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Concert Sound and Lighting Systems, Second Edition [Paperback]

John Vasey (Author)
1.7 out of 5 stars  See all reviews (3 customer reviews)


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Hardcover --  
Paperback $50.59  
Paperback, February 11, 1994 --  
There is a newer edition of this item:
Concert Sound and Lighting Systems, Third Edition Concert Sound and Lighting Systems, Third Edition 1.7 out of 5 stars (3)
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Book Description

February 11, 1994 024080192X 978-0240801926 2
Concert Sound and Lighting Systems, 2ed takes the mystery out of equipment and set-up procedures for touring concert systems. Even someone who has never picked up an amp can learn the basic sound and lighting components and how they all work together in a safe and effective package that makes the most of the equipment at hand.


This book is divided evenly between sound and lighting systems, and each section concludes with an easy-to-follow discussion of the set-up procedure for a typical show. Nearly 100 drawings and photographs illustrate how to use the equipment properly. The appendixes provide electrical formulas, wiring information, sample checklists and safety procedures, and there is also a glossary of commonly used terms.


Editorial Reviews

Review

'A must for anyone interested in working with today's sophisticated production technologies.' - Lighting and Sound International, January 1996

From the Publisher

This new edition incorporates the continuing developments in concert sound and lighting systems maintaining the premise that the reader has had no previous experience. The practical how-to illustrations teach the reader about the equipment, and this thoroughly updated edition will include new equipment such as radio microphones, in-ear monitoring, digital audio products and digital lighting products. The author also discusses new venues outside the traditional concert touring environment and applies the skills and technology to such diverse events as product launches, theatrical arena spectaculars and outdoor stadium productions. In addition to an introductory section on touring concerts, there are sections on sound systems and lighting systems and an explanation of how all the parts fit together to create a professional, safe, efficient show. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 183 pages
  • Publisher: Focal Press; 2 edition (February 11, 1994)
  • Language: English
  • ISBN-10: 024080192X
  • ISBN-13: 978-0240801926
  • Product Dimensions: 9.1 x 6 x 0.5 inches
  • Shipping Weight: 10.4 ounces
  • Average Customer Review: 1.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #3,263,576 in Books (See Top 100 in Books)

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Customer Reviews

3 Reviews
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Average Customer Review
1.7 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

16 of 19 people found the following review helpful:
1.0 out of 5 stars Concert Sound and Lighting Systems, March 8, 2000
By A Customer
This book contains very general information on the basic steps and equipment required for a concert. It is very basic and provides very little technical information.
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6 of 6 people found the following review helpful:
1.0 out of 5 stars Technicaly Inacurate, August 20, 2007
This book contains many errors. In one chapter the book discusses PZM microphones. It refers to an image of an SM-57 microphone. This is incorrect.

Another section of the book discusses Phantom power and says that the power travels down both balanced audio lines and states that they are pins 1 and 2 of an XLR. Again this is incorrect. Phantom power travels down pins 2 and 3 which are the real balanced audio lines.

This book states to always allow for 4 amps per power amplifier. This is a wild statement when he does not know what power amplifier the reader is planning on using. Many amplifiers can use more then this amount and could be a disaster to anyone who only supplies 4 amps to each amplifier.

Author also states that the speed of sound increases with heat and humidity and then says that the actually speed depends on atmospheric pressure and air density. Humidity has little to nothing to do with the speed, but rather the absorption of acoustical energy.

I do not recommend this book for anyone! There is very little useful information and far too much inaccurate information. Many chapters consist of one to two pages which have only a couple of paragraphs on each. These are major topics and should have a lot more coverage in the book. Images are all in black and white and many are hard to make out what they are of. Author does not cover digital information as he should.
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3 of 4 people found the following review helpful:
3.0 out of 5 stars Good, but dated., March 8, 2007
By 
R. A. Maxwell (Aiken, SC United States) - See all my reviews
(REAL NAME)   
Overall this book gives a good overview into the field of concert lighting and sound. Much of the equipment talked about in this book is no longer in use in the field. The book does not include any talk about fiber optic cables, which are becoming a standard. I would only suggest this book to a younger reader that just wants a feel for the field.
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Inside This Book (learn more)
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First Sentence:
The need for touring concert sound and lighting systems has increased with the demand for concert tickets. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
amplifier racks, monitor engineer, house console, chain motors, truss sections, red content, amplifier channel, multicore cables, direct box, monitor console, speaker cables, follow spots, ramp voltage, phantom power, monitor mix, gain structure, pink noise, speaker cabinets, audio cables, lighting crew, noise gates, sound crew, graphic equalizer
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Courtesy Yamaha Music, Courtesy of Sean Hackett, United States, Optional Auto Zoom
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