8 of 8 people found the following review helpful:
5.0 out of 5 stars
An Excellent Compilation, October 23, 1998
By A Customer
This review is from: Complete Poems (Revised Edition) (Paperback)
Author Nicholas Georgiannis has done Hemingway readers -- and poetry readers in general -- a great service by compiling this popular author's poems into an authorized version. Readers will find that Hemingway's poems run the gamut from starkly serious to bitter to silly, often revealing an acrid sense of humor. Those unfamiliar with Hemingway's poetic works will find Georgiannis' Introduction quite helpful in setting the literary background. Furthermore, readers will find the 'Explanatory Notes' and 'Related Readings' at the end of the book are quite helpful in understanding Hemingway's terms and references. My only problem with the book is Georgiannis' decision not to include certain "controversial poems", including 'Hurray for Fonnie Richardson', because it "could hurt a living person." (162) His decision not to hurt anyone is admirable and understandable, but in the end not to be publish those works would be illiberal. So circumstanced, serious students of Hemingway will want the complete man, sins and all. Not to worry: his greatness will go undiminished thanks to the efforts of authors like Nicholas Georgiannis.
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5 of 6 people found the following review helpful:
5.0 out of 5 stars
Ernest the Lionized...Evidently he deserves every bit of it, March 13, 2002
This review is from: Complete Poems (Revised Edition) (Paperback)
I read this short volume without a clear conception of what Hemingway's poetry would turn out to be. I'd always heard it said that Hemingway's economy in his prose rendered paragraphs into a poetry of their own. But the dynamics of poetry are somewhat different from those of prose: While giving one untrammeled use of the English language (heck, you can even be forgiven a few perversions of grammar), you have to have an ear for meter, let the cadence exalt each verse into a brief apotheosis, where prose writing could take twice as much time to shoot its load. Thankfully, Hemingway was as brilliant (and troubled) a poet as he was a novelist.
Hemingway's early poetry is a good indication of what he was soon to create. From the facetious poems about baseball and high school track teams mimicking the verse of his idols,to the smart allecky "Blank Verse" (written as an imposed classroom assignment), we get a good sense of the wry, often witty Hemingway that was to emerge in parts of books such as the Sun Also Rises. Yes, despite the suicide, despite the preoccupation with war and violent sports (bullfight, anyone?) Hemingway had a knack for giving life to people tersely, but with all the effect that a more prolix writer could. (Take the descriptions of Jake drinking wine from a native's winesack on a bus, exultant at the thought of a fishing trip forthcoming.) This, not to say joyful, but at least sometimes happy side to Pappa's poetry is almost completely supplanted by the style that dominated his years in Europe as a WWII correspondent, Cuba, and Idaho. These poems are more technically adroit, sometimes beautiful, but introspective and often a bit more than morose. Ironic: The same man who inveighed against Dorothy Parker for her failed suicide attempts blew his mind out in some corner of Idaho decades after he'd made a name for himself in literature so rockfast that, as long as there are the literate, there will be the Hemingway-lovers.
That notwithstanding, Hemingway made a name with Farewell to Arms, The Battler, et al. These poems are brilliant, but, for the two of you who've never read a Hemingway prose volume, remember: His novels are just glorious poems with more action, characters and plot. And are far more reflective of his genius than even these wonderful selections.
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4 of 8 people found the following review helpful:
1.0 out of 5 stars
I'm sorry, July 24, 2003
This review is from: Complete Poems (Revised Edition) (Paperback)
I read these poems 25 years ago in a City Lights edition. While EH is a major part of my life through the inscrutable (or perhaps ultimately scrutable) elegance and beauty of his prose, this is some of the worst poetry I've ever read. It is clumsy, it doesn't flow, it is cliche; none of the things that turn language into poems is there. This does nothing to lessen his importance as one of our greatest writers, but not everybody can be transcendant in every medium. (Ever seen one of his paintings? Save yourself the pain. Check out some of Picasso's poems. No, don't.)
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