Complete Mca Recordings

Waylon Jennings | Format: Audio CD

Product Details

• Audio CD (May 25, 2004)
• Number of Discs: 2
• Label: Mca Nashville
• ASIN: B00026WTUQ
• Average Customer Review: 4.7 out of 5 stars  See all reviews (6 customer reviews)
• Amazon Best Sellers Rank: #35,385 in Music (See Top 100 in Music)

Track Listings

Disc: 1

1. Will The Wolf Survive?

2. They Ain't Got 'Em All

3. Working Without A Net

4. Where Does Love Go

5. That Dog Won't Hunt

6. What You'll Do When I'm Gone

7. Suddenly Single

8. The Shadow Of Your Distant Friend

9. I've Got A Woman

10. The Devil's Right Hand

See all 21 tracks on this disc

Disc: 2

1. Prologue

2. Chapter One...Childhood: Littlefield

3. Chapter Two...Texas: You'll Never Take Texas Out Of Me

4. Chapter Three...First Love: You Went Out With Rock 'N' Roll

5. Chapter Four...Lost Love: A Love Song (I Can't Sing Anymore)

6. Chapter Five...Nashville: If Old Hank Could Only See Us Now

7. Chapter Six...Crazies: My Rough And Rowdy Days

8. Chapter Seven...Drugs: I'm Living Proof (There's Life After You)

9. Chapter Eight...Jessi: You Deserve The Stars In My Crown

10. Chapter Nine...Reflections: Turn It All Around

See all 22 tracks on this disc

Customer Reviews

Most Helpful Customer Reviews

16 of 16 people found the following review helpful:

5.0 out of 5 stars A different Waylon..., July 19, 2004

By 

Casey Newbold - Kerr (Melbourne, Australia.) - See all my reviews

This review is from: Complete Mca Recordings (Audio CD)

This was a different era for Waylon. He moved to MCA, was using many studio musicians (but he still used his bass player, Jerry Bridges, studio ace and Waylon regular Reggie Young, and even the future head of his horn section, Jim Horn), and didn't start introducing his own compositions, really, until the last two albums, A Man Called Hoss and Full Circle which, in my opinion, are the two best of his MCA era.

Even though he was moving back to a fuller, more polished sound with his last few RCA albums, the sound with MCA was... quite different. In a way, it was the Nashville Sound all over again. Waylon said in his autobiography that he didn't feel right with these albums -- he felt like he wasn't good enough, in a way. I believe he said his heavy smoking was hurting his voice, and it could be heard. In my opinion, he turns out some of the best vocal performances of his career on these albums. His voice was once again sounding fresh and rich -- sober, if you like.

The sound here is fine. It's DDD (all digital), so don't look for the analog warmth that you might hear on Honky Tonk Heroes or the DCC Dreaming My Dreams, because you won't find it. The last two albums don't sound as sterile. They sound much more natural. A Man Called Hoss is just a great sounding album. As we progress through the set the electronic drums and big digital reverb sound goes away a bit and, like I said, the sound is quite good on the last two albums. From a technical perspective, these are well produced albums, but, of course, there are some '80s sounds here, particularly the electronic drums. Waylon's performances are fantastic, though, and that's all that matters.

I have given this set 5 stars because any Waylon fan would, I imagine, be very pleased to have these four albums on a two CD set. The bonus tracks are also very nice. If you're familiar with Waylon's MCA years, this set will be a welcome addition to your collection. Don't buy this expecting the "outlaw" Waylon, because he's not here. But Waylon didn't have to be an outlaw to be badass, and he proves that on these albums. The production is slick, many of the songs (particularly on the first two albums) are from outside songwriters, and sometimes there are sounds that you wouldn't expect from Waylon's music, but overall the music is very good because of one key factor: Waylon Arnold Jennings.

Waylon fans, you'll love this.

(By the way, does anyone else think the title "Full Circle" was Waylon's way of saying he realised he was back to the "Nashville Sound" and whatnot and was not pleased with it? Food for thought...)

6 of 6 people found the following review helpful:

4.0 out of 5 stars 80's Waymore, June 9, 2004

By 

C. P. Gay (Sioux Falls, SD) - See all my reviews
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This review is from: Complete Mca Recordings (Audio CD)

This album is a collection of the recordings that Waylon made for MCA upon leaving RCA in 1986 after 20+ years with Nipper. You will find all four MCA albums in their entirety plus two bonus tracks. These records marked a departure from Waylon's approach to making records during his heyday. For example, there is a much greater dependence on/use of studio musicians and Nashville songwriters. The one exception to this from a songwriting standpoint is the audio-biography "A Man Called Hoss".~ The albums were co-produced by Waylon & Jimmy Bowen, recorded digitally and have a very clean, crisp sound to them.
There are a few interesting covers, such as Los Lobos' 'Will The Wolf Survive', Gerry Rafferty's 'Baker Street' and Sammy Johns' 'Chevy Van'. Personally, I think the two best of these albums are his MCA debut, "Will The Wolf Survive" and $Q

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3 of 3 people found the following review helpful:

5.0 out of 5 stars Four albums from the eighties, November 12, 2009

By 

Peter Durward Harris "Pete the music fan" (Leicester England) - See all my reviews
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This review is from: Complete Mca Recordings (Audio CD)

Waylon's legacy ultimately rests with the music he recorded for RCA, particularly his peak years of the mid-seventies, but fans should not overlook his four albums for MCA - Will the wolf survive, Hanging tough, A man called Hoss and Full circle - all presented here in their entirety. As if that were not enough, there are a couple of bonus tracks including a duet with Johnny Cash, Even cowgirls get the blues, which appeared on a duet album (Heroes) that they recorded for the Columbia label.

Highlights include Rose in Paradise (a country number one hit) and Baker Street (a cover of the Gerry Rafferty classic), but perhaps the most interesting aspect of this collection is the third of the four albums, A man called Hoss. Legend has it that Waylon thought about writing his autobiography but that doing it properly would bring libel actions by several people (although he eventually wrote that book before he died). He therefore decided (at the time) to do a musical audio-biography instead, hence the album. Of course, an album can never explore the depths that a book can but it is still fascinating.

Some of the music has a definite eighties feel to it but Waylon's fan should still find plenty to enjoy here. Nevertheless, anybody just starting to collect Waylon's music should begin with his seventies music before worrying about this.

For Waylon's fans, this easily justifies five stars.