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Complete Metronome & Vogue Master Takes
  

Complete Metronome & Vogue Master Takes [Import]

Clifford BrownAudio CD
5.0 out of 5 stars  See all reviews (1 customer review)


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Audio CD, Import, Extra tracks, 2003 --  
Audio CD, Import, 2004 --  

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Product Details

  • Audio CD (March 16, 2004)
  • Number of Discs: 1
  • Format: Import
  • Label: Definitive Spain
  • ASIN: B0001JXQ8S
  • Also Available in: Audio CD
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,032,915 in Music (See Top 100 in Music)

Disc: 1
1. Stockholm Sweetnin'
2. 'Scuse These Blues
3. Falling in Love With Love
4. Lover, Come Back to Me
5. Brown Skins
6. Deltitnu
7. Keeping Up With Jonesy
8. Conception
9. All the Things You Are
10. I Cover the Waterfront
See all 15 tracks on this disc
Disc: 2
1. Minority
2. Salute to the Band Box
3. Strictly Romantic
4. Baby
5. Quick Step
6. Bum's Rush
7. Chez Moi
8. Hello
9. All Weird
10. Blue and Brown
See all 16 tracks on this disc

Editorial Reviews

Two CD collection from the Jazz trumpeter containing all the master takes for the Metrome and Vogue labels, recorded in the summer and fall of 1953. Personnel includes Art Farmer, Quincy Jones, Jimmy Cleveland, Gigi Gryce, Anthony Ortega, Pierre Michelot, Philly Joe Jones, Lars Gullin, Arne D¢mnerus, Beng Hallberg and many others. 31 tracks total. Definitive. --This text refers to an alternate Audio CD edition.

 

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Average Customer Review
5.0 out of 5 stars (1 customer review)
 
 
 
 
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Most Helpful Customer Reviews

4 of 4 people found the following review helpful:
5.0 out of 5 stars Brownie's Paris Recordings w/o the Alternate Takes, May 31, 2009
Amazon Verified Purchase(What's this?)
These are the master takes from Brownie & co. recorded in Paris in 1953, which are also to be found on the 3 volumes of "The Paris Recordings", excluding alternate takes. It also includes a 1953 session made in NYC with Tad Dameron's Big Ten (including Percy Heath and Philly Joe). The Paris sessions were made during spare time when Brown and other artists such as Gigi Gryce, Art Farmer and Quincy Jones weren't playing with Lionel Hampton's crew. To me, these recordings are just as essential as Brown's with Max Roach. I had never heard of Definitive Records (located in Spain), but was pleasantly surprised by the sound, which is excellent for the time. I have since purchased a Coleman Hawkins set by the same label (Body and Soul: The Complete Victor Recordings 1939-56), which is also superb.
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