Compilation

Clean | Format: Audio CD

Product Details

• Audio CD (December 7, 1999)
• Label: Flying Nun -- Revolver --
• ASIN: B000035X7I
• Average Customer Review: 5.0 out of 5 stars  See all reviews (4 customer reviews)
• Amazon Best Sellers Rank: #288,218 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

6 of 6 people found the following review helpful:

5.0 out of 5 stars the original, defining document, March 26, 2003

By 

Christopher Andrews (Christchurch, Canterbury New Zealand) - See all my reviews

This review is from: Compilation (Audio CD)

in 1978 the new zealand underground scene was on the verge of explosion. the enemy, bored games, and the spelling mistakes were showing that new zealand could produce great punk music, and all with a great ?do-it?yourself? gusto. the enemy later developed into seminal early 80s punk outfit toy love, and with their eventual collapse, guitarist/vocalist chris knox formed the infamous lo-fi pioneer duo the tall dwarfs with fellow toy love member alec bathgate. david kilgour was a great fan of the enemy, and had developed a relationship with the musicians that made up the dunedin scene at the time. in 1978 he set about learning guitar, then forming a band that would eventually capture the essence of the 2nd wave of new zealand underground music, the so called ?dunedin sound?.

after a period of almost 2 years and a plethora of line-up changes, kilgour settled on his brother hamish on drums and original bass-player peter gutteridge (who after leaving the band before the majority of their output was an original member of the chills, the puddle, and then eventually his own band snapper). this formation would go onto write a handful of the clean's early songs, and eventually resurface in 1983 as the great unwashed (for a short tour and subsequent album), but it was robert scott (also of the bats) who secured the clean's line-up in late 1979.

after touring haphazardly for there first three years of existence (often supporting the enemy), kilgour was propositioned by young upstart roger shephard, who had come up with the idea of forming a record label to release the clean's noticeably inspirational music to the masses. shephard put together flying nun records in 1981, and the clean's breakthrough single tally ho! was the label's 2nd release (following the pin group?s columbia). featuring a young martin phillips on organ accompaniment and recorded for no budget whatsoever, the single rocketed into the new zealand charts ? which was considered impossible for a self-distributed minor label recording at the time. phillips? catchy, driving organ and the gentle sing-song nature of kilgour?s vocals had immediately struck a chord with the new zealand public, but the band failed to fully capitalize on this early success.

over the course of the next two years, the clean only put out two eps, boodle boodle boodle was recorded by doug hood and features a stunning array of pop- classics ("anything could happen", "at the bottom" and the gutteridge penned classic "point that thing somewhere else") and the equally superb great sounds great, good sounds good, so-so sounds so-so, bad sounds bad, rotten sounds rotten ep (track highlights included the instrumental "fish" and jangly masterpiece "beatnik").

this complacency with relative seclusion eventually led to a number of self-imposed band break-ups, and delayed their eventual debut album release till 1990, which brought vehicle -- by which time the clean had become a part time band for all three members, due to the demands of their various other musical exploits.

compilation documents the high-times of the early clean. released by flying nun as an lp (then re-released during the 90s cd reissuing phase), the album gathers together tally ho! and the original 2 eps, several tracks from the ?oddities? self-recorded album, as well as live material recorded crudely on a fan's cassette recorder.

the quality of the recording is of no concern though, as it becomes immediately apparent on listening to these lo-fi masterpieces that the clean were on to something special. from the twin-guitar and bass onslaught of pounding pop opener "billy two", the chugga chugga bass and steaming lead-guitar of "at the bottom", through to the quirky pop highlights of "beatnik", "oddity" and "hold on to the rail" ? there isn?t a single dud in this wonderful archive of one of pop-rock?s truly great bands.

ear-marked by a stunning live rendition of signature tune "point that thing somewhere else", the live tracks are murky, but show the band in full flight. waves upon waves of guitar distortion, pounding bass and drums and kilgour?s enigmatic, hushed vocals characterize a band that did more for the new zealand live scene than any other band has done before or since.

rough and ready, this is a compilation of the most well-honed, dynamic guitar music your ever likely to hear. simmering solo?s, bass that gets your foot tapping, and primal, aggressive drumming lead to a winning combination. though the clean may have since failed to live up to the expectations that this album documents, they have become a crowning monument for new zealand in the history of pop-rock, and i?d recommend anyone with more than a passing interest in music to give this classic a try.

99%

2 of 2 people found the following review helpful:

5.0 out of 5 stars The Sweetest Fruit Of New Zealand Isn't The Kiwi, July 2, 2001

By 

"randymix" (Albuquerque, New Mexico United States) - See all my reviews

This review is from: Compilation (Audio CD)

The Clean's influence and deservedly-high reputation extends far beyond their modest recorded output. And 'Compilation' bears strong witness to their greatness.

Scratchy guitars eek out powerful melodies that emerge like moss underneath melting snow, arriving like a chugging train at an unexpected destination of effervescent, but delightfully odd, guitar-driven pop. The melodies are stickier than a pre-school's door knobs; once heard, they're never forgotten. 'Compilation's tracks percolate and pop with a lo-fi musicality that is irresistible.

But be forewarned: it will leave you wanting much, much more of their hard-to-find releases. Indie, alternative, new wave (take your pick), this collection of nuggets represents all that was/is good about independent music made wonderfully-far from the mainstream.

This is simply one one of the most striking bands that ever recorded. Twenty years on, no one sounds like them. I couldn't recommend 'Compilation'--or The Clean--more highly to anyone sweating their self away in a stale jungle of stylistic sound-alikes, desperately in need of a cool breeze to remind themselves that music is, indeed, the coolest thing on planet Earth.

I'll leave Messrs. Kilgour (David and Hamish) and Scott (Robert-- later the founder and leader of the much-loved Bats) to take you the rest of the way.

1 of 1 people found the following review helpful:

5.0 out of 5 stars Why you should buy this cd too., March 4, 2008

By 

Aadam Jacobs (Chicago) - See all my reviews
(REAL NAME)   

This review is from: Compilation (Audio CD)

Several years ago Merge put out a two disc set entitled Anthology that compiled all of The Clean's early material and selections from their LPs.
That disc is indispensible and contains most of what is here. But if you're a real collector, you must own this too as the last six tracks are live versions avalable no where else.
If my memory serves, Wild Western Shores and Count To Ten have no other released versions. The other avalable versions of Quickstep, Art School and Hold On To The Rail are much more difficult to come by than this disc.