Concert Sinatra [Live, Import]

Frank Sinatra | Format: Audio CD

Product Details

• Audio CD (October 25, 1990)
• Number of Discs: 1
• Format: Live, Import
• Label: Warner Bros UK
• ASIN: B000002K9C
• Also Available in: Audio CD  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.4 out of 5 stars  See all reviews (41 customer reviews)
• Amazon Best Sellers Rank: #168,030 in Music (See Top 100 in Music)

Track Listings

1. My Heart Stood Still

2. Ol' Man River

3. Bewitched, Bothered and Bewildered

4. Soliloquy

Editorial Reviews

Amazon.com

This misleadingly titled 1963 collaboration with Nelson Riddle is not a live album, but rather a collection of eight numbers (half of them Rodgers and Hammerstein compositions) from popular stage musicals. It's not exactly the swinging Sinatra of myth and legend, but it does make for a stunning musical experience; the Chairman is in great voice, and he scales the explosive orchestral peaks of Riddle's arrangements with the confidence of a mountain climber on methedrine. His versions of "Ol' Man River" and "Soliloquy" are big improvements over his Columbia-era attempts, and "You'll Never Walk Alone," "My Heart Stood Still," and "Lost in the Stars" are positively breathtaking. --Dan Epstein

Product Description

The Concert Sinatra is one of Frank Sinatra's best records of the early `60s! The album is not a live recording, but, instead, an album that successfully rearranges a special selection of show tunes (primarily those composed by the legendary Richard Rodgers) that ole' blue eyes was then performing regularly to his live audiences. Nelson Riddle arranged and conducted one of the largest orchestras that had ever supported Frank Sinatra, and his work is light and delicate. Despite the large number of musicians, the music is never overbearing; instead, it is grand and sweeping. Sinatra is given the opportunity to demonstrate his full emotional range, from the melodrama of "Ol' Man River" to the tender romanticism of "Bewitched," which helps make The Concert Sinatra one of his most fulfilling albums of the era. Digitally remastered from the original tapes, The Concert Sinatra includes two BONUS TRACKS and newly written liner notes by FRANK SINATRA, JR. --This text refers to an alternate Audio CD edition.

Customer Reviews

Most Helpful Customer Reviews

24 of 24 people found the following review helpful:

5.0 out of 5 stars The Artistic Sinatra, December 28, 2004

By 

Lawrence E. LaRocco "Sinatra Fanatic" (Berwyn, Illinois) - See all my reviews
(REAL NAME)   

This review is from: Concert Sinatra (Audio CD)

"The Concert Sinatra" is an under-appreciated artistic gem in the Sinatra canon that is an absolutely essential purchase for all serious Sinatraphiles. It is a spare, eight-song collection of Broadway showtunes, six of them by Richard Rogers. It illustrates as no other Sinatra album does what The Chairman was capable of when he stretched his artistic limits. Sinatra's brilliant interpretation of "Ol'Man River" is the definitive version of a song that forces Sinatra to display his amazing breath control and the full power and range of his rich, sensual baritone. I feel like Frank is speaking to me reassuringly when he puts his heart and soul into "You'll Never Walk Alone." Nelson Riddle must have been Sinatra's musical soul-mate because his arrangements and brilliant orchestrations perfectly complement Sinatra's voice. I only wish that there would have been more "artistic concept" albums like this one. It's an absolute treasure that simply further validates the genius of the greatest vocalist of all time.

16 of 16 people found the following review helpful:

4.0 out of 5 stars Sinatra At His Most Stately On A Beautiful Set of Songs, December 14, 1999

By 

Anthony G Pizza "trivialtony" (FL) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Concert Sinatra (Audio CD)

This 1963 album has the style and scope of a command performance. The album photo recalls "Sinatra's Swingin' Session" of three years earlier, but the singer seems more focused, his phrasing more determined, as his versions of these songs may be definitive. In most cases, they are: "Soliloquy," which Frank performed on his 80th birthday live album, is essentially a three-act, one-man dramatic musical. Rodgers and Hammerstein's "I Have Dreamed," and "This Nearly Was Mine" fit perfectly with his classic 50s "blue" albums, also arranged by Nelson Riddle. And "Ol' Man River" is unique: a white singer singing a black work song written by white composers without one ounce of condescension or irony. This may not be Sinatra's greatest album (although it comes close), but it is certainly his most dramatic and empathetic, and highly recommended.

47 of 55 people found the following review helpful:

5.0 out of 5 stars Desert Island CD, January 12, 2005

By 

Mark Blackburn (Winnipeg, Manitoba Canada) - See all my reviews
(REAL NAME)   

Amazon Verified Purchase

This review is from: Concert Sinatra (Audio CD)

A friend asked today, "If you could keep only ONE of his albums, which one goes with you to the proverbial desert island?" The short answer is, "This one." But a big ocean of memories will surround that island.

