Conditioning for Dance 1st Edition

42 customer reviews
ISBN-13: 978-0736041560
ISBN-10: 0736041567
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Conditioning for Dance + Dance Anatomy (Sports Anatomy) + NYC Ballet Workout: Fifty Stretches And Exercises Anyone Can Do For A Strong, Graceful, And Sculpted Body
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Editorial Reviews

Review

"From Dance Teacher"""A worthwhile read for dancers and teachers.""" From Library Journal"""Dancers looking for more range of movement, power, or a way to address a specific problem will find this text valuable. Readers interested in kinesiology and sport medicine will also appreciate it. Recommended for larger public and academic libraries.""""

Review

From Dance Teacher
"A worthwhile read for dancers and teachers."

From Library Journal
"Dancers looking for more range of movement, power, or a way to address a specific problem will find this text valuable. Readers interested in kinesiology and sport medicine will also appreciate it. Recommended for larger public and academic libraries."

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Product Details

  • Paperback: 248 pages
  • Publisher: Human Kinetics; 1 edition (September 8, 2003)
  • Language: English
  • ISBN-10: 0736041567
  • ISBN-13: 978-0736041560
  • Product Dimensions: 0.8 x 8.5 x 11 inches
  • Shipping Weight: 1.5 pounds (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (42 customer reviews)
  • Amazon Best Sellers Rank: #21,436 in Books (See Top 100 in Books)

More About the Author

Eric Franklin is director and founder of the Franklin Institute in Uster, Switzerland. He has more than 35 years' experience as a dancer and choreographer, and he has shared imagery techniques in his teaching since 1986.

Franklin has taught extensively throughout the United States and Europe at the Julliard School in New York, the Royal Ballet School in London, the Danish Ballet in Copenhagen, the Dance Academy of Rome, and the Institute for Psychomotor Therapy in Zurich; he was also a guest lecturer at the University of Vienna. He has provided training to Olympic and world-champion athletes and professional dance troupes such as Cirque du Soleil and the Forum de Dance in Monte Carlo. Franklin earned a BFA from New York University's Tisch School of the Arts and a BS from the University of Zurich. He has been on the faculty of the American Dance Festival since 1991.

Franklin is author of Dynamic Alignment through Imagery, Dance Imagery for Technique and Performance, Conditioning for Dance, Pelvic Power, Relax your Neck - Liberate your Shoulders, Inner Focus, Outer Strength, and Beautiful Body, Beautiful Mind. Eric Franklin's books have been translated into German, Italian, Spanish, Czech, Chinese and Korean. He is also coauthor of the bestselling book Breakdance, which received a New York City Public Library Prize in 1984. He is a member of the International Association of Dance Medicine and Science.

Franklin lives near Zurich, Switzerland.

Customer Reviews

Most Helpful Customer Reviews

113 of 117 people found the following review helpful By V. K. Lin on March 5, 2004
Format: Paperback
I'm a professional who utilizes applied biomechanics for a
living. I also study Tai Chi and other internal martial arts.
I am no dancer. I've been exposed through my profession to
Feldenkrais, Pilates, and yoga. Guess what? They're all
virtually the same!
I was turned on to this book by a martial arts colleague.
It has changed the way we look at our martial arts practice.
Franklin does a really nice job of describing the pertinent
functional anatomy in many key areas of your body (pelvis and
pelvic floor, including iliopsoas, back, legs, internal organs,
etc.)-- specifically the importance of key biomechanical
properties. He describes very enriching visualization and touch/
feel exercises to induce greater awareness and relaxation,
thereby promoting function. Higher kicks and jumps, deeper
squats (plie's), all with less effort. It's clear, and the
exercises work!
There are exercises for awareness, relaxation, alignment,
stretching, and strengthening. They are simple, easily done
with small Pilates-type balls and Thera-band, but some
are quite hard and take some work!
My only complaint is that some of his diagrams lack detail,
or there aren't enough diagrams or pictures to fully elucidate
the anatomy or the exercises. He does provide excellent
descriptive text, however.
I've recommended this text to other martial artists, to my
colleagues, to physical therapists, and to medical students.
Well done, and I will certainly add some of his other books to \
my wish list!
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55 of 58 people found the following review helpful By A. DELUGT on October 19, 2004
Format: Paperback
As a pre-professional ballet student, I had been looking for exercises to improve my alignment and technique. When I found this book, I absolutely knew that this was the key. Franklin is the great pioneer with the idea that releasing tension enhances your technique and decreases injury potential. His conditioning exercises deal a lot with imagery, something that helps you so much that you have no idea until you try it. I highly recommend this book to all students and teachers of dance, particularly ballet. Franklin's exercises mostly deal with using therabands and rolling balls which is very effective.

I adore Eric Franklin; he is absolutely brilliant!!!!!!!!!!!
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27 of 28 people found the following review helpful By Demark Manigo on January 11, 2006
Format: Paperback Verified Purchase
This book should be a mandatory textbook for all dance students and trainees alike.An awesome tool for teachers who really want to focus on improving their students alignment without the normal bustle with a standard class. Mr. Franklin takes you on a journey that allows you to discover your body and know its limitations and how to get better. The information in this book is priceless. I highly recommend it to anyone interested in a full-time career in dance. Your body will never be the same again.
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12 of 12 people found the following review helpful By Lauren E. Ellis on November 10, 2006
Format: Paperback
This book has been very helpful to me as I returned to ballet at 27 after a two year hiatus. I purchased the Franklin Method balls and found them very useful in implementing some of the exercises. I would recommend this book to anyone looking to increase their abilities and lenghten the life of their physical abilities.
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17 of 20 people found the following review helpful By K. Eaton on September 19, 2005
Format: Paperback Verified Purchase
I am inspired by Eric Franklin's style of imagery and toning for dance and life. I practice and study belly dance of all types (cabaret, fusiobm tribal, etc.) and felt a need for additional understanding of toning and timing of various stretches in the warm up and cool down. The author has thought, practiced, and taught his techniques to thousands of dancers and has extensive knowledge of successes. His practical wisdom makes tremendous sense to me in my experience with Feldenkrais, Functional Anatomy, and yoga. I highly recommend this book to 'humans with bodies', and in particular, those that enjoy moving with grace and ease. Happy living!
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10 of 11 people found the following review helpful By Basia on December 1, 2006
Format: Paperback
As a pilates/belly dance teacher (and performer) I know the importance of using visualisation techniques to release tension, increase range of motion, and free the body. This book has greatly expanded my teaching repertoire and also my understanding of the core musculature, particularly the pelvis (the power center). Highly recommend this to anyone no matter what their occupation!

Try his other books as well. All excellent!
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12 of 14 people found the following review helpful By J. Phillips on March 23, 2006
Format: Paperback
I bought this book for my 14 year old to learn the importance of conditioning for dance - she loves it! She has improved so much in her flexibility! Highly recommend for dancers!
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6 of 6 people found the following review helpful By Veron Shen Pointe on March 18, 2006
Format: Paperback
This book is basically very reader-friendly with lots of pictures and descriptions.

Most exercises include the use of long therabands
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