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Complete Jazz Message Sessions
  

Complete Jazz Message Sessions [Import]

Hank MobleyAudio CD
3.5 out of 5 stars  See all reviews (2 customer reviews)

Price: $18.79 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Audio CD, Import, 2004 $16.74  
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Complete Jazz Message Sessions + Messages + Another Workout
Price For All Three: $43.65

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  • Messages $13.61

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  • Another Workout $11.25

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Product Details

  • Audio CD (September 30, 2003)
  • Original Release Date: September 30, 2003
  • Number of Discs: 1
  • Format: Import
  • Label: Jazz Factory Spain
  • ASIN: B0000CNY4B
  • In-Print Editions: Audio CD
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,602,307 in Music (See Top 100 in Music)

 
1. There Will Never Be Another You
2. Cattin'
3. Madeline
4. When I Fall in Love
5. B. For B.B.
6. Space Flight
7. Blues Number Two
8. Orientation
9. Mobleyzation
10. Glow Worm
11. Sfax
12. Just One of Those Things
13. Cou Manchi-Cou
14. Kismet
15. Chi-Chi
16. I'm a Fool to Want You
17. Drum Conversation

 

Customer Reviews

2 Reviews
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Average Customer Review
3.5 out of 5 stars (2 customer reviews)
 
 
 
 
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4 of 4 people found the following review helpful:
3.0 out of 5 stars It Ain't Complete!, March 23, 2010
I don't own the Jazz Factory release of this material. However, I do own the material on other CD issues. First of all, the Savoy material is NOT COMPLETE here.

Savoy Jazz has issued a 2 CD set of ALL the Jazz Message material. The recordings were originally issued on 3 LPs--featuring Donald Byrd, Hank Mobley and Lee Morgan, in his debut as a leader (one day before his Blue Note debut as a leader). There are alternate takes of Cattin', Space Flight, and Blues Number Two, as well as alternate takes of B. For B., and A-1. The alternates account for nearly 25 minutes of new material.

I bought my set as a Japanese remaster that was issued in 2007. I don't know if it is currently available. But I always prefer COMPLETE issues of material that have been superbly remastered, as is the Japanese issue of the material.

The Max Roach date has Mobley as a sideman. It is available on Debut/Fantasy.

Every Amazon reviewer should write about the quality of the sound of the item reviewed.

4 stars for the material. 3 stars for Jazz Factory's incomplete issue.
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6 of 7 people found the following review helpful:
4.0 out of 5 stars Hank Mobley Complete The Jazz Message Sessions with Kenny Clarke, October 9, 2008
One disc 63 minutes approximately. Digitally remastered. This is a wonderful set by Mobley that somehow has escaped review. These tracks were recorded in 1953 and 1956 and originally issued on the Savoy and Debut labels.

The first four tracks consist of Donald Byrd on trumpet,Ronnie Ball on piano,Doug Watkins on bass,and Kenny Clarke on drums. The next three tracks trade Ball for Barry Harris on piano. These sides were recorded in 1956. The first two tracks are hard-bop at it's finest. Both horns take the lead at times and Byrd sounds quite lively here. The third track is a ballad that gives Mobley a chance to shine. Pesonally I find Mobley's ballad work is his real forte,and even though he can burn up in the hard-bop medium his sound is most effective on slower more meditative pieces. The fourth track is a well known tune thats been done by virtually everyone. Byrd gets to shine on this ballad,but it's been done to death. Mobley comes in a plays with his usual tender sounding sax, and while it's nice it's nothing extraordinary.

The next three tracks are straight ahead blowing which sound of their time. Mobley gets a chance to shine,both out front and in ensemble playing. The addition of Harris on piano doesn't seem to make much difference in the overall sound. The next three tracks have Idrees Sulieman and Leon Comegys(?) on trumpets,Gigi Gryce on alto sax,Walter Davis Jr.on piano,Franklin Skeete(?) on bass,and Max Roach on drums. On these tracks Mobley is a bit lost-to many horns clutter up his sound. These tracks have a sound which seems to be from a much larger sounding group. Solos are short with everyone comping in the background. This,to me, is not the best way to hear Mobley at his finest.

The last six tracks are in a quartet setting. Mobley,Davis,Skeete,and Roach. On tracks twelve and seventeen Roach gets a bit of a drum solo,but thakfully it's not long. These sides are a combination of hard-bop,ballads,and mid-tempo tunes. Mobley gets to stand out front and plays in his inimitable fashion. These tracks are typical jazz blowing sides from this era,and if you like Mobley from his early days you will enjoy these.
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