---

Back when I was just six years old, I attended my best friend David Pearce's birthday party, and his mother -- a widow, who I can remember thinking was so beautiful -- took out a picture of little David's late father and told us boys how she'd married on the "Day of Infamy." (Much later I'd learn that was the term used by President FDR for December 7, 1941 when Pearl Harbor was hit, launching American involvement in WWII). Then Mrs. Pearce told us that "Frank Sinatra, you don't know him, was always our favorite singer." I remember feeling honored, at that moment----in some way that my six year old heart could never express in words---that she would share with us that photograph, and her memories of David's late father. And then, speaking to me alone (as the other boys at the party gravitated towards David's new toys) Mrs. Pearce told me in a soft voice: "Frank Sinatra is the greatest singer, Mark. Maybe someday you'll agree with me." Then she put on one of his records---something from the first Capitol album of 1953 (how I wish with all my heart that I could recall which song she selected---but I do remember listening, dutifully, and feeling very much like a big man who was seeing eye-to-eye with this beautiful woman who was treating me like an adult.
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I grew up in a musically literate home, with loving (and very musical) parents who once saw a live performance by Frank Sinatra with Tommy Dorsey's band in July of 1940 (at Toronto's "Canadian National Exhibition"----a sort of glorified `state fair' in Canada's largest city). My parents had no Frank Sinatra LPs from the 1950s (only one or two old "Columbia" 78s from the late 1940s). Dad gave Mom two Nat Cole LPs in the 60s, including one arranged by Gordon Jenkins---my Mom's favorite singer and her favorite arranger, right up until her death three years ago.

My parents always took us to see "Broadway" musicals as performed locally, (in my hometown of Ottawa Canada) and eventually---in 1960---they took us to see the "real thing"----I remember being told that the theatre house lights were being dimmed all over Broadway that very night because Oscar Hammerstein had just died. Mom told me "He's the greatest lyricist, Mark" suggesting (like Mrs. Pearce) that one day, perhaps when I was older, I might agree with her.

On that same visit to NYC I remember stepping off an elevator in the Plaza Hotel, and my father immediately telling me "that man there, you just rode in the elevator with is Richard Rodgers" (who would one day be my favorite composer). But as with beautiful Mrs. Pearce trying to introduce me to Frank Sinatra, I just "wasn't ready" to appreciate greatness.

----

It was on a January day just this one -- twelve years ago -- that I returned home from work to hear words from my wife that I'd been aching to hear: "You got a letter from Frank Sinatra."

I remember taking off my winter coat and boots, and stumbling into another room where I could be alone, making sure my hands were clean, and getting a bright reading light, and carefully opening the envelope and reading the note and re-reading it (ten times? twenty times?).

I remember being overcome with emotion, saying to myself, "Do you realize what an honor you've just received? This is from someone who, early in his career, received letters like mine numbering 3,000 a week! Do you appreciate that he took the time---perhaps ten minutes of his life---to read your two-page letter, and then compose this signed response-you-hold-in-your-hands? Do you realize what this is? The greatest musical entertainer of the Twentieth Century is telling you personally--- "I greatly appreciate your interest in my music" and "it was so nice of you to take the time to write."

With an extra decade of immersing myself in Frank Sinatra's greatness, I'd have to say that only a "religious experience" --- and a glimpse of Eternity---could ever surpass what I feel in my heart, the sheer exhilarating joy I experience, when I listen for example, to "My Heart Stood Still" (my favorite of these). There is the high plateau where the singer and his great collaborator Nelson Riddle have their true, "shining hour." At that defining moment in 1963, the arranger conducts his finest orchestrations, with the largest symphony orchestra ever assembled in Hollywood---as the singer on a mountain peak of vocal greatness, performs his favorite songs by his (and my) favorite composer. For me personally that is the `coming-together-of-a-lifetime,' ----all the peak emotions of memory, from Mrs. Pearce, to Rodgers & Hammerstein, to Nelson Riddle---a lifetime's worth of emotion, bringing me tears of joy each time I hear it. (These days, the experience is rationed to perhaps once a month, and then just a cut or two at a time, so as to preserve the experience----I want to `spread it out' over the rest of my life, if I can.)

----
In the final paragraph of my letter 12 years ago, I told Frank Sinatra how I'd "discovered your enduring greatness somewhat late in life. But perhaps that's why I appreciate you the more now.

"Thanks then, for being you, is all I want to say. The world would be a poorer place if you'd never passed this way. And I think, after six decades of your work, without anyone surpassing your greatness, I guess it's safe to say `We'll never know your like again.' Best wishes for a long and healthy life.

Sincerely,

Mark Blackburn

Winnipeg