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Most Helpful Customer Reviews
6 of 6 people found the following review helpful:
5.0 out of 5 stars
Bona Fide Classic,
By
This review is from: Complete Communion (Audio CD)
This long unavailable album is a true masterpiece of the '60's avant-garde - At times wild, at times serene and contemplative, always captivating... The interplay between the musicians is amazing, with Barbieri's sax and Blackwell's drumming especially noteworthy. Being a limited edition makes this cd an immediate must-buy for any fan of Coltrane, Ornette, or transcendent music!
4 of 4 people found the following review helpful:
5.0 out of 5 stars
a great outing,
By teresa ruggles (olathe, KS United States) - See all my reviews
This review is from: Complete Communion (Audio CD)
upon first seeing this album, i was a bit skeptical. i know that i love Don Cherry, Ed Blackwell, and Henry Grimes. but Gato Barbieri? The master of Latin Jazz? he stopped me from actually giving the disc a listen for a long time. but finally i did hear it and to much my surprise (and happiness) it was hot! Barbieri almost steals the show. but Don Cherry matches him every step of the way. if you love Ornette Coleman's recordings with Cherry and want to hear him in a "leader" role then this album is a good place to start. his later stuff really moved a lot into world music and i don't dig it as much. but this album smokes!
5 of 6 people found the following review helpful:
5.0 out of 5 stars
Just unmissable,
By
This review is from: Complete Communion (Audio CD)
Era ora! Dopo anni di oblio torna alla luce uno dei grandi capolavori del free jazz. Questo disco, registrato nel 1965 dal cornettista Don Cherry con il tenorsassofonista argentino Gato Barbieri ed una sezione ritmica composta da Henry Grimes al contrabbasso e Ed Blackwell alla batteria, rimane uno dei momenti più importanti di tutta la stagione free. Cherry, reduce da una lunga militanza nel quartetto di Ornette Coleman, trova in Barbieri il compagno ideale per intraprendere un dialogo brillante, fatto di suggerimenti, urli ed intrecci, condotto con una comunione d'intenti che sembra quasi telepatica. Anche la sezione ritmica, che crea una base poliritmica sulla quale i fiati tessono le loro trame, non disdegna d'intervenire nella conversazione. Nei due lunghi brani che compongono il disco, l'improvvisazione free e post-bop si contamina d'influssi etnici, regalando una musica che ancora oggi suona innovativa e non può che farci notare come molti degli attuali astri del jazz stiano in effetti ripercorrendo strade gia esplorate trentacinque anni fa.
Arthur Cravan
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