Complete Secular Songs (3cd) [Box set]

Henry Purcell (Composer), Robert King (Conductor), King's Consort (Orchestra), Michael George (Performer), James Bowman (Performer), Barbara Bonney (Performer), Susan Gritton (Performer), Charles Daniels (Performer) | Format: Audio CD

Product Details

• Performer: Michael George, James Bowman, Barbara Bonney, Susan Gritton, Charles Daniels
• Orchestra: King's Consort
• Conductor: Robert King
• Composer: Henry Purcell
• Audio CD (January 13, 2004)
• SPARS Code: DDD
• Number of Discs: 3
• Format: Box set
• Note on Boxed Sets: During shipping, discs in boxed sets occasionally become dislodged without damage. Please examine and play these discs. If you are not completely satisfied, we'll refund or replace your purchase.
• Label: Hyperion UK
• ASIN: B0000DJENT
• Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #202,031 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

11 of 11 people found the following review helpful:

5.0 out of 5 stars An essential recording for lovers of Henry Purcell's music., January 29, 2008

By 

Steven Guy (Croydon, South Australia) - See all my reviews
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This review is from: Complete Secular Songs (3cd) (Audio CD)

I am surprised that this superb product, released in 2004, hasn't attracted any reviews yet. So I will offer a brief one.
This CD contains all of Henry Purcell's secular solo songs, although it does include some works for more than one voice. The CD contains highly informative notes on each the songs and the texts of all 87 songs. The songs are spread amongst the six singers - Barbara Bonney and Susan Gritton, sopranos; James Bowman, alto; Rogers Covey-Crump and Charles Daniels, tenors; Michael George, bass. The accompaniment, from Robert King's The King's Consort, consists of Mark Caudle and Susanna Pell on bass viols, David Miller playing the theorbo and archlute and maestro Robert King on the chamber organ and harpsichord.

The sound of the recording is very fresh, clear and vivid, as they say. It is exemplary of Hyperion's very high standards in that department. The presentation of the CD is very beautiful and tasteful. All in all, a great achievement and a very fine collection.

Purcell's songs range from the introspective ("Music for a while"), to the melancholy ("O Solitude, my sweetest choice!"), to the hedonistic ("Ah, how pleasant 'tis to love"), to the frankly bawdy ("Since the pox, or the plague") and comical ("Love is now become a trade"), to straight out love songs ("Oh, fair Cedaria, hide those eyes"). Purcell was the master of setting the English language to music and I'd say that his only serious rivals are John Dowland and Benjamin Britten.

This recording is one I treasure and it is one of the best Purcell recordings available. I bought it a couple of years after buying Purcell's complete Welcome Songs & Odes by Robert King and The King's Consort, also on Hyperion. Any serious lover of Purcell's music should have both.

I would love to see a complete survey of Purcell's Catches on CD. The lack of a recording of these works seems to represent a serious hole in the modern range of recordings of Purcell's music. The Deller Consort and Pro Cantione Antiqua recorded some of them many years ago. However, no modern recordings are available, as far as I know.

2 of 2 people found the following review helpful:

5.0 out of 5 stars The best recording of these pieces available., May 5, 2010

By 

T. Eastham "Sci-Fi/Fantasy Guru" (Somerset, KY USA) - See all my reviews
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Amazon Verified Purchase

This review is from: Complete Secular Songs (3cd) (Audio CD)

So I got this today, and I was astounded.

King's Consort produces another brilliant interpretation and performance of works by Henry Purcell. This collection of Purcell's solo secular songs (though some, as the previous review mentions, have short duets within them) is superbly sung all around. A note on the vocals, they aren't the most "early music" vocals you'll find. The singers all certainly demand attention, but for me, I think that's perfectly fine. The very subdued singing that some take to Baroque music seems to detract from the emotion of these pieces--emotion that is clearly intended from the text painting. However, they also aren't sung in an unnecessarily grandiose way or with too much drive. Frankly, it's just right.

If you enjoy Purcell's music, this collection is absolutely necessary.