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Concert Life in Eighteenth-Century Britain
 
 
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Concert Life in Eighteenth-Century Britain [Hardcover]

Susan Wollenberg (Editor), Simon McVeigh (Editor)

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Book Description

0754638685 978-0754638681 August 2004
In recent years, there has been a considerable revival of interest in the music of eighteenth-century Britain. This interest has now expanded beyond the consideration of composers and their music to include the performing institutions of the period and their relationship to the wider social scene. The collection of essays presented here offers a portrayal of concert life in Britain that contributes greatly to the wider understanding of social and cultural life in the eighteenth century. Music was not merely a pastime, but was irrevocably linked with its social, political and literary contexts. The perspectives of performers, organisers, patrons, audiences, publishers, copyists and consumers are considered here in relation to the concert experience. All of the essays taken together construct an understanding of musical communities and the origins of the modern concert system. This is achieved by focusing on the development of music societies; the promotion of musical events; the mobility and advancement of musicians; systems of patronage; the social status of musicians; the repertoire performed and published; the role of women pianists and the 'topography' of concerts. In this way, the book will not only appeal to music specialists, but also to social and cultural historians.

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Inside This Book (learn more)
First Sentence:
As we struggle to imagine what a concert in the eighteenth century looked like, even perhaps what it felt like, we can hardly do better than start with Oxford's Holywell Music Room; and it is fitting that this book should have had its origins in a celebration of its history. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Bodleian Library, William Hayes, John Marsh, Smock Alley, Oxford University Press, Gloucester Journal, Clarendon Press, Christ Church, New York, Thomas Sheridan, Cambridge University Press, Three Choirs Festival, Covent Garden, Donald Burrows, Drury Lane, James Harris, King's Theatre, Philip Hayes, Robert Bremner, New College, Charles Avison, Hanover Square, Race Week, West End, William Weber
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