Customer Reviews

The Complete Beatles Chronicle

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This is for everyone who wants to at least get a hint on the amazing cultural phenomenon of The Beatles. The book is a paean to the incredible amount of HARD WORK The Beatles did prior to Beatlemania and for the 3 years during its frenzied height. It certainly gives credence to the old Beatle comment that while everyone was enjoying the "60's" they were either working or locked in a room somewhere. The later years from 67 to 70 are just as exhaustivelly covered - each year smartly contextualized to what was happening in the world and among themselves. Lewisohn always does good thorough work. He is the sober scolarly-eyed representative of Beatle lore - - facts, and facts only. You'll find no Giuliano moralism here. If you already know everything about The Beatles you still need to get this. I f you know nothing about The Beatles start here. Highly recommended.

This book combines the best of Mr. Lewisohn's previous efforts into one comprehensive diary of the Beatles' career. Every concert, recording session and video/movie shoot is detailed from 1957 to 1970. Each year's accomplishments are neatly summarized at the beginning of every chapter followed by all their important daily activities. Rare photos, documents, letters and promotional posters are illustrated throughout the book. An indispensable guide to the Beatles' professional history you will revisit again and again.

Thoroughly researched and detailed, Mark Lewisohn's "Complete Beatles Chronicle" will satisfy even the most knowledgeable Beatle fan. This monster reference book provides the who, what, when, where and why of nearly every day in the life of the Beatles. Every concert, recording session, film and TV appearance is painstakingly noted and described. In many cases, Lewisohn provides exact times and lengths of recording sessions. This is great for those of us who just have to know exactly when and where our favorite Beatle songs were recorded! Only upon examining the Beatles' grueling schedule can one truly appreciate how diligently John, Paul, George and Ringo worked to attain their status as the world's premier rock band. Simply put, the Beatles' earned everything they got and Lewisohn, arguably the world's foremost Beatle authority, drives that point home in this remarkable document. In addition to the daily entries, the author also includes rare photos, notes, concert bills and recording session track sheets. The overall scope and magnitude of "Chronicle" is nothing short of staggering. No other book provides such an accurate and detailed account of the Beatles' daily routines. Hard-core fans have long respected the dedication of Mark Lewisohn and, once again, have been rewarded with a Beatle document unlike any other. Highly recommended.

Why is this the "First Beatles Book One Should Read?" Simply put, Marc Lewisohn (an EMI records reseracher) volume is a true labor of love, but not a "tell-all" or a "I was John Lennon's mailman" rip off.

This is a true, scholarly effort. It is a day-by-day account of The Beatle's professional, not personal, affairs. More than just what they did where on an particular day, it shows how hectic their early days were, how incredibly frantic was the Beatlemania in Britian and the USA and their best work (from Revolver on) evolved in the studio.

The book is intelligently written and produced. Each year is a separate chapter, starting first with an introduction which puts that year in perspective to the Beatle's career. What follows is a day by day retelling of every concert, recording sesson, Radio/TV appearance, etc. It's a great companion to Anthology (CDS and video) as you get an idea as to how certain events played how, how certain songs were recorded and again, how crazy the early 60's were for the Beatles.

If anyone wants to know the who, what, where and why (especially why the Beatles broke up as professional musicians) this book, which first appaeared in 1992 and is finally reprinted, is the one book to have. I've read it once and plan to go back again and again.

I borrowed The Complete Beatles Chronicle from the library hoping to get more info on the making of the White Album (my favorite). But, because of how well the book is written, I wound up starting from the beginning.

This book is interesting because it doesn't miss the big picture. At the beginning of each year is a concise chronicle of what happen that year and its significance. One needn't get bogged down in the details. Just read the first few pages of each chapter for a good overview.

But, if you read the whole account, you'll discover the true genius of the four lads from Liverpool and how they somehow managed to create high-quality songs in between appearances on TV shows, sitting in on radio broadcasts, making movies, going on far-flung concert tours and dealing with mobs of desperate Beatlemaniacs.

