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A Concise Companion to Shakespeare on Screen (Concise Companions to Literature and Culture)
 
 
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A Concise Companion to Shakespeare on Screen (Concise Companions to Literature and Culture) [Paperback]

Diana E. Henderson (Editor)

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Book Description

March 20, 2007 Concise Companions to Literature and Culture (Book 32)
This Concise Companion presents a multidisciplinary range of approaches to a vast multimedia subject, Shakespeare on screen.
  • Draws on the latest thinking in cultural studies, communications, and comparative media, in dialogue with literary, theatrical and filmic approaches.
  • Organised around themes, such as authorship and collaboration, theatricality, sex and violence, globalization and history.
  • Offers readers a variety of accessible routes into the subject of Shakespeare on screen.
  • Also enables readers to explore fundamental topics in the study of literature and culture more broadly, such as the relationships between elite and popular culture, art and the marketplace, text and image.
  • Includes suggestions for further reading, a bibliography, a filmography, a chronology and a thorough index.

  • Frequently Bought Together

    Customers buy this book with Shakespeare, The Movie: Popularizing the Plays on Film, TV and Video $33.28

    A Concise Companion to Shakespeare on Screen (Concise Companions to Literature and Culture) + Shakespeare, The Movie: Popularizing the Plays on Film, TV and Video
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    • Shakespeare, The Movie: Popularizing the Plays on Film, TV and Video

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    Editorial Reviews

    Review

    "With this collection, Henderson...and her fellow contributors rocket Shakespearian studies into the 21st Century...the collection offers a variety of ways to study Shakespearian screen adaptations, thus providing an exciting new avenue of critical study for those looking to break free of the more staid critical analysis of old. Highly recommended" Choice <!--end-->


    “This superb collection of essays takes the study of Shakespeare on film to a whole new level, telling us where the discipline has reached and where we can go from here. From problems of film-acting and gender to cross-culturalism and pixelvision, the book covers an enormous range of approaches as it considers the full gamut of Shakespeare films (old and new; good, bad and indifferent). It may be a ‘Concise Companion’ but there is nothing skimped here; instead, the collection is as rich and provocative as one could imagine and as exhilarating as the films themselves.” Peter Holland, University of Notre Dame

    “The essays are superbly interwoven with the overall structure of the volume. The work presented in this volume is really impressive. It covers every necessary aspect needed to understand the discipline and completes what has been published so far opening new avenues for research. All that rethinking done in the past years has been appropriately summarized and expanded in this magnificent volume. It presents enough material to “keep making sense of our subject, and await the next viewing”. What more could one ask for? The careful reading of the essays included in this companion will elicit from us the wish to “continue to discern something meaningful”.”
    Jorge Luis Bueno Alonso, University of Vigo, Sederi

    "A serious and penetrating series of articles that supply dimensions we may not have been aware of and that enhance our understanding of the different Shakespeares we see on the screen … All libraries connected with cultural and media studies should have this book on their shelves."
    Reference Reviews

    Book Description

    The contributors to this book use the latest thinking from cultural studies, communications, and comparative media, in dialogue with literary, theatrical and filmic approaches, in order to push the field forwards. The volume also serves as a focal point for exploring fundamental topics in the study of literature and culture more broadly, such as the relationships between elite and popular culture, art and the marketplace, text, and image.

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    Inside This Book (learn more)
    First Sentence:
    Near the beginning of Looking for Richard (1996), Al Pacino prepares to deliver the famous first speech from Shakespeare's Richard III. Read the first page
    Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
    sexualized warfare, film parody, continuity strategy, enduring stories, last action hero, screen media
    Key Phrases - Capitalized Phrases (CAPs): (learn more)
    New York, King John, Almereyda's Hamlet, Midsummer Night's Dream, King Lear, Kenneth Branagh, Laurence Olivier, Orson Welles, William Shakespeare's Romeo, Lady Macbeth, Thich Nhat Hanh, Branagh's Henry, Loncraine's Richard, Taymor's Titus, The Mousetrap, Campbell Scott, Ethan Hawke, Great Britons, Warner Brothers, Blair Brown, Branagh's Hamlet, Doran's Macbeth, Olivier's Henry, The Times, Throne of Blood
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    Front Cover | Table of Contents | First Pages | Index | Surprise Me!
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