Customer Reviews

The Complete Plays: The Ruffian on the Stair, Entertaining Mr. Sloan, the Good and Faithful Servant, Loot, the Erpingham Camp, Funeral Games, What the Butler Saw

5 star:		(9)
4 star:		(0)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

Tragic, brutal things happen to the characters in these plays. But none of these people is particularly likeable, so you can't really care. It's all just as well for them, in some ways, and it's all in good fun. The characters manipulate each other, lie to each other, steal from each other, screw each other, kill each other, and deny that they do it. Everyone here has the ethics of a doorknob, and it's all pretty enjoyable.

The last one, "What The Butler Saw", got a little bit too ridiculously farcical for my taste and went on too long, but it has its moments; and otherwise they're all pretty good to read.

I can also recommend the introduction. Joe Orton lived his own life very much like the people in his plays (which makes you wonder how much of his material was supposed to be comedy). Even his death was true to form: his envious lover, actor Kenneth Halliwell, bashed in Orton's brains with a hammer just prior to doing himself in with 22 sleeping tablets.

Although he is considered among England's greatest playwrights, today Joe Orton (1933-1967) is better known for the way in which he died--his head beaten in with a hammer by his long-time lover Kenneth Halliwell--than for his works. It is a bitter and ridiculous irony that might have been lifted from one of his own plays. It is also a great pity, for Orton was a comic genius whose plays equal the best of English with from Congreve to Wilde to Coward. And if you like your comedy with an ample edge of mean-spiritedness, brutality, cruelty, and flat-out viciousness, Orton is the man for you.

THE COMPLETE PLAYS is not as complete as the title implies, for the text leaves out several titles that never received any production during Orton's lifetime. Still, it does collect the major titles, and that in itself is enough to earn it a place on any serious play-reader's shelf.

Originally presented as a BBC radio program, THE RUFFIAN ON THE STAIR presents the story of Joyce, an unmarried woman of dubious background who is now under the control of Mike, an older man who has mysterious assignations that lead to a fateful encounter with a boy hairdresser named Wilson--whose lover (or brother, depending on how you think about it) may have been a victim of one of Mike's covert operations. It got Orton noticed, and his next effort would truly put him on the map: ENTERTAINING MR. SLOANE was and is one of the salaciously funny comedies ever brought to the stage, the wickedly funny tale of an aging sex-crazed woman and her homosexual brother who use their father's murder as a means of blackmailing a young thug into their respective beds.

THE GOOD AND FAITHFUL SERVANT, THE ERPINGHAM CAMP, and FUNERAL GAMES have much to offer but are actually minor titles in comparison with the two plays that critics consider great masterpieces: LOOT, a bitterly savage farce concerning a robbery, a death in the family, and the uses to which you can put Mother's coffin (not to mention false teeth) in a pinch; and WHAT THE BUTLER SAW, set in a psychiatrist's office in which everyone has truly gone round the bend.

Orton was a master of language that forces you to laugh even as it cuts you like a straight-edged razor across the throat; you can't help but laugh even as you collapse bleeding to the floor. Even so, it is worth pointing out that plays are really written to be performed rather than read, and this particularly true of Orton; unless you have a very strong background in theatre you may do better to wait for your local rep company to take up the challenge.

GFT, Amazon Reviewer

This collection of (the late) Joe Orton's plays is amazing. Not for those who are easily offended or whose feelings are hurt. Orton, who was described as a "poor Oscar Wilde," lived up to the name. His plays are fast paced assults on everything that the British hold dear. There is no respect for religion, custom, death or social norms.

Satirical and full of quick wit, Orton's plays attack British culture and spit on everything that the "respectable person," would hold dear.

Orton does not hold back anything and could come on a bit strong for a conservative reader, but my suggestion is that any lover of drama and theater should own and read these plays.

Beaten to death by his male lover in 1967, Joe Orton has been rediscovered as an intriguing look into the mind and soul of a man who lived ahead of his times. His plays are fascinating and have so many layers that you can enjoy them repeatedly. He also wrote a screenplay for the Beatles, which was never filmed (according to the dustjacket). Now wouldn't that be interesting!

Jo Orton died tragically in his mid thirties, the plays in this collection are now as old as he was when he wrote them and the fact that they still stand the test of time is credit to their sheer, for want of a better word; 'genius'. If you ever wondered where The League Of Gentlemen, Python and so on took there inspiration from, here is your answer. Characters ranging from ludicrous to even more so, plots so confusing and bizarre they require re-reading, this book will always throw up something new everytime you read it, and then dare you to try and make sense of any of it. If you have a passion for traditional, Shakespearian plays then you should look elsewhere, because it is clear that Joe Orton didn't. Every rule broken, every side split, this is the genre defining pinnacle that contemporary theatre will never again reach. A real moment in history that you need to own. Trust me.

This Volume contains every play that Joe Orton-now a key figure in modern British drama-wrote before his violent death in 1967 at the age of 34. It includes four shorter plays ("The Ruffian on the Stair", "The Good and Faithful Servant", "The Erpingham Camp" and "Funeral Games") and the three plays for which Orton is chiefly known here: "Loot", "What the butler Saw" and "Entertaining Mr. Sloane."

I bought the book for the play "What the Butler Saw" which style remedies me of "The Importance of Being Ernest" by Oscar Wilde. The other plays are an added plus.

Read the book then see if you local theater is aware of the plays.

"Hal: Bury her naked? My own mum? Its a Fruedian nightmare!"...or something like that. Too bad his own death was an act of violence too

Orton's work will never be dated, unrelatable, nor unfunny. His writing is amazingly brilliant, hilarious, and great to read as well as see. Do youself a huge favor and read his collected plays.

I'm actually playing the "Erpingham camp". This writer is odiously cynical but really funny.