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The Complete Works of William Shakespeare (43 Works & 154 Sonnets) With Active Table of Contents ATOC
 
 

The Complete Works of William Shakespeare (43 Works & 154 Sonnets) With Active Table of Contents ATOC [Kindle Edition]

William Shakespeare
4.2 out of 5 stars  See all reviews (81 customer reviews)

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Product Description

This is The Complete Works of William Shakespeare All 43 Works & 154 Sonnets.

This eBook has an Active Table of Contents & is easily Searchable.
The book opens directly to the text, so you can enjoy it faster, press bage back to get the Table of Contents.
Font Size 2 Yeilds the best formatting for your enjoyment.

All's Well That Ends Well

Antony and Cleopatra

As You Like It

The Comedy of Errors

The Tragedy of Coriolanus

Cymbeline

The Tragedy of Hamlet, Prince of Denmark

The First part of King Henry the Fourth

The Second part of King Henry the Fourth

The Life of King Henry the Fifth

The First part of King Henry the Sixth

The Second part of King Henry the Sixth

The Third part of King Henry the Sixth

The Life of King Henry the Eighth

The Life and Death of Julies Caesar

The Life and Death of King John

King Lear

Loves Labours Lost

The Tragedy of Macbeth

Measure for Measure

The Merry Wives of Windsor

The Merchant of Venice

A Midsummer Night's Dream

Much Ado About Nothing

Othello, the Moore of Venice

Pericles, Prince of Tyre

The Life and Death of Richard the Second

The Life and Death of Richard the Third

Romeo and Juliet

The Taming of the Shrew

The Tempest

Timon of Athens

Titus Andronicus

Troilus and Cressida

Twelfth Night

Two Gentlemen of Verona

Winter's Tale

A Lover's Complaint

The Passionate Pilgrim

The Phoenix & The Turtle

The Rape of Lucrece

The Argument

The Sonnets (154)

Venus & Adonis


Please, Enjoy.

From the Back Cover

The Complete Works of Shakespeare, Sixth Edition
David Bevington

Why do we need a new edition of Shakespeare’s plays? Listen to what David Bevington has to say in his preface to this sixth edition:

“No period in history has seen such an extensive study of Shakespeare, and no period has experienced so many revolutions in critical method: feminist, new historical, deconstructive, post-colonial, and more. My attempt has been [constantly] to reeducate myself, to learn more about the complexities of meaning and the innumerable alternative possibilities that present themselves to the student of Shakespeare. Above all, I have tried to learn how to improve accessibility and clarity for today’s reader in the interpretation of this extraordinary body of dramatic literature.
My hope is that the sixth edition offers students and general readers the most accessible and usable Shakespeare anthology on the market.”


Surely one of today’s premier Shakespeare scholars, David Bevington is also an extraordinary teacher whose concern is always how to make these remarkable plays compelling for every reader. Bevington’s work addresses the primary problems most of us have with reading Shakespeare–an unfamiliarity both with the historical period and with the challenging language–by providing a comprehensive General Introduction that offers wide-ranging historical, cultural, and critical context for our reading, as well as clear, accessible, line-by-line glosses for the sometimes bewildering Elizabethan language and idioms. At a time when many of us come to Shakespeare by way of film, Bevington brings us back to the wonder of the words.

Also available: VangoNotes: How to Study Shakespeare offers a new way to hear and experience Shakespeare’s language through downloadable podcasts.

Visit us at www.pearsonhighered.com


Product Details

  • Format: Kindle Edition
  • File Size: 4934 KB
  • Simultaneous Device Usage: Unlimited
  • Sold by: Amazon Digital Services
  • Language: English
  • ASIN: B001U891HE
  • Text-to-Speech: Enabled
  • Lending: Enabled
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (81 customer reviews)
  • Amazon Best Sellers Rank: #59,679 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Customer Reviews

81 Reviews
5 star:
 (52)
4 star:
 (10)
3 star:
 (8)
2 star:
 (4)
1 star:
 (7)
 
 
 
 
 
Average Customer Review
4.2 out of 5 stars (81 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

166 of 169 people found the following review helpful:
5.0 out of 5 stars An excellent edition for the student and general reader., July 2, 2001
THE COMPLETE WORKS OF SHAKESPEARE. Updated Fourth Edition. Edited by David Bevington. 2000 pp. New York : Longman, 1997. ISBN 0-321-01254-2 (hbk.)

As complete Shakespeares go, the Bevington would seem have everything. Its book-length Introduction covers Life in Shakespeare's England; The Drama Before Shakespeare; London Theaters and Dramatic Companies; Shakespeare's Life and Work; Shakespeare's Language : His Development as Poet and Dramatist; Edition and Editors of Shakespeare; Shakespeare Criticism.

The texts follow in groups : Comedies; Histories; Tragedies; Romances (including 'The Two Noble Kinsmen'); Poems. Each play is given a separate Introduction adequate to the needs of a beginner, and the excellent and helpful brief notes at the bottom of each page, besides explaining individual words and lines, provide stage directions to help readers visualize the plays.

One extremely useful feature of the layout is that instead of being given the usual style of line numbering - 10, 20, 30, etc. - numbers occur _only_ at the end of lines which have been given footnotes - e.g., 9, 12, 16, 18, 32. Why no-one seems to have thought of doing this before I don't know, but it's a wonderful innovation that does away entirely with the tedious and time-wasting hassle of line counting, and the equally time-wasting frustration of searching through footnotes only to find that no note exists. If the line has a note you will know at once, and the notes are easy for the eye to locate as the keywords preceeding notes are in bold type.

