Amazon.com Review
Veteran photographer Harvey Stein sees Coney Island, New York, as an "oasis of decay, funkiness, hope and joy, uninhibited behavior, and visual stimulation." After an initial enchanting visit to the island as an adolescent, Stein has returned there countless times with his camera. For this book of photographs, he turns his lens on Coney Island's amusements--the neon-ringed Wonder Wheel and famous Cyclone roller coaster--and the boardwalk, where lovers cavort and an elderly man leans against a graffiti-littered wall, holding a reflector under his chin to catch the sun's rays. Stein's film documents the annual Mermaid Parade, in which flame-haired little girls and bejeweled grown men hit the streets in their deep-sea best--sequined bikinis, saran-wrap tails, and body paint. Stein also photographs the area's workers, including the men who sell Pirate Ship tickets and hot dogs and the women who charm snakes and oversee the shooting gallery. And, of course, he turns his camera on the beach-goers--tattooed, dark, light, cavorting, and asleep. Together, these color images convey the sense of Coney Island as an exaggerated amusement park with a broad spectrum of happy visitors. There is a time line in the front of the book that documents fascinating trivia about Coney Island such as the date of the frankfurter debut and the opening of its first roller coaster, but the photos are the star attractions.
--This text refers to the
Paperback
edition.
From Library Journal
With his ready camera, photographer Stein (Parallels: A Look at Twins, o.p.) has wandered Coney Island's ocean beaches, boardwalk, and amusements for 27 years. Unlike other Coney books, his doesn't concentrate on the old park's ruins?the stilled parachute drop or weed-choked abandoned coaster tracks? and deals little in nostalgia for Luna Park days. Instead, it shows the summer life that has carried on: crab-fishing along the pier, night rides on the Cyclone, tatooed sunbathers, hot dog-eating contestants, freak show staff. The most inspired pictures may be the silvery nudes from the Mermaid Parades of recent years. The book is a reasonable approximation of the contemporary Coney experience?reasonable in that the real thing can be both more beautiful and more depressing than the evocatively familiar stuff captured by Stein. His pictures do help counter the surprisingly widespread impression that Coney Island died with its famous Steeplechase ride in 1965. In fact, with Stein as loyal witness, there's been a long, colorful afterlife. Recommended for larger photography collections with a New York bias.?Nathan Ward, "Library Journal"
Copyright 1998 Reed Business Information, Inc.