I bought this book wanting to gain an insight to current arts practice. I'm unclear as to how any one can take this writing by Julian Spalding seriously. It is fair enough to have an opinion, but opinions need to be backed up, supported & thought through. Throughout the book Spalding makes references to artists & their work, but doesn't include any detail or any context to the work. The writing appears more like a name dropping dinner party guest who actually has never met or been in the same room as the person. Putting David Hockney on par with Michelangelo is a reflection of the depth (or indeed, the lack) of analysis and critical thinking this book revels in.
To anyone seriously wanting to investigate contemporary art, its artists, art & the world surrounding it, this book offers nothing other than the what appears to be a very personal attack.
Alas, it was released on April 1st, so maybe this conceptual provocation is really a work of art in itself...
another thought:
The artist who is after success lets himself be influenced by the public. Generally such an artist contributes nothing new, for the public acclaims only what it already knows, what it recognizes.
ANDRE GIDE, Pretexts: Reflections on Literature and Morality