Customer Reviews

Complete Works of Isaac Babel

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I bought this book after stumbling upon one of Babel's army stories from the "Red Cavalry" collection. Babel truly is a master of short fiction. I am surprised that I have gone this far in my life and have just now found him.

The biographical information provided by his daughter enhances the reading pleasure as well as draws attention to the politics that contributed to self-censorship and eventual assassination from Stalin's henchmen.

Babel is the Checkov and the Turgenev of his time: classic Russian Short Fiction at its most beautiful.

The only drawback to this extensive collection is its extensiveness. Babel's longer works and plays lack some of the focus and integrity of his short stories. Luckily the short stories make up the bulk of the book.

If you can afford it buy the hardcover. It comes in a protective box and I guarantee this is a collection you will want to preserve and cherish forever.

Isaac Babel was a Russian Jewish writer who wrote his most famous works -- all short stories -- under the Soviet regime in the 1920s. He was tragically killed during the Stalin purges of the late 1930s. His work is unique from so many perspectives: he was a Jew, but he did not live in the Pale or write in Yiddish (he was a modern, secular Jew how lived in Odessa and wrote in Russian); he fought in the Red Army in the Russian Revolution, became disillusioned, but never left Russia; he wrote only short works such as short stories in screen plays.

In this one volume, his daughter has collected every available work that he ever wrote. While there were many manuscripts that were destroyed when Babel was purged, this will stand as his complete works, all recently translated.

In addition to Babel's own writings, there are wonderful introductions from Cynthia Ozick, the translator Peter Constantine and Babel's daughter, Nathalie Babel. Ms. Babel also includes, as an afterward, a wonderful memoir of how she came to produce this work, starting with the gripping tale of her and her mother's life in France during WWII. Also included is a timeline of Babel's life. These materials alone make for fascinating reading as you dip into Babel's literary works.

Of course, it is Babel's short stories that are the star attraction. There are three main collections, the Odessa stories, which tell the tales of Russian Jewish thugs living in a district in Odessa, the Red Cavelry stories, which are based on Babel's experiences in the Red Army in the Russian Revolution, and the Dovecote stories, which are autobiographical tales of Babel's youth. The stories are all lean and sparsely written with a biting irony that attacks all facets of Russian life.

This is not a book one is likely to or needs to read from cover to cover at one time. It is, however, perfectly designed to let one slowly absorb this great writer as you dip into this over time.

Babel's output was relatively small. His reputation rests on his short stories, particularly the stories about his hometown of Odessa and the remarkable Red Cavalry sequence describing the Soviet invasion of Poland. This work is, nonetheless, a high point of 20th century literature. Babel was a great writer, putting more into short stories than many talented writers can put into whole novels. His descriptions of life under the Czar, seen particularly through the prism of Jewish gangsters in Odessa, are remarkably gripping accounts of a repressive society. The Red Cavalry sequence, a tour de force of vivid narration and psychological insight gets right to the heart of the brutality that characterized much of the 20th century.

Babel is one of the great storytellers. The man who according to his description as recorded by Lionel Trilling had ' spectacles on his nose and autumn in his heart' was a pale Yeshiva- boy type thrust into the world of Cossack violence. He recorded that violence and the horror of it with chilling accuracy in his 'Red Cavalry' stories. More ebullient are the stories of the Odessa Jewish underworld and its Robin- Hood Benya Krik. Babel was a writer of the mot juste who grew up on Flaubert and Maupassant. He wrote and rewrote his stories, thirty or forty times. "No steel pierces the heart more poignantly than a period in the right place'.

The most memorable of his stories for me is one of his childhood 'For my Dovecoat' about the experiencing of a pogrom, the murder of a grandfather.

Babel has been celebrated by many of the most distinguished modern writers and critics. Deservedly so.

He is a true master.

Babel is a masterful teller of short stories. His stories, most of which do not exceed a few pages, speak volumes about the extraordinary times in which he lived. For me, the most interesting aspect of Babel's writing is his ability to convey how the onset of Soviet power changed everything--and yet changed nothing (ie, the cossacks of the Red Army seeking to spread world communist revolution in Poland, and simultaneously reprising past cossack wars and pogroms in the region). Babel lived in a fascinating, uncertain time, and his vivid diaries describe the Red Army's exhilaration as they sweep westward into Poland--seemingly as the vanguard of a world revolution--and their confusion and dejection as the Polish pans push them back.

This book was too intense and too homogeneous for me to read all at once: many of Babel's stories feature the same themes (chiefly Jewish life and red cavalry) and after a few hundred pages a definite sense of deja vu sets in as Babel reworks various characters, scenes, etc. Nonetheless, a fantastic book to read in smaller chunks.

I've always been a fan of Babel's Red Cavalry stories, but was surprised and delighted to read his other works. His description of life in the Shtetl in Russia, as well as his reportage are lucid and easy to understand. His prose is superb, and he belongs in the upper pantheon of great Russian writers.

Hemingway was a wimp. Babel's stories about men and their ludicrous justifications for their appalling violence are rigorous and strangly fair. He does not judge; and the morality of the reader is revealed. The Polish front during an inept campaign, peopled by a fascinating war and horse culture is the subject of the Red Cavalry Stories. Any one who lives with or loves horses would be fascinated by them. The interaction of animal and man is, I think, rarely so well written.

I was delighted to discover this book. Although I was a literature major (and teacher) and have read lots of Russion lit, I had never heard of Isaac Babel. His story is amazing. I have just begun reading his short stories, but I think I will enjoy them.

Vignettes on life in the Red Calvalry during the days when the Russian Revolution was still 'The Russian Experiment' rather than the disaster it became, and of life in Odessa where a culture is being swept aside for the new.

These stories are often humourous and frequently brutal;a flavour of life in Eastern Europe and all the clues of what lay in store for Soviet Russia are (unwittingly perhaps) contained in all these stories. 'Oil' sees Babel critical of the hopelessly unrealistic 5 year plans and 'End of the Old Folks Home hints at the growing tyranny of bureaucratic officialdom.

This is classical Russian literature, below the level of Tolstoy but sitting comfortably close.

For my money, Babel is the greatest Jewish writer. Kafka comes close, but he's going in a completely different direction. While Kafka couches the nightmare and loneliness of modern life in fable and fantasy, in dream and allegory, Babel serves it to us straight, covered in blood and shredded paper and feathers.