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Concealment of Politics, Politics of Concealment: The Production of "Literature" in Meiji Japan
 
 
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Concealment of Politics, Politics of Concealment: The Production of "Literature" in Meiji Japan [Hardcover]

Atsuko Ueda (Author)

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Book Description

080475778X 978-0804757782 November 30, 2007 1
What is "literature?" The answer to this question may seem self-evident to us now. However, the production of literature as a category was in fact a very complex historical process that engaged with varying forces of modernity. Concealment of Politics, Politics of Concealment illuminates the large picture of intellectual, political, and literary culture of 1880s Japan and offers a paradigm-shattering discussion of the creation of literature as a cultural category. Literature emerged out of ongoing negotiations with modernizing and globalizing impulses that governed Meiji Japan (1868–1912). This complex process is too often concealed by literary studies that assume that Japanese literary modernity began with Tsubouchi Shoyo's The Essence of the Novel (1885-6). This view has long confined the discussion of literature to very narrow terms. By recasting the Shoyo's work in the political and intellectual domains, Concealment of Politics, Politics of Concealment not only explores the interaction of different discourses in 1880s Japan but offers a rigorous critique of our own approaches to the history of modern Japanese literature.

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Editorial Reviews

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"This is an important and groundbreaking study that should be of interest not only to specialists in Japanese modern literature but to scholars of literature generally. For specialists, the historically informed rereading of The Essence of the Novel brings an important debate to an English-speaking audience. Ueda also offers a detailed and well-researched analysis of several novels that have not been translated and are rarely discussed, such as The Characters of Modern Students. For nonspecialists, this is a fascinating case study of how the novel, which in a European context was a genre-defying style, becomes a genre-defining mode of writing in Japan and how a culture that has a nearly thousand-year tradition of ctional prose narratives encountered the Western novel and created literature as an academic subject."—Deborah Shamoon, Modern Philology

About the Author

Atsuko Ueda is Assistant Professor at Princeton University. Her areas of specialization are modern and contemporary Japanese literature.

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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
cofigurative model, umi chishio, minken hyakkaden, shosei katagi, kanzen choaku, term shósetsu, figures making history, gesaku writers, jiyú shinbun, modern shósetsu, kanzen chóaku, jiyu shinbun, political habitus, imperial longing, worldly sector, rhetorical equivalence, literary cosmos, depoliticizing tendencies, civilized emotions, jiji shinpo, textual realm, geographical awareness, objective portrayal, rickshaw men, serialized fiction
Key Phrases - Capitalized Phrases (CAPs): (learn more)
East Asia, The Main Constituents of the Shosetsu, The Genealogy of the Shosetsu, Kapsin Incident, Fukushima Incident, Constructing Asia, Historicizing Shosetsu Shinzui, Historicizing Shósetsu Shinzui, Sino-Franco War, Meiji Restoration, French Revolution, Qing China, Meiji Japan, Komachida Sanji, Tokyo Imperial University, The Main Themes of the Shósetsu, Humble Response, Meiji Cultural Studies Group, Imo Mutiny, Fukuzawa Yukichi, The Water Margin, People's Rights, Kyokutei Bakin, Ono Azusa, Lin Zexu
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Front Cover | Table of Contents | First Pages | Index | Surprise Me!
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