Customer Reviews

Composition in Black and White: The Life of Philippa Schuyler

5 star:		(8)
4 star:		(1)
3 star:		(1)
2 star:		(0)
1 star:		(0)

 

 

I am very glad I read this book but the story made me very sad for you see, Philippa was my first cousin, once removed. Daniel Calhoun Cogdell, was her grandfather and my great grandfather. I was 30 years old when Philippa died and I would love to have known her. The family never discussed Josephine Cogdell, Philippa's mother, except to say she was eccentric and died young. How sad they missed out on so much and so did I for I did not know she even existed. Yes, very sad indeed.

This book is PACKED with details. The author really did her homework on this book. The author takes you on a journey beginning with the lives of her parents, Phillipa crossing the world on adventures and finally ending in pure tragedy. Phillipa was a very gifted child pianist. She grew up in New York as a multi-racial child. Her mother was a white southern heiress, her father was a talented black journalist. The two fell in love in a time where inter-racial couples were worse than taboo.

Phillipa traveled the world performing for royalty. Sometimes at dilapidated venues in fourth world counties. Although some times were rough for Phillipa (when she was older) she continued touring to get away from her demanding mother.

The book is packed with dates, locations, pictures and names. You can tell that the author, Kathryn Talalay, put a lot of effort into this book to give you the full picture of this girl's life. This is the reason why I gave it 3 stars and not 4 or 5. From reading so much info the book kind of lost its momentum.

NOTE: Be on the look out for the motion picture of "Composition in Black and White" staring Alicia Keys as Phillipa.

As a social historian and african-american writer I enthralled when I read the NY Times Book Review of Kathryn Talalay's bio of phillippa Schuyler. Schuyler made her mark as a musical child prodigy and later, as an adult, a celebrated composer-pianist. Schuyler's life as an international performer in one sense mirrors that of another but more recognized "tragic mulatoo", Dorthy Dandridge. And her last career as a grounbreaking war correspondent in South Vietnam is particularly entriguing. Overall, Talalay's book is marvelous but the high brow and sordid realities of Schuyler's life are especially deserving of a major made-for-cable TV treatment. Similiarly to what recently afforded Dandridge. That way Talalay's thought provoking examination of Schuyler's achievements could be made accessible to a greater number of african-americans and others alike.

I read this book after purchasing it from an Oxford catalog. I'd wanted to buy it since I read the NY Times review. I absolutely loved it. I applaud the scholarship and research of the biographer, but also the humane description of a very complex character. I'd never heard of Phillippa Schuyler, before I read the book review. Although she had many flaws, including her ambiguity about her blackness, she still had a remarkable life and is one of my "sheroes". Her story intrigues me and I want to know more about her father and his writing. Her life ended tragically, but she lived it fully. I am saddened that she so hated her African heritage that she thought the only way she could succeed was to pass herself off as anything but black. I also purchased a copy to send my sister, who is a classical music buff. This is another example of the history of African-Americans being "lost, stolen, or strayed". Every school child should know about Phillippa, as well as the many other gift and talented African-Americans. I am sorry she didn't claim her heritage. I claim her.

I was very happy with my copy of this book. Not only because I finally got to read about my very famous cousin who died a few weeks after I was born, but because of the fantastic service I received. I expected the book to arrive at the end of the 14-day shipping window. Then -- bam! -- it was hear about four days after the e-mail notification. Considering that the post office was already having quality control issues before they asked Congress if they could shut down a slew of processing centers, lay off thousands of workers and cut out Saturday deliveries, I was just hoping I'd receive the package.

The book was as advertised. It had some dog ears and a few highlights, but otherwise it was in very good condition, almost like new. I am enjoying what I've read so far.

Overall, it was a very pleasurable experience.

This story is important in African American History. My boyfriend know about her because his niece attended the school named after her.
It is an interesting story of a child prodigy of mixed race because of racism couldn't blossom into the next Mozart.
There are many heros of African American background that should be acknowleged and discussed in the classroom.

Richard Powers puts Philippa Schuyler (1931-1967) to the centre of his novel "The time of our singing". Halle Berry (this time as a producer instead of as an actress) wants to film her life ["Composition in Black and White"] and has found Alicia Keys as a principal actor -- also a coloured pianist and an admirer of Philippa Schuyler by whom Alicia feels deeply inspired. These two current marginal notes should already unlock us to read this book written by Kathryn Talalay about Philippa Schuyler. If one has started to explore the facts of this extraordinary biography, then one quite surely will be tied up of what this exemplarily strong woman experienced: At the beginning of her life she was, aged 11, on tour as a "child prodigy" celebrated on concert stages in about 80 countries -- also America needs his Mozarts (at first the present U.S. Foreign Secretary Condoleezza Rice was on this track, too, before she still discovered more essential). Philippa Schuyler (got adult) changed her name because of the racialist injustices , which made the USA particularly to the axis of the bad in the Mccarthy era -- for children from mixing marriages absolutely also. Philippa Schuyler tried to award a South American Spanish touch to herself with the pseudonym Felipa Monterro. (Jennifer Lopez today is an example, too, that this sort of identity absolutely gets more acceptance than a clear origin from a black American ghetto. ) Philippa Schuyler started with a second life as a (very successful) journalist, getting more awake for political discussions. She, an "American Sheroe" -- she died at the age of 35 years... at a report refund over Vietnam during a helicopter crash in 1967.

This book was a wonderfully written look into the life of Philippa Schuyler. I remembered her from when I was a little girl. She was often the "ideal" of what young colored girls should aspire to at that time. I often wondered about her -- what type of life she lived, etc. It was nice to find out how human Philippa really was and I found myself feeling so much compassion as her life was not so perfect after all.

I loved this book and couldn't put it down. Very well written and researched. Philippa Schulyer was a fascinating woman! I highly recommend this book.

I had a newspaper cut out of the picture that is on the cover of this book for years. It is faded and delicate but I never rid myself of it because I found the beautiful face that was on it so enchanting. All I knew was that this girl was called Philippa. I thought she was Indian or an old Bollywood star. Then I saw the photo again but on the cover of a biography in a bookshop called Foyles in London.

Composition in Black and White: Life of Philippa Schuyler by Kathryn M. Talalay is a very well written and comprehensively researched biography about a child prodigy. The opening chapters are compelling and written with such confidence that it suggests that this biography is going to be a classic. Unfortunatly the subject matter lets Talalay down as the middle section of the book demonstrates because it is simply an extended list of her engagements and travels. That said the book sparks back into to life in the later chapters as the mature Philippa is explored. I would like to have known when she had her first real sexual encounter, as this would have put the later exploration into her sex life into context.

There are some questions that are left unresolved which I supposed adds too the mystery of this difficult character. Also as Philippa grows she becomes more selfish and self-centred. Less sympathetic. Her world really does revolve around her and only her even if she is in a war-zone. My personal view is that in latter life she became something of a Machiavellian sexual predator. I can't see how she can be labelled a humanitarian. Her main concerns were solely for herself. She had an abortion simply because the baby came from a Blackman. Yes she was brave, talented and beautiful yet she was also cruel, stupid and brutal. Someone who had too much emotion baggage to be around for long.

Where is Philippa's music now? Was it really any good? Are there any recordings of it?

I can find none available. Maybe that speaks for itself.