Some of this data must be conjecture (even though it's not presented as such). For example, unless it was revealed in an interview, how would the author know that Billy Preston was brought into the Get Back sessions in order to break the tension within the group.

Still, it's an easy read filled with facts. I must now buy this book. So should you.

[DW]

Since publishers and editions change from time to time, I am not certain that I am reviewing the exact book. This book will be interesting mainly to those who were teenagers during the 1960s. These persons will recall the first time they heard each of the Beatles' albums, or they will recall the event of buying these albums. For example, I first heard Sgt.Pepper at the Fillmore Auditorium in San Francisco. The album was played before the performers went on stage -- that was Cream on their first American tour, along with Gary Burton Quartet and the Flaming Groovies (a last minute replacement for the Electric Flag). Anyway, the book takes the form of a diary detailing when and under what circumstances many of the songs were composed, recorded, and performed. The book contains 360 pages of small print, and almost every page has a 1/4 page photograph, though some are 1/8 page or 1/2 page, in size. The latter part of the book contains color photos. The reproductions of the photos are better than one might expect -- nice contrast and sharp focus. We learn that the original name of the Beatles was the Quarry Men, where this name came from Quarry Bank High School for Boys (page 12). We learn that the Quarry Men (John, Paul, George, and John Lowe (drums)) made their first recording in 1958 (page 13). We learn that Ringo was the drummer for a band called "Al Caldwell's Texans" even before he (Ringo) jointed "Rory Storm and the Hurricanes." (page 16) We learn that the first appearance of the lineup of John, Paul, George, and Ringo took place on August 18, 1962, and this was at Hulme Hall, where the occasion was the Horticultural Society's annual dance (page 75). We learn that the Beatles' first U.S. performances were in February 1964. An interesting fact is that Charles Finley, then owner of the Kansas City Athletics baseball team, paid $150,000 out of his own pocket to persuade the Beatles to play in Kansas City, and that the manager of the hotel in Kansas City cut up the Beatles' bed linen into 3-inch squares, and sold them for $10 each (page 139). We learn that the trumpet players on Strawberry Fields Forever were Tony Fisher, Greg Bowen, Derek Watkins, and Stanley Roderick (page 234) and that Dave Mason played the B-flat piccolo trumpet on Penny Lane (page 240). We learn that Maxwell's Silver Hammer took 27 takes, that She Came In Through the Bathroom Window took 39 takes, and that Here Comes the Sun had 13 takes (pages 324-327). Again, the reading is fairly dry and fun facts are encountered only on occasion. There is essentially no information on the Beatles' social lives. But for those who were teenagers during the 60s, the book is likely to be a page turner.

Lewisohn is the only writer with fully authorized access to the Beatles archives and vault at EMI. This work, a combination of several prior books, therefore, gives the most accurate picture of the Beatles work in live performances, broadcasts, and in the studio. It lives up to its ambitious title, and gives complete details of every performance and studio session. Not a narrative history, but an indispensable reference work.

This is the kind of book that you would read cover to cover. But if you were a fussy fan you would want this book in your collection for reference.

Mark Lewisohn set a new standard for primary source research in rock music. This vastly informative book combines, in slightly truncated form, his brilliant day-by-day books "The Beatles Recording Sessions" and "The Beatles Live." Also included are film and radio appearances. Along the way are many suitable and wonderful photographs. Great for browsing or for obsessive fans to devour start to finish.

For all you kids out there who picked up a guitar because you wanted to be a Beatle, this book shows you how to do it.

First, be exceedingly talented and charming, then WORK YOUR TAIL OFF! Within these pages is detailed documentation of exactly what the Beatles did to attain, then retain, their unparalleled success.

No other band, save possibly The Ramones, put in more stage time wherever they could, and we all know the results.

Read this book, young musicians, then go out there and do it, for the sake of us music fans.

Thanks to Mr. Lewisohn for this book. We look forward to his multivolume bio.