6 of 6 people found the following review helpful:
5.0 out of 5 stars
Nice edition for an accompanist, November 22, 2004
This review is from: Complete Songs for Voice and Piano (Dover Song Collections) (Paperback)
I generally can't stand Dover editions. The bindings make me crazy! BUT - unlike others, this one actually lays flat on the piano. Only pianists will appreciate how wonderful that is! It's an exact reprint of the Boosey & Hawkes 2 volume set, though significantly cheaper. I have the Boosey & Hawkes, but added this one just to have everything together and because it lays so nicely.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
Not so "complete", but..., August 6, 2000
This review is from: Complete Songs for Voice and Piano (Dover Song Collections) (Paperback)
A somewhat carefully made edition, with texts in russian and translated to english and french. Rachmaninoff's songs are of unsurpassed beauty and richness; This "lieds" recquires special skills for the performers; the piano parts are not mere accompanyments, but complex and and difficult in essence. The problem is, although the title of this book says "complete", it is not: some songs, which don't have specific opus numbers, are not in this compilation. The maximum rate is given only because it's... Rachmaninoff.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
A beautiful and affordable collection of some of the most beautiful songs ever written..., August 7, 2008
This review is from: Complete Songs for Voice and Piano (Dover Song Collections) (Paperback)
Rachmaninoff has composed some of the most beautiful songs in existence, but these treasures are largely untouched, save for his Vocalise (Op.34 No.14), and maybe Op.4 No.4 and Op.21. No.7. This is a shame, considering that there are many treasures available in his collection of songs.
Interestingly, the "cycles" or groups of songs are not the same cycles that we find in the works of other composers. Rachmaninoff has set up these Opus numbers to contain songs for each of the main voice types, and therefore, the cycles are either meant to be sung by multiple vocalists, or are not intended to be sung in a sequence.
Any way that you choose to study and Perform Rachmaninoff song repertoire, you cannot go wrong. The challenges of this series goes beyond the difficulty of the rarely-sung Russian language. The ranges are often astonishingly challenging, with the climax being held for at least a value of a half-note.
I would only improve this book by providing IPA or other phonetic aids to the text. And, of course, I always like to see accompaniment provided on CD with repertoire books, since I am a lousy pianist!
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