The Complete Stories of Evelyn Waugh [Hardcover]

Evelyn Waugh (Author)

Book Description

Publication Date: September 13, 1999

A book of brilliant entertainments: thirty-nine stories spanning the entire career of a great modern writer and an undisputed comic genius, "a satirist whose skill at sticking pens in people rates him a roomy cell in the murderers' row (Swift, Poe, Wilde, Shaw) of English letters" (Time).

Editorial Reviews

Amazon.com Review

Mordant, mirthful, and unrelenting in their lampoon of aristocratic mischief, Evelyn Waugh's novels have earned him a permanent place in the literary pantheon. But this cantankerous master--the scion, by the way, of a decidedly middle-class family of publishers and writers--was no less adept when it came to the short form. Indeed, Waugh first broke into print in 1926 with "The Balance: A Yarn of the Good Old Days of Broad Trousers and High Necked Jumpers," an early story that suggests a modernized and misanthropic P.G. Wodehouse. And he continued to write short fiction throughout the rest of his career, all of which has now been collected in the delectable Complete Stories of Evelyn Waugh.

The first few entries in the collection capture a kinder, gentler author, not yet red at the verbal tooth and claw. But by 1932, when he wrote "Love in the Slump," Waugh's eye for the black-comic detail was firmly in place:

It rained heavily on the day of the wedding, and only the last-ditchers among the St. Margaret's crowd turned out to watch the melancholy succession of guests popping out of their dripping cars and plunging up the covered way into the church.... A doctor was summoned to attend the bridegroom's small nephew, who, after attracting considerable attention as a page at the ceremony by his outspoken comments, developed a high temperature and numerous disquieting symptoms of food poisoning.

Waugh's wit only sharpened throughout the succeeding decades, and the very texture of his prose thickened (although it never took on much in the way of modernist adipose tissue). In "Compassion," a 1949 tale that belies the author's vaunted anti-Semitism, a mere glimpse of some Yugoslavian partisans leads to this superabundant sentence: "He passed ragged, swaggering partisans, all young, some scarcely more than children; girls in battle dress, bandaged, bemedalled, girdled with grenades, squat, chaste, cheerful, sexless, barely human, who had grown up in mountain bivouacs, singing patriotic songs, arm-in-arm along the pavements where a few years earlier rheumatics had crept with parasols and light, romantic novels." Nobody can accuse Waugh of squishy sentimentality--remember, romantic prose is strictly for convalescents. Still, The Complete Stories offers an accurate and stupendously entertaining vision of human folly, no less effective for being administered in smaller doses.

From Publishers Weekly

"It seems to me that Nature, like a lazy author, will round off abruptly into a short story what she obviously intended to be the opening of a novel," observes the Oxford-dropout narrator of "A House of Gentlefolk," and the same might be said of a handful of the 40-odd short pieces in this lavishly entertaining collection that resemble sketches and false starts toward longer works. Among them are two intriguing chapters of Work Suspended, a novel that Waugh abandoned in the mid-1940s, and his Oxford writings and juvenilia. But at his best, Waugh is a blazing practitioner of the short story, for it proves an ideal framework for a style that eschews the psychoanalytical investigations of modernist writers like Joyce or Woolf for taut social commentary, stylized characters and hilarious, dramatic conceits. Few aspects of life in England between the wars escape Waugh's blistering attention, be they the colonial blunderings of innocents abroad, the manners of genteel country families or the antics of his own peers, such as the supercilious Bright Young Thing in "Out of Depth" who antagonizes a magician he meets at a London dinner party and is transported to the 25th century. Waugh loves visiting cruelties upon his characters, like the cuckolded London dilettante in "The Man Who Liked Dickens" who funds an ill-fated expedition to the Amazon, is imprisoned by a Kurtz-like chief and forced to read Dickens to his captor. His misanthropy notwithstanding, Waugh is so adept at punchy openings, deadpan zingers and wickedly ironic situations, and so graceful is his use of language, that this volume should serve, at a time of renewed interest in the short story, as primer on the infinite possibilities of the form. (Sept.)
Copyright 1999 Reed Business Information, Inc.

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Product Details

• Hardcover: 536 pages
• Publisher: Little, Brown and Company (September 13, 1999)
• Language: English
• ISBN-10: 0316925462
• ISBN-13: 978-0316925464
• Product Dimensions: 6.5 x 1.5 x 9.5 inches
• Shipping Weight: 2 pounds (View shipping rates and policies)
• Average Customer Review: 4.4 out of 5 stars  See all reviews (8 customer reviews)
• Amazon Best Sellers Rank: #373,443 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

22 of 23 people found the following review helpful:

4.0 out of 5 stars Like Bathing In Bubbles And Acid, December 19, 2005

By 

Bill Slocum (Norwalk, CT USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: The Complete Stories of Evelyn Waugh (Paperback)

Meanness to your fellow man is no virtue unless you write fiction, especially the kind perfected by the 20th century's most celebrated malcontent, Evelyn Waugh. Then it can be quite fun, especially when offered small but pungent doses like you get here.

