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Computer Sound Synthesis for the Electronic Musician (Music Technology)
 
 
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Computer Sound Synthesis for the Electronic Musician (Music Technology) [Paperback]

Eduardo Miranda (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)


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There is a newer edition of this item:
Computer Sound Design, Second Edition: Synthesis techniques and programming (Music Technology) Computer Sound Design, Second Edition: Synthesis techniques and programming (Music Technology) 4.0 out of 5 stars (6)
Out of Print--Limited Availability

Book Description

024051517X 978-0240515175 October 5, 1998
Introduce computer sound synthesis techniques and synthesis programming to students, researchers, musicians and enthusiasts in the field of music technology.

Miranda examines a variety of synthesis techniques and illustrates how to turn a personal computer into a powerful and flexible sound synthesiser. The book also discusses a number of ongoing developments that may play an important role in the future of electronic music making, including the use of Artificial Intelligence techniques in synthesis software and parallel computers.

Computer sound synthesis is becoming increasingly attractive to a wide range of musicians. The sound processing power of the computer is increasing and any personal computer will soon be able to run software in real-time, capable of synthesising sounds using every possible technique.

The art of sound synthesis is as important for the electronic musician as the art of orchestration is important for symphonic music composers. Those who wish to create their own virtual orchestra of electronic instruments and produce original sounds will find this book invaluable.

The accompanying CD-ROM contains examples, complementary tutorials and a number of synthesis systems for PC and Macintosh platforms, ranging from low level synthesis programming languages to graphic front-ends for instrument and sound design. These include fully working packages, demonstration versions of commercial software and experimental programs from top research centres in Europe, North and South America.



Understand the latest synthesis techniques and software.
Includes a free CD-ROM with tutorials and examples of cutting-edge synthesis systems for Mac and PC platforms.

Editorial Reviews

Review

'Extremely readable and comprehensive coverage of the audio synthesis domain ... will empower the reader to get a deeper (and better) understanding of their synthesis instrument. The addition of several software synthesis applications makes this worth the price alone ... this was exactly what I needed to begin designing new synthesis instruments ... great book.'
Reader review from Amazon.com

'...an excellent source of ideas for creating innovative sounds for my mixes and multimedia works.'
Reader review from Amazon.com

From the Publisher

The art of sound synthesis is as important for the electronic musician as the art of orchestration for symphonic music composers. Those who wish to create their own virtual orchestra of electronic instruments and produce original sounds will find this book invaluable. It examines a variety of synthesis techniques and illustrates how to turn a personal computer into a powerful and flexible sound synthesizer. The book also discusses a number of ongoing developments that may play an important role in the future of electronic music making, including the use of Artificial Intelligence techniques in synthesis software and parallel computers. The accompanying CD-ROM contains examples, complementary tutorials and a number of synthesis systems for PC and Macintosh platforms, ranging from low level synthesis programming languages to graphic front-ends for instrument and sound design. These include fully working packages, demonstration versions of commercial software and experimental programs from top research centers in Europe, North America, and South America.

Product Details

  • Paperback: 240 pages
  • Publisher: Focal Press (October 5, 1998)
  • Language: English
  • ISBN-10: 024051517X
  • ISBN-13: 978-0240515175
  • Product Dimensions: 9.7 x 7.4 x 0.5 inches
  • Shipping Weight: 1.1 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #2,333,587 in Books (See Top 100 in Books)

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25 of 26 people found the following review helpful:
5.0 out of 5 stars You want to make ORIGINAL noises in synthisis do you?, January 7, 1999
This review is from: Computer Sound Synthesis for the Electronic Musician (Music Technology) (Paperback)
An extreamely readable and comprehensive coverage of the audio synthisis domain. No high level maths required. This straight forward and lucid descriptions of each of the major synthisis approaches(and some of the more esoteric ones too) will empower the reader to get a deeper (and better) understanding of their synthisis instrument. The addition of several software synthisis applications makes this worth the price alone. New noises abound. As a MAX MSP user this was exactly what I needed to begin designing new synthisis instruments...great book
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6 of 6 people found the following review helpful:
5.0 out of 5 stars Complete, clear and well written!, July 11, 2001
This review is from: Computer Sound Synthesis for the Electronic Musician (Music Technology) (Paperback)
Very good explanation of a number of synthesis techniques, some of which I never heard of before. This book is an excellent source of ideas for creating innovative sounds for my mixes and multimedia works. The CD-ROM features plenty of software for PC and Mac, plus hands-on examples by respected contributors. It is not a book about a particular software or programming language - it is about techinques and methods.
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Inside This Book (learn more)
First Sentence:
Sound results from the mechanical disturbance of some object in a physical medium such as air. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
synthesis parameter values, loose modelling techniques, spectral modelling techniques, sequential waveform composition, synthesis programming languages, subtractive synthesiser, offset carrier frequency, assembler engine, analog synthesiser, parallel modulators, additive resynthesis, resynthesis method, harmonic detectors, spectral chart, computer sound synthesis, waveshaping synthesis, local envelope, voicing source, formant analysis, sonic particles, granular synthesis, amplitude scaling factors, spectral fusion, synthesis instrument, synthesis parameters
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Audio Architect, Virtual Waves, Computer Music Journal, Focal Press, Common Lisp, Phase Vocoder, Journal of the Audio Engineering Society, Stanford University, Nicky Hind, Robert Thompson, Aluizio Arcela, Arun Chandra, Iannis Xenakis, Institute of Sonology, Karlheinz Stockhausen, Pierre Schaeffer, Time Figure, Xavier Serra
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