Born in the late 1700s in Hanau, Germany, Jacob and Wilhelm Grimm were noted scholars celebrated for the documentation of German folklore--and most particularly for the documentation of folk tales that had been previously passed from generation to generation by oral tradition.
The Brothers Grimm began to publish these tales 1812 under the title Children's and Household Tales, a collection which went a then unheard of six editions during their lifetimes and a posthumous edition shortly after their deaths. In its final form, the collection contained two hundred folk tales and ten "Children's Legends," and they would have a tremendous impact on both European and American popular culture.
It is here that we find such figures as Little Red Riding Hood, Cinderella, Sleeping Beauty, Hansel and Gretle, Tom Thumb, Rapunzel, and the Bremen Town Musicians--to name but a few. But be forewarned: these are not the tales as presented in such venues as The Little Golden Book series or on the big screen by Walt Disney. True enough, there is magic, wonder, and a world in which good triumphs... but there is also savage retribution, revenge, brutality, torture, and the occasional flourish of anti-semetism as well.
"Cinderella" offers a good example of the violence one often finds in these stories. Modern versions typically punish the wicked step-sisters with comic humiliation, but in the original tale their eyes are picked out by birds--and this is actually one of the less extreme retributions offered. The evil queen in the classic "Snow White" is forced to dance at Snow White's wedding... in red-hot iron shoes until she dies. Perhaps most disconcerting is the fate of the wicked servant in "The Goose Girl," who is thrown naked into a barrel driven through with spikes that is dragged by horses through the town!
Although children typically adore such gruesome details, modern parents will likely be less enthusiastic--and I myself wouldn't recommend The Brothers Grimm as bedtime story material for the very young and impressionable. They are perhaps best left to older children, especially if their taste leans to the Gothic. That said, however, the Pantheon edition is quite good, for it offers both the original German texts and English translations; it would make an excellent gift for a young language student. And the stories themselves, so often dark and brooding, deserve to be read for the long shadow they have cast re literary tradition.
GFT, Amazon Reviewer