Confessor [Paperback]

Daniel Silva (Author)

Book Description

Publication Date: April 1, 2004

This is a complex thriller of ancient and modern betrayal from the author of "The English Assassin".

Editorial Reviews

Amazon.com Review

Product Description
In Munich, a Jewish scholar is assassinated. In Venice, Mossad agent and art restorer Gabriel Allon receives the news, puts down his brushes, and leaves immediately. And at the Vatican, the new pope vows to uncover the truth about the church's response to the Holocaust-while a powerful cardinal plots his next move. Now, as Allon follows a trail of secrets and unthinkable deeds, the lives of millions are changed forever-and the life of one man becomes expendable...

Amazon Exclusive Essay: Daniel Silva on Gabriel Allon and the "Accidental Series"

Writers tend to be solitary creatures. We toil alone for months on end, then, once a year, we emerge from our dens to publish a book. It can be a daunting experience, especially for someone like me, who is not gregarious and outgoing by nature. But there is one aspect of promotion I truly love: meeting my readers and answering their questions. During each stop on my book tour, I reserve the bulk of my time for a lively conversation with the audience. I learn much from these encounters-indeed, some of the comments are so insightful they take my breath away. There is one question I am asked each night without fail, and it remains my favorite: "How in the world did you ever think of Gabriel Allon?" The answer is complicated. In one sense, he was the result of a long, character-construction process. In another, he was a bolt from the blue. I'll try to explain.

In 1999, after publishing The Marching Season, the second book in the Michael Osbourne series, I decided it was time for a change. We were nearing the end of the Clinton administration, and the president was about to embark on a last-ditch effort to bring peace to the Middle East. I had the broad outlines of a story in mind: a retired Israeli assassin is summoned from retirement to track down a Palestinian terrorist bent on destroying the Oslo peace process. I thought long and hard before giving the Israeli a name. I wanted it to be biblical, like my own, and to be heavy with symbolism. I finally decided to name him after the archangel Gabriel. As for his family name, I chose something short and simple: Allon, which means "oak tree" in Hebrew. I liked the image it conveyed. Gabriel Allon: God's angel of vengeance, solid as an oak.

Gabriel's professional résumé-the operations he had carried out-came quickly. But what about his other side? What did he like to do in his spare time? What was his cover? I knew I wanted something distinct. Something memorable. Something that would, in many respects, be the dominant attribute of his character. I spent many frustrating days mulling over and rejecting possibilities. Then, while walking along one of Georgetown's famous redbrick sidewalks, my wife, Jamie, reminded me that we had a dinner date that evening at the home of David Bull, a man regarded as one of the finest art restorers in the world. I stopped dead in my tracks and raised my hands toward the heavens. Gabriel Allon was complete. He was going to be an art restorer, and a very good one at that.

Over my objections, the book was entitled The Kill Artist and it would go on to become a New York Times bestseller. It was not, however, supposed to be the first book in a long-running series. But once again, fate intervened. In 2000, after moving to G.P. Putnam & Sons, my new publishers asked me what I was working on. When I mumbled something about having whittled it down to two or three options, they offered their first piece of advice. They really didn't care what it was about, they just wanted one thing: Gabriel Allon.

I then spent the next several minutes listing all the reasons why Gabriel, now regarded as one of the most compelling and successful continuing characters in the mystery-thriller genre, should never appear in a second book. I had conceived him as a "one off" character, meaning he would be featured in one story and then ride into the sunset. I also thought he was too melancholy and withdrawn to build a series around, and, at nearly fifty years of age, perhaps a bit too old as well. My biggest concern, however, had to do with his nationality and religion. I thought there was far too much opposition to Israel in the world-and far too much raw anti-Semitism-for an Israeli continuing character ever to be successful in the long term.

My new publishers thought otherwise, and told me so. Because Gabriel lived in Europe and could pass as German or Italian, they believed he came across as more "international" than Israeli. But what they really liked was Gabriel's other job: art restoration. They found the two opposing sides of his character-destroyer and healer-fascinating. What's more, they believed he would stand alone on the literary landscape. There were lots of CIA officers running around saving the world, they argued, but no former Israeli assassins who spent their spare time restoring Bellini altarpieces.