The book - which is rounded out with three Appendices, a Royal Genealogy of England, Maps, Bibliography, Suggestions for Reading and Research, Textual Notes, Glossary of common words, and Index - also includes a 16-page section of striking color photographs.

The book is excellently printed in a semi-bold font that is exceptionally sharp, clear, and easy to read despite the show-through of its thin paper. It is a large heavy volume of full quarto size, stitched so that it opens flat, and bound, not with cloth, but with a soft decorative paper which wears out quickly at the edges and corners.

If it had been printed on a slightly better paper and bound in cloth, the Bevington would have been perfect. As it is, it's a fine piece of book-making nevertheless, and has been edited in such a way as to make the reading of Shakespeare as hassle-free and enjoyable an experience as possible. Strongly recommended for students and the general reader.

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137 of 141 people found the following review helpful:
5.0 out of 5 stars The best and most helpful single-volume edition, April 2, 2001
Students and various e-mail correspondents often ask me which single-volume Shakespeare edition I would recommend, and I never hesitate in naming this one, as I think it has a long lead over its rivals. I have myself used the 1992 printing with amazing frequency both in research and in teaching, and always with advantage.

Why is this the best edition for a reader who wants as much as possible within the confines of a single book? First, it should be pointed out that unannotated editions such as the Oxford Complete Works are all in all of comparatively little use as even expert Renaissance scholars - leave alone inexpert readers - cannot read Shakespeare's language unaided; there are simply far too many words, features of grammar, etc., which a modern reader is certain to interpret inaccurately or not to understand at all. So it is essential to have intelligent and well-informed annotation that will help one to understand the text. Bevington's is extraordinarily good: knowledgeable, precise, and helpfully clear.

Second, an editor needs to be able to produce a responsible modernised text. Shakespeare cannot be understood by many unless he is read in modern spelling, and the punctuation of his period, too, often leads most modern readers astray. Bevington's modernisation of the text is exemplary. Furthermore, his handling of the many thorny textual problems is also outstanding for the knowledge and the judgement that he brings to bear. For example, the Oxford people unwisely and on poor grounds print two separate versions of *King Lear*, and Bevington has been exceptional in rejecting that approach and producing a persuasively and intelligibly "conflated" text (much better, by the way, than the conflated version in the Arden text edited in 1997 by R.A. Foakes).

Most readers of the plays who are not already quite familar with them will want good, perceptive and comprehensive introductions to them, and in this area, too, Bevington excels, demonstrating an awareness of modern approaches and interests without falling victim to trendiness. He offers introductions which are never dull but, however exciting and illuminating, always sensible.

The general introductory and accompanying material made available elsewhere in the book is equally useful, revealing, and accurate; and the book is well produced. It is amazingly cheap for the remarkable value it offers.

This, then, is not only the best single-volume Shakespeare available, but is by any standard as good an edition as anyone could possibly expect. I add that in my personal view Bevington is probably the only scholar at present alive who could have produced so excellent a single-volume edition. Unreservedly recommended.

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81 of 85 people found the following review helpful:
5.0 out of 5 stars For beginners or long-time scholars of Shakespeare's works., July 9, 1999
By A Customer
For beginners or long-time scholars of William Shakespeare's masterful works, one cannot go wrong with David Bevington's THE COMPLETE WORKS OF SHAKESPEARE. Bevington provides a concise but highly informative introduction to Shakespeare's England, engaging critical introductions to each play, and very extensive annotation to help clarify Shakespeare's more challenging archaic passages. Purchase this volume, and you will be purchasing a lifetime of reading enjoyment.
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More About the Author

William Shakespeare was born in Stratford-upon-Avon in April 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He was one of eight children born to John Shakespeare, a merchant of some standing in his community. William probably went to the King's New School in Stratford, but he had no university education. In November 1582, at the age of eighteen, he married Anne Hathaway, eight years his senior, who was pregnant with their first child, Susanna. She was born on May 26, 1583. Twins, a boy, Hamnet ( who would die at age eleven), and a girl, Judith, were born in 1585. By 1592 Shakespeare had gone to London working as an actor and already known as a playwright. A rival dramatist, Robert Greene, referred to him as "an upstart crow, beautified with our feathers." Shakespeare became a principal shareholder and playwright of the successful acting troupe, the Lord Chamberlain's Men (later under James I, called the King's Men). In 1599 the Lord Chamberlain's Men built and occupied the Globe Theater in Southwark near the Thames River. Here many of Shakespeare's plays were performed by the most famous actors of his time, including Richard Burbage, Will Kempe, and Robert Armin. In addition to his 37 plays, Shakespeare had a hand in others, including Sir Thomas More and The Two Noble Kinsmen, and he wrote poems, including Venus and Adonis and The Rape of Lucrece. His 154 sonnets were published, probably without his authorization, in 1609. In 1611 or 1612 he gave up his lodgings in London and devoted more and more time to retirement in Stratford, though he continued writing such plays as The Tempest and Henry VII until about 1613. He died on April 23 1616, and was buried in Holy Trinity Church, Stratford. No collected edition of his plays was published during his life-time, but in 1623 two members of his acting company, John Heminges and Henry Condell, put together the great collection now called the First Folio.


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To be, or not to be: that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? &quote;
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