Confederates in the Attic: Dispatches from the Unfinished Civil War (Paperback)

~ (Author) "In 1965, a century after Appomattox, the Civil War began for me at a musty apartment in New Haven, Connecticut..." (more)
Key Phrases: little sorrel, minié ball pregnancy, rebel mascot, Civil War, Todd County, South Carolina (more...)

Editorial Reviews

Amazon.com Review

Pulitzer Prize-winning journalist Tony Horwitz returned from years of traipsing through war zones as a foreign correspondent only to find that his childhood obsession with the Civil War had caught up with him. Near his house in Virginia, he happened to encounter people who reenact the Civil War--men who dress up in period costumes and live as Johnny Rebs and Billy Yanks. Intrigued, he wound up having some odd adventures with the "hardcores," the fellows who try to immerse themselves in the war, hoping to get what they lovingly term a "period rush." Horwitz spent two years reporting on why Americans are still so obsessed with the war, and the ways in which it resonates today. In the course of his work, he made a sobering side trip to cover a murder that was provoked by the display of the Confederate flag, and he spoke to a number of people seeking to honor their ancestors who fought for the Confederacy. Horwitz has a flair for odd details that spark insights, and Confederates in the Attic is a thoughtful and entertaining book that does much to explain America's continuing obsession with the Civil War. --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Horowitz, a Pulitzer Prize-winning foreign war correspondent, returned to his native U.S. turf to tackle the subject of our own Civil War and how its history is actively replayed by scores of grown men. He spent time among the hard-core buffs, the groups who put on period clothes and "re-enact" battles. As part of a self-imposed year-long "scheme" to examine the war's contemporary meaning, he does such things as visit a birthday party for Gen. Stonewall Jackson given by the Sons of the Confederacy. He also mulls over his own theories about the lasting legacy of the war, arguing that it was as much a cultural battle between the mores of North and South as a military one. Horowitz's rambling first-person narrative takes constant sidetracks and is made human with its self-effacing descriptions of his own foibles. This is why it works effectively as audio: it comes across more as a personal adventure than a polemical historical analysis. Though the author tells of being a Civil War buff since childhood, he nonetheless retains the freshness of an outsider's perspective (acting as a sort of foreign correspondent at home). Seasoned audio narrator Beck tries to convey this sense of freshness and boyish enthusiasm in his
Copyright 1999 Reed Business Information, Inc. --This text refers to the Audio Cassette edition.

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Product Details

• Paperback: 432 pages
• Publisher: Vintage (February 22, 1999)
• Language: English
• ISBN-10: 067975833X
• ISBN-13: 978-0679758334
• Product Dimensions: 7.9 x 5.1 x 1 inches
• Shipping Weight: 11.2 ounces (View shipping rates and policies)
• Average Customer Review: 4.3 out of 5 stars  See all reviews (269 customer reviews)
• Amazon.com Sales Rank: #8,569 in Books (See Bestsellers in Books)

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  #12 in	Books > History > United States > Civil War

Customer Reviews

Most Helpful Customer Reviews

79 of 83 people found the following review helpful:

5.0 out of 5 stars Great storyteller, compelling subject, wonderful book, May 27, 2004

By	Jerry Brito (Washington, DC USA) - See all my reviews

Although I don't know more than the average person about the Civil War, I've always had a sneaking suspicion that it is still with us somehow. Tony Horwitz's "Confederates in the Attic" confirmed that suspicion and in a most amusing, touching, and balanced way.

A War reenactor friend recommended I read the book. We were talking about the modern-day states rights concerns and he said that the debate had its origins at Fort Sumter. So, I picked up the book thinking it would simply be a survey of what I now know is called neo-Confederate thought. But I was more than a little bit thrilled to find that it was not just a sociological study, but also a travelogue-probably my favorite kind of book.

After returning to the States from an extended time abroad, Horwitz's childhood interest in the Civil War-and especially Rebels-was rekindled after a band of hardcore reenactors showed up in his yard on their way to a battlefield. Soon he began to tour the South visiting relevant War sites and interviewing the Confederate descendants that kept that cause's heritage alive. Horwitz's has an amazing gift for storytelling and it shines through in this book. He has an uncanny ability to come across mundanely interesting characters in his travels and to write their stories with an original verve.

The book is also balanced. Although he is a Yankee, Horwitz's affinity for the Rebels is evident. But he checks that affinity with a good dose of history and reality. He conveys the notion that the South's resentment of the North is not wholly unjustified, but actually often well placed. At the same time, though, he illustrates the willful naivete that makes Gods of Confederate generals and that forgets the Old South's uglier sides. Horwitz manages to do all this while highlighting not just the tragic, but also the fun and curious stories of the Civil War and its remnants today.

Every American should strive to learn a bit more about the War, and this is a great place to start. It's a fun, touching read that demonstrates why that chapter in our history is still important-and indeed still with us-today.

30 of 32 people found the following review helpful:

4.0 out of 5 stars Ran outta gas, February 8, 2000

By	John A. Walker III (Palo Alto, CA) - See all my reviews

This book started strong, keeping me rapt, but dragged at the end. Unlike a lot of the previous reviewers, I thought the emphasis on reënactment was rather dull. More interesting were Horwitz's conversations with Shelby Foote and Lee Collins, the HPA president in Atlanta. Collins made a great point when he said the Stars and Stripes flew over slavery for 80 years, while the battle flag never did. I also disagree with other Southerners that this book was totally biased. Sure it was written by a bleeding-heart Yankee, but I thought he did a fairly good job of keeping his personal views quiet, with a few notable exceptions.

I must warn Yankees, however, that this book doesn't really give a great example of what you should expect to encounter when you come to the South. Yes, Southerners take pride in being Southern and honor their Confederate heroes, but it's not as immediate a concern to most people as Horwitz would have you believe. Southerners mainly just don't like always being portrayed by the Northern media as rednecks and racists, when the North has just as many of both. Often this is why we hold dear our Confederate heritage as a kind of fraternal solidarity-bloc to fend off Northern bias.

All in All, good read...in short, you won't put it down before you're done.

46 of 54 people found the following review helpful:

5.0 out of 5 stars Horwitz is one of the best journalists in the country, May 1, 2000

By A Customer

let me begin this review by saying that I am somewhat of a Civil War aficionado. Having said that, no other book that I have read has bridged the ap between the Civil War and the present as well as Tony Horwitz's CONFEDERATES IN THE ATTIC.

Horwitz, whose national reporting and war correspondence I have admired in the Wall Street Journal and The New Yorker, is once again in top form. The urbanity and sophistication of those two periodicals contrasts nicely with the rural south he reports on in this book. After moving to Virginia and meeting local Civil War reenactors, be takes a two year-long Odyssey through fourteen southern states to explore the legacy of the Civil War. William Faulkner and Flannery O'Connor combined could not have created such a menegerie of bizarre southern gothic characters.

On his voyage, he encounters Civil War reenactors so "hardcore" that their wives have left them. He encounters hate groups, explores the Confederate Flag controversey, investigates a racially motivated murder, ends up waist-deep in Confedeate kitch, and wanders into a meeting of the "children of the confederacy" eerily reminiscent of a Hitler-youth group.

This book appeals to both northerners and southerners, because it accomplishes te seemingly contradictory tasks of appreciating southern heritage while satirizing the southerners who have not yet forgiven the "Yankees" for destroying their newly formed Confederacy. The names of the chapters "At the Foote of the master," "The Civil Wargasm," and "Gone With the Window" show how the author keeps a satirical tone while appreciating the legacy of the Civil War. This book is an incredible piece of scholarship and journalism.