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  • Composers in Person: Richard Strauss Conducts An Alpine Symphony & Der Rosenkavalier (Film Music)
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Composers in Person: Richard Strauss Conducts An Alpine Symphony & Der Rosenkavalier (Film Music)


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Audio CD, March 16, 1993
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$46.67 $1.81

Editorial Reviews

Composers in Person: Richard Strauss Conducts An Alpine Symphony & Der Rosenkavalier (Film Music) (View amazon detail page) ASIN: B00000DNRS Binding: Audio CD UPC: 077775461022

1. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233): Nacht
2. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233): Sonnenaufgang
3. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233): Der Ansteig
4. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233): Eintritt in de Wald
5. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233): Wanderung neben dem Bache
6. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233): Am Wasserfall
7. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233): Erscheinung
8. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233): Auf blumige Wiesen
9. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233): Auf der Alm
10. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233): Auf dem Gletscher
11. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233): Gefahrvolle Augenglicke
12. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233): Auf dem Gipfel
13. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233): Vision
14. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233): Nebel Steigen auf
15. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233): Elegie
16. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233): Stille vor dem Sturm
17. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233): Gewitter und Sturm
18. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233): Sonnenuntergang
19. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233): Ausklang
20. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233): Nacht
See all 28 tracks on this disc

Product Details

  • Orchestra: London Augmented Tivoli Theatre Orchestr
  • Conductor: Richard Strauss
  • Composer: Richard Strauss
  • Audio CD (March 16, 1993)
  • Number of Discs: 1
  • Label: EMI Classics
  • ASIN: B00000DNRS
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #441,546 in Music (See Top 100 in Music)

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Most Helpful Customer Reviews

6 of 6 people found the following review helpful By Record Collector on November 14, 2006
"In April 1926 a silent-film version of Der Rosenkavalier was given its first showing in London at the Tivoli Theatre, and Strauss was persuaded to conduct the specially arranged orchestral accompaniment at the premiere. Conditions were not to his liking. ''Not a good orchestra, not like Covent Garden'', he remarked to his players, but almost immediately after the performance he and the Augmented Tivoli Orchestra visited the Queen's Hall and recorded excerpts from the revised score for HMV. The 'suite' contains orchestral excerpts from the opera, and some vocal passages transcribed for orchestra, plus a 'Presentation March' which does not appear in the opera at all.

"In fact, the playing is very good by contemporary London standards, and even though this was an early electrical recording the sound is more than adequate, and captures well a great performing artist at work. The way Strauss inflects the waltz rhythms is captivating; the manner in which he unfolds the long melodic lines is masterly, and his conducting has perfect clarity, balance and refinement of expression.

"Fifteen years later Strauss was persuaded to make records for German Electrola (his usual recording company was Polydor), and the work chosen was his Eine Alpensinfonie ('An Alpine Symphony'). At this point the Electrola engineers were not apparently able to reproduce the sound of a large orchestra with any degree of impact, and there is a certain dullness in the original recording. The quality is good enough, however, to convey another great performance. In his late seventies Strauss the conductor was still able to generate a good deal of tension and concentration, and the orchestra play for him with extraordinary energy and eloquence.
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