Most Helpful Customer Reviews
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14 of 17 people found the following review helpful:
5.0 out of 5 stars
Fairy tales, feminism, and faith, January 9, 2003
This is the first paperback edition of Rossetti's complete poems. The book is rather daunting at over 1200 pages, and nearly 200 of those pages are textual notes. The textual notes are great for those interested in the historical context of Rossetti's work, biblical influence and allusions in her poetry, and some relevant excerpts from her letters as well as her brother's notes to a previous publication of her complete poems.
The variety and bulk of her work are the most impressive aspects of this volume. The poetry collections published during her lifetime included a set of nursery rhymes, a series of devotional verses, two books beginning with long fairy tales, and another beginning with a children's pageant of the months which was widely performed during her lifetime. All of these collections are included here, as well as all of her other extant published and unpublished poems. Some of the unpublished poems include a moving series of love poems written in Italian, with translation into English in the textual notes.
If you are incredibly interested in Rossetti's life and poetry, absolutely buy this. For the casual fan of her poetry, I would recommend buying a smaller book such as the Everyman Paperback Classics collection of her work.
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7 of 8 people found the following review helpful:
5.0 out of 5 stars
An excellent volume, November 12, 2003
This is a comprehensive volume of the work from the greatest woman poet ever to write in the English Language. It contains all of her poems, properly organised into the correct categories (and a decent index!). It doesn't have any of the prose work like Speaking Likenesses or Face of the Deep, but for her skilled, deep, and beautiful poetry this publication is essential.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
Fields of poetic flowers, April 21, 2009
After the mysterious, luscious wonders of the acclaimed "Goblin Market," I was eager to sample more of Christina Rossetti's work. Selecting this immense volume of complete poems was a bit of a leap in the dark ... but it was definitely the right choice!
The root of her poetry's lasting power is twofold, I think.
Firstly, there's the undeniable craft & artistry of it. Rossetti possesses the gift of writing melodic, evocative poetry seemingly without effort -- whatever hard work went on behind the scenes, the result on the page is always natural, compelling, and transporting. Even the poems of grief & sorrow have a somber beauty to them, a melancholy loveliness that adorns death without masking it.
Secondly, there's the interplay between Rossetti's Victorian worldview -- a mixture of sentiment, complex piety, and a stark awareness of death -- and the personal psychological forces running below the surface, often sensual & erotic. All too easy for the clashing of these things to produce confusion; but in Rossetti's case, they blend to create a remarkable & very deep wellspring of poetry.
So we have such dreamlike poems as "The Dead City," as well as the many devotional poems -- and all draw upon that same vivid, intense power. Even for the agnostic or atheist, the religious poems often possess a rich & disturbing beauty. And there are many more poems in the same opulent vein as "Goblin Market."
This volume provides brief, informative textual notes that illuminate Rossetti's sources & references. But the poetry itself is not only quite accessible to the reader, it's also as irresistable as the sweet, addictive fruit offered by the sinister goblins. Most highly recommended!
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