second wife's boss at Commentary. But the focus rightly remains on Hoagland's life experiences and thoughts, in this deceptively casual but artfully organized narrative. --Wendy Smith --This text refers to the Hardcover edition.

From Publishers Weekly

Noted novelist and essayist Hoagland (Cat Man; The Tugman's Passage; etc.) weighs in with a memoir in the form of 11 loosely interconnected autobiographical essays, the author's life unfolding thematically rather than temporally--an intriguing departure from the norm, but one that, when coupled with Hoagland's rambling, tangent-laden prose, yields mixed results. In his opening salvo, "In the Country of the Blind," which explores his experience with a years-long descent into almost total blindness (from which he was eventually saved by surgery), frequent departures from the central subject create a compellingly rich and complex narrative that ably showcases Hoagland's mental agility and talent for finding significance in the small, often unnoticed encounters that make up everyday life. But "Mentors and Roots," similarly digressive, is less successful: Ostensibly a meditation on the roles others have played in shaping the author's life, it never really coalesces into more than a catalogue of his relatives' and teachers' accomplishments. Nevertheless, readers who approach these essays in search of thought-provoking insights and opinions will not be disappointed. Consistently, at times almost disarmingly, candid, Hoagland grapples throughout with the issues that have most vexed him--failed or fraught relationships, adultery, the difficulty of forging a self-determined identity as a writer--and waxes lyrical about those that have brought him particular joy or satisfaction--parenthood, teaching, an adolescent stint in the circus. In all these cases, it's his struggle to find meaning and merit in certain crucial episodes in his life that makes for compelling reading. And Hoagland's often at his best when he strikes a quietly elegiac tone, as when he observes, "Most of us live like stand-up comedians on a vaudeville stage... by our humble wits, messing up, swallowing an aspirin, knowing Hollywood won't call, thinking nobody we love will die today, just another day of sunshine and rain." Lovers of fine prose will be delighted with this new volume. (Feb.)Forecast: Hoagland has a fine reputation among the literati, who will want to read particularly about his loss and regaining of sight. So this book should enjoy solid sales; a PW Interview is slated for February.

Copyright 2001 Cahners Business Information, Inc.

--This text refers to the Hardcover edition.

Product Details

  • Paperback: 304 pages
  • Publisher: Vintage (March 26, 2002)
  • Language: English
  • ISBN-10: 0375702407
  • ISBN-13: 978-0375702402
  • Product Dimensions: 5.4 x 0.5 x 8.2 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,064,016 in Books (See Top 100 in Books)

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12 of 15 people found the following review helpful:
4.0 out of 5 stars Read this compass., February 6, 2001
By 
Edward Hoagland is a smart writer. He is "a student of catastrophe" (p. 33). The eleven essays in this new collection "burn with a hard bright thinker's light" (p. 211). They are about Hoagland's life of writing and wandering. We find him living "like a roustabout" in the Ringling Bros. circus at age 18 (p. 104), walking the sidewalks of Boston, Philadelphia, San Francisco, and New York (pp. 130-31), fighting fires in California (p. 133), and nearly losing his eyesight in 1988. "I would have eaten out of garbage cans, gone friendless, given my possessions away, surrendered a leg, to be able to see grass wave in the wind, not just hear it--see whose footsteps were approaching me, not to wait until they chose to speak" (p. 26), he writes in my favorite essay here, "In the Country of the Blind." We meet Hoagland's wives, old lovers, and Vermont hippie neighbors.

Hoagland writes essays because "life is usually stasis, not a narrative; sadness, not a story" (p. 59). "The personal essay is meant to be like a household implement," he says, "a frying pan hanging from a punchboard" (p. 67). His writing is full of small, memorable insights. "You're going to be alone most of your life. If you run off the rails, you had better be good company for yourself" (p. 153). "It's not expensive to pay attention to the phases of the moon, to transplant lemon lilies, and watch a garter snake birthing thirty babies and a catbird grabbing some, or listen to the itchy-britches of the Canada geese as autumn waxes. We will be motes in the ocean again soon, leached out of the soil of some graveyard, and everlasting rocking" (p. 193).

Hoagland's collection of essays is actually a memoir. Although I couldn't always relate to Hoagland's subject matter (e.g., his intellectual Manhattan life), I enjoyed reading these essays. At times I was distracted, however, when these essays wandered and digressed, like a compass without direction.

G. Merritt

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