The more they talked, the more I could see their point. I told them I had an idea for a story involving Nazi art looting during the Second World War and the scandalous activities of Swiss banks. "Write it with Gabriel Allon," they said, "and we promise it will be your biggest-selling book yet." Eventually, the book would be called The English Assassin, and, just as Putnam predicted, it sold twice as many copies as its predecessor. Oddly enough, when it came time to write the next book, I still wasn't convinced it should be another Gabriel novel. Though it seems difficult to imagine now, I actually conceived the plot of The Confessor without him in mind. Fortunately, my editor, Neil Nyren, saved me from myself. The book landed at #5 on the New York Times bestseller list and received some of the warmest reviews of my career. After that, a series was truly born.

I am often asked whether it is necessary to read the novels in sequence. The answer is no, but it probably doesn't hurt, either. For the record, the order of publication is The Kill Artist, The English Assassin, The Confessor, A Death in Vienna, Prince of Fire, The Messenger, The Secret Servant, and Moscow Rules, my first #1 New York Times bestseller. The Defector pits Gabriel in a final, dramatic confrontation with the Russian oligarch and arms dealer Ivan Kharkov, and I have been told it far surpasses anything that has come before it in the series. And to think that, if I'd had my way, only one Gabriel Allon book would have been written. I remain convinced, however, that had I set out in the beginning to create him as a continuing character, I would surely have failed. I have always believed in the power of serendipity. Art, like life, rarely goes according to plan. Gabriel Allon is proof of that.

--This text refers to the Mass Market Paperback edition.

From Publishers Weekly

"If you think Italians have a long memory, you should spend some time in the Middle East. We're the ones who invented the vendetta, not the Sicilians." So maintains Gabriel Allon, art restorer and Mossad hit man, star of Silva's second thriller series (The Mark of the Assassin, etc.). Gabriel is once again reluctantly dragged from his day job (he's working on a Bellini in Venice) by Israeli spymaster Ari Shamron, who heads a team of sleeper Mossad agents scattered all over the world. This time, it's a revenge mission: one of Shamron's agents (an academic working on an expos‚ about the Vatican's collaboration with the Nazis) has been assassinated. The gunman was working for a secret Vatican society known as Crux Vera. Composed of Roman Curia members and shady rich thugs, this shadow group intends to kill the latest pope to keep him from exposing the Vatican's secret archives. In order to find the gunman (known as "the Leopard," a reclusive European of independent means who hires out his deadly skills to the highest bidder), Gabriel must take up his slain colleague's research, something the Italian and German governments assuredly do not want him to do. Gabriel is hounded all across Europe as he tries to find out the truth about the Nazi collaborators, save the pope and get the Leopard. Silva draws on bizarre WWII secrets uncovered by historians like Susan Zuccotti (whom Silva credits) for his premise. Though the plot sticks close to Silva's well-honed formula, the provocative historical revelations will keep readers enthralled.
Copyright 2003 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

See all Editorial Reviews

Product Details

• Paperback: 416 pages
• Publisher: Penguin Books (April 1, 2004)
• Language: English
• ISBN-10: 014101587X
• ISBN-13: 978-0141015873
• Product Dimensions: 6.9 x 4.4 x 1.2 inches
• Shipping Weight: 7.8 ounces
• Average Customer Review: 4.2 out of 5 stars  See all reviews (129 customer reviews)
• Amazon Best Sellers Rank: #149,190 in Books (See Top 100 in Books)

More About the Author

He has been called his generation's finest writer of international intrigue and one of the greatest American spy novelists ever. Compelling, passionate, haunting, brilliant: these are the words that have been used to describe the work of #1 New York Times-bestselling author Daniel Silva.

Silva burst onto the scene in 1997 with his electrifying bestselling debut, The Unlikely Spy, a novel of love and deception set around the Allied invasion of France in World War II. His second and third novels, The Mark of the Assassin and