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The Complete Maus CD-ROM - A Survivor's Tale - Part I. My Father Bleeds History - Part II. From Mauschwitz to the Catskills
 
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The Complete Maus CD-ROM - A Survivor's Tale - Part I. My Father Bleeds History - Part II. From Mauschwitz to the Catskills [Unbound]

Art Spiegelman (Author)
4.6 out of 5 stars  See all reviews (94 customer reviews)


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Unbound, 1999 --  
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Product Details

  • Unbound
  • Publisher: Voyageur Pub (1999)
  • Language: English
  • ISBN-10: 155940650X
  • ISBN-13: 978-1559406505
  • Product Dimensions: 8.5 x 5.9 x 0.6 inches
  • Shipping Weight: 5.6 ounces
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (94 customer reviews)
  • Amazon Best Sellers Rank: #585,538 in Books (See Top 100 in Books)

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Customer Reviews

94 Reviews
5 star:
 (74)
4 star:
 (15)
3 star:
 (1)
2 star:    (0)
1 star:
 (4)
 
 
 
 
 
Average Customer Review
4.6 out of 5 stars (94 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

74 of 77 people found the following review helpful:
5.0 out of 5 stars Hardcover Includes Parts I and II, February 10, 2010
Amazon Verified Purchase(What's this?)
Browsing through the reviews and comments about Maus, I saw that there was some question as to whether the hardcover edition comprised Parts I and II. This is understandable because the product is listed in Amazon as "The Complete Maus: A Survivor's Tale (No 1)," which seems contradictory.

When I was considering purchasing it, I looked at the number of pages that were listed for the edition and guessed that it included both parts of the story. So I bought it, it arrived fine, and I am now writing to confirm that yes, this edition includes I and II.

Amazon should look into this and remove the "(No 1)" from the listing's title.
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71 of 84 people found the following review helpful:
5.0 out of 5 stars Brilliant, Tremendous, April 4, 2003
The title of this review consists of words I don't use too often. But this is a masterpiece that deserved its Pulitzer Prize and then some. What makes Spiegelman's work so moving is the juxtaposition of a supposedly lighthearted form, the comic strip, with the greatest evil and suffering in human history, the Holocaust. Spiegelman's parents miraculously survived the concentration camps, being among very few survivors, getting by on luck and (in the case of Spiegelman's father) a lot of resourcefulness. This is their story, from the point of view of the father, who lost nearly all of his relatives. With the Jews as mice and the Nazis as cats, this work pulls no punches in describing the true horrors of the Holocaust, and Spiegelman's minimalist artwork makes the images all the more disturbing. You don't get this kind of emotion, terror, and brutal honesty in standard written accounts of the period. But underneath the direct suffering of the Holocaust, the true theme of this book is the lasting effects on the Spiegelman family, including the father's lasting agony and the mental illness shared by both Spiegelman's mother and himself, who hadn't even been born yet. The strained relationship between father and son are the true heart of this tremendous work. I haven't been this blown away by a work of literature in a very long time, if ever.
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7 of 8 people found the following review helpful:
5.0 out of 5 stars One of the Most Accessible Works About The Shoah and its Aftermath . . ., January 28, 2007
By 
Foremost, let's discuss your options: the hardcover "Complete Maus" is your best buy. While it may be tempting to purchase the box-set, the hardcover edition is best for longevity. The box-set is comprised of the two soft-cover volumes in a very nice sleeve . . . but it cannot endure multiple reads as gracefully as the hardcover . . . which can be passed around to your friends and family and still maintain a tight binding. The price is comparable, but even it if were not, I would still endorse the complete single volume.

Next, let's explore why this work is used in college classrooms throughout the world. While historical texts provide much needed facts and details of The Holocaust, they frequently disconnect students from the human element. The scope of The Holocaust is just too overwhelming . . . six million, where to begin? And while many films emotionally engage us, sometimes historical inaccuracies frustrate eager learners. Moreover, even the very best films (like "Schindler's List") cannot (perhaps should not) show us the truth. For instance, when reading Brecher's "Schindler's Legacy," we learn that there are many details omitted from Spielberg's work: such as infants being held by their ankles and swung against walls until dead or the vicious dogs which mauled to death those in concentration camps. How can Spielberg show this and still maintain his audience . . . the fear is that he may not. But Spiegelman can. By relating history through mice and the graphic-novel format, Spiegelman can provide just enough emotional distance to relate many of the details which cannot be successfully told otherwise (a point which needs to be clarified in light of the fairly ignorant posts I am reading here about this text). And it does so without be branded "gratuitous." In my experience, it is one of the most effective ways to educate young people (and people of every age) about The Holocaust and the its legacy. And while many works on The Holocaust are met with student-resistance (filled with fear and anger, they fight history), this one is not. It is the gift of this work . . . people listen.

If, by chance, you wish to continue exploring Spiegelman's work, there is a phenomenal critical text which provides illumination: "Considering Maus: Approaches to Art Spiegelman's 'Survivor's Tale' of the Holocaust" by Deborah R. Geis. While geared toward scholars, it can be understood by anyone with a minimum of patience. It is worth the read, but not necessary to the comprehension of this work.

It should be known that Spiegelman's work is a personal one. Much of the text is drawn from the life of his father and what his father endured. So know that Spiegelman approaches this work with the utmost reverence. And while it relates the history of his father, it provides a very accurate description of history. In fact, this piece won The Pulitzer Prize.

This work is one of the most valuable of the twentieth-century. Without hesitation, I recommend it to anyone with an interest in history, literature, philosophy, or illustration.
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