A collection of Waugh's shorter fiction, including several novellas and some pieces written while a child and college student, "The Complete Stories Of Evelyn Waugh" is an entertaining, satisfying demonstration of both the breadth and wit of one of English fiction's finest stylists, not to mention a place to get to know Waugh better after reading his better-known novels like "Handful Of Dust" and "The Loved One."

You don't think of Waugh as a punchy writer, at least I didn't from reading the above novels and especially his "Sword Of Honor" trilogy. When your most successful film adaptation runs 11 hours, a writer isn't expected to shine in short sprints. But all his novels have their sharp dramatic moments, sudden reversals and even shock endings. Waugh was best known for his dialogue and descriptive prose, but "Complete Stories" drives home the point that Waugh could spin a yarn and cap it off with the best of them.

Take perhaps the two best-known stories here, "Bella Fleace Gave A Party" and "Mr. Loveday's Little Outing," both of which showcase Waugh's celebrated misanthropy with stories that are not only keenly realized but carry you along at a brisk pace before dropping you on a dime. You feel for sad Bella, especially, yet Waugh's satirical send-up of social mores leaves a delicious aftertaste, however cruelly presented, because of the cleverness of his invention.

Other stories work that way, too. "Incident In Azania," with its story of a young woman kidnapped in Africa, could be an O. Henry story, namely "The Ransom Of Red Chief." "The Sympathetic Passenger" reminds one of Stephen King, a story of picking up the wrong hitchhiker that is frightening, funny, and gallops along to a quick jolting conclusion.

As a dog lover, my favorite story has to be "On Guard," a gentler tale about a suitor who buys his ladylove a dog named Hector and instructs it to keep any other likely Romeos away until his return from sea, a "commission" the pup takes very seriously. "He understands everything," the woman coos, not realizing how right she is as he barks at and pees on every male who walks through her door.

There's also a couple of forays into science fiction, not to mention a prequel to "Brideshead Revisited," and an alternate ending to "Handful Of Dust" worth reading for those who liked those books at least. Even the less successful works, of which there are a few, are entertaining most of the way through, not to mention illuminating of Waugh's singular mindset, which could look compassionately one moment upon the plight of Jewish refugees in the Balkans and serve up a farcical matrimonial murder the next.

The biggest drawback to this volume is the lack of any secondary material. No introduction, no footnotes, not even headers above each of the stories telling you when they were written or why. It's a sizeable omission, especially for the juvenilia, where spelling mistakes are about the only clue you get as to the author's age.

But there's no better place to get Waugh in his most concentrated form, a perfect companion for a trip to idle away an hour under the sun, pondering life's arbitrary cruelties from multiple vantage points in the company of a cheerful, fascinating cynic.

14 of 15 people found the following review helpful:

5.0 out of 5 stars Compulsive reading for non proles!, September 12, 1999

By A Customer

This review is from: The Complete Stories of Evelyn Waugh (Hardcover)

Incisive insight into aristocratic foibles of yesteryear. Witty portrayals of eccentricity only found in the Isles of Albion.Totally uncool and untainted by the new overalls of New Labour.English prose at its best - Ken Follett "Eat your heart out".

18 of 21 people found the following review helpful:

5.0 out of 5 stars For Wauvian Worshippers, May 17, 2002

By 

L. Dann "adhdmom" (Philadelphia, Pennsylvania United States) - See all my reviews
(REAL NAME)   

This review is from: The Complete Stories of Evelyn Waugh (Paperback)

Evelyn Waugh is the author of my favorite book, "Decline and Fall" and I am also extremely positive about most of his other novels. This volume would have been better named the Complete Short Fiction as it is more a study of starts, new endings, periods, etc. and some short stories. This must be part of a Waugh-obsessed person's library, and I consider myself one of that distinction. ... This collection is like a lost treasure map for his familiars. It includes a story which can only be an attempt to subvert a considerable anti-semetic theme in his work. It provides a time and place coincidental with the failure of his marriage that his fictional marriages carry sinister, if comedic overtones. He even wrote self-parody, in the characters that were bloated boors, alchohol reddened old men, undeniably like himself.

Frankly, I can't imagine a world without the old impossibly wicked, toad. ... He was gallingly honest when it came to intolerance for silly, selfish theater of human beings. He skewered irresistably, an African royal celebration desperately trying to seem European. And the book adds to his best known cruelty toward the champagne swilling beautiful young things, lacking in the most basic human instincts, especially towards children, passion for others or ideals. (He was not considered a loving parent, by any means.)
These are great boons to those of us who want more, having been through everything else so often. Waugh's work is shocking and hilarious. I only wish he could return briefly and leave us something on the politically correct. But as that will surely not come to pass, I must say, that this volume is a great footnote, to the god of caustic disdain, to be read in bits and pieces- forever.