85 of 89 people found the following review helpful:
5.0 out of 5 stars
Essential Oscar, May 23, 2002
Oscar Wilde was a self-described man of paradox. He was, simultaneously, a man very much of his time, and also very ahead of his time. He was a highly moral man who wrote clever epigrams about how good it is to be wicked ("Wickedness is a myth invented by good people to account for the curious attractiveness of others.") He was a happily married man who happily loved his two children but also led a gay life on the side and wrote hilarous satires of love and marriage ("Men marry because they are tired; women, because they are curious: both are disappointed.") This huge book, which contains practically everything that Wilde ever wrote, shows the man in all his glory. After the introduction by his son, we are first launched into Oscar's stories. His one novel, The Picture of Dorian Gray, is a classic and a masterpiece. A devastating moral tale, this one deserves to be in everyone's library. His shorter pieces, however, are of a more questionable quality. Consisting mostly of moral ancedotes dressed up in the thinly-veiled guise of fairy tales for children, these works are the least exciting part of Wilde's oeuvre and of this book, and seem to lean heavily on his oft-spouted crutch of "Art for Art's sake." After the stories, we meet Wilde in the guise he was destined for: that of a dramatist. His play were an integral and ackwnoledged part of his genius, and their influence upon modern drama was enormous. His type of high, farcial "drawing room" comedy has left a permanent mark on the stage. It is easy to see how even the modern Hollywood sitcom sprung from these plays of Wilde's. However funny and biting the satire may be, though, the high point of Oscar Wilde's plays was always his epigram-laced dialogue - whatever the plot may be. Probably the finest - and most biting - aphorist the English language has ever produced, Wilde is probably quoted - whether people realize it or not - more often than any other source in the language, aside from The Bible and Shakespeare. The Importance of Being Earnest and Salome are his ackwnoledged masterpieces, but other plays - such as A Woman of No Importance and An Ideal Husband - are very good plays as well. He also has some very fine and underrated less original works, such as The Duchess of Padua that are quite well worth reading. From here, we move into Wilde's poems. Although, as he himself admits, they sometimes contain "more rhyme than reason", there is no doubting that Wilde was a master of language, and a fine poet. He won the Newdigate Prize for Poetry while at Oxford, and his "Ballad of Reading Gaol" is one of the finest poems in existence. What's left are his essays and letters. The most famous of them - indeed, one of the most famous letters ever written - is De Profundis, his strangely moving and tragic love/hate letter to Lord Alfred Douglas from prison. This is a shocking and immensely moving piece of work, and deserves to be read by one and all for its unique look into the human psyche - particuarly that of a man under intense suffering, and possibly on the brink. The letter is fascinating, and should put a different spin on Wilde than many people inaccurately have of the man - he was obviously of a very high moral character. Several interesting essays are also included - among them are The Critic As Artist and The Decay of Lying, two masterful pieces of Plato-istic dialogue, putting Wilde's severe wit and intimidating intellectualism on full display for all to see. One may wonder how much he actually believes of what he writes, but what he writes is brilliant. Another interesting essay is The Portrait of Mr. W.H., in which Wilde puts forth an interesting and unique theory about Shakespeare's sonnets. Also, while Wilde was not generally known for his political opinions, it is quite interesting to read his essay on political and social reform, The Soul of Man Under Socialism, as well as two letters he wrote about proposed reformations of the prison system.
All in all, this is a collection of masterful writings from one of the most tragically overlooked and underrated writers in the whole of literature. As another reviewer has pointed out, while Wilde rarely gets the credit he deserves for his work - and is often ignored, overlooked, or simply dismissed - his works are also widely and frequently plagarised - not to mention quoted legitimately - and were obviously extremely influential. You owe it to yourself to read the man's writings if you are not familar with his works; I guarantee you you won't regret it.
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50 of 51 people found the following review helpful:
5.0 out of 5 stars
unworthy book design, May 11, 2000
I gave this book 5 stars because the content of the book is superb - it is Oscar Wilde we're talking about here, after all. But I would like to comment on the actual publication itself. I can't believe that this is the best that Collins could come up with for a centenary edition. The paper is far too thin and the size of the book is also too small. The old Collins Complete Works edited by Vyvyan Holland was a much more attractive volume.
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21 of 21 people found the following review helpful:
5.0 out of 5 stars
Actually a Complete Edition, June 7, 2005
The Collins edition of Oscar Wilde's complete works is the only one I've ever found that actually is *complete*. It contains not only all of his plays, fairy tales, and short stories, but also most of his essays (some brilliant writing) and *all* his poems. Many books say they do, but there are a few tiny gems that oft go unnoticed (such as "Love Song" and a lovely little piece with no name). A truly wonderful edition of a truly wonderful writer, or, as Wilde himself might say, "Quite utterly lovely." Also, if I am not mistaken, contains several pages of pictures of Wilde and his family.
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