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The Confessions (Penguin Classics) Reprint Edition

34 customer reviews
ISBN-13: 978-0140440331
ISBN-10: 014044033X
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Product Details

  • Series: Penguin Classics
  • Paperback: 608 pages
  • Publisher: Penguin Classics; Reprint edition (August 30, 1953)
  • Language: English
  • ISBN-10: 014044033X
  • ISBN-13: 978-0140440331
  • Product Dimensions: 5.1 x 1.1 x 7.8 inches
  • Shipping Weight: 14.1 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (34 customer reviews)
  • Amazon Best Sellers Rank: #93,066 in Books (See Top 100 in Books)
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Customer Reviews

Most Helpful Customer Reviews

76 of 82 people found the following review helpful By A Customer on June 22, 1997
Format: Hardcover
Rousseau's Confessions had been on my book shelf for at least two years before I got motivated to read it. I had started it a few times, but never got beyond the first chapter. I read quite alot, though, and the Confessions seemed to pop up everywhere, in History, Philosophy, and especially in articles on influences in Literature. Flipping through it, it seemed dry and the passages boring and out-of date. But I told myself I must read it, if only to better understand the references that kept drawing from it.
Once I got past the first chapter, I found I simply could not put it down. Admittedly, I had the extra advantage of knowing alot about the period in history and the life of Rousseau himself, but that wasn't the magic of the book. It was Rousseau himself who seemed to come alive through the pages. The tortured honesty on every page which excited and shocked me kept me up late every night until I was finished. There were times I simply had to put the book down, catch my breath a little, and think, "Oh My God! I can't believe it!" After, I realized I had finished one of the best reading experiences of my life. It ranked right up there with "The Red and The Black", "Les Mis", "Crime and Punishment" and "Anna Karenina". This book will live through the ages, I had read a hundred times but dismissed it. I only hope you are more trustful than I.
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54 of 61 people found the following review helpful By Bruce Kendall VINE VOICE on June 16, 2004
Format: Paperback
There are certain books that are cornerstones in your life. This is one of mine. A lot of the Romantic self-centerdness that marks my character can be traced directly back to this guy. But then again, whatever my expansive vision and love of variety and the vagaries of human nature can also be traced back to this cynical, but at the same time genial soul.
Rousseau, like Voltaire and Diderot, his contemporaries, could look upon his fellow man and himself with both a frown and a smile. He claims at the outset of the work that he is going to show you himself as he honestly is, warts and all. Don't believe him! But don't turn your back on him either, or dismiss him as a liar! You would be denying yourself the company of one of the most charming alluring reconteurs in all of literature, should you do so.
Monsieur Rousseau absolutely loves talking about himself. That sounds like a recipe for boredom, I know. But the trouble is, he's got such a fascinating subject. He knew everyone who was anyone in the 18th century. The women, in particular, were the actual movers and shakers of fin de siecle France. They were figures who presided over literary salons when there actually were literary salons. Madame de Stael is only one matron who looms large in the account. France was basically ruled by powerful and cunning women in that era. Rousseau was there, mentally recording every intimate bon mot and detail.
Then there is his infectious, expansive nature to win you over! Try as you might, self centered as the man is, you can't help liking the guy! He is the ultimate Romantic, in the best sense of the word. He believes in his soul that mankind is noble, that we were put here on earth to enact a divine plan for the benefit of all.
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16 of 18 people found the following review helpful By James Paris on August 25, 2006
Format: Paperback
Autobiographies are inherently unreliable. We all want to gloss over the embarrassing or wrongful moments in our lives and present ourselves as engaging "packages" to our contemporaries and to posterity. In Jean-Jacques Rousseau's CONFESSIONS, we have an autobiographer who is willing to show you his life -- warts and all.

What strikes many contemporary readers as somewhat whack about Rousseau is that he gave several of his own children up for adoption, thinking they would be better cared for by a charitable institution than at home. Although he never "officially" tied the knot with Thérèse Levasseur in a religious or civil marriage, he was at the very least what we would today call her common law husband.

As with Montaigne in his essay "Of Experience," we are introduced to Rousseau's painful urinary problems. He had to catheterize himself frequently to be able to urinate at all; and toward the end of the book, he talks about adopting an Armenian garb because he could no longer comfortably wear trousers.

Even more painful than the physical was that Rousseau appeared to be a trusting person who tried to make friends, but was frequently betrayed by them. Some of the betrayers include such famous contemporaries of the author's as Denis Diderot and Jean Le Rond d'Alembert. It is possible that Rousseau had a strong streak of paranoia, as it is unlikely that so many of his ex-friends would form conspiracies against him.

Perhaps in no other book is there such stress laid on the perils of having to seek patronage rather than earning money on one's own merits. I know that, if I were living in 18th century France under the old régime, I, too, would have difficulties because of my own blunt personality.
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10 of 10 people found the following review helpful By William Cook Miller on January 6, 2013
This edition of Rousseau's Confessions purports to reprint the anonymous translation of 1783 and 1790--an exciting prospect, given that this is an excellent, as well as an historically important, rendering. In fact, though, this edition mercilessly simplifies the language of the anonymous translation. The result is a clear and easy gist, with none of the charm or verve of eighteenth century prose. A genuine middlebrow bummer of an edition: pretty, but stupid.

P.S. I assume that all editions of the anonymous translation "revised and completed by A.S. Glover" are identical to this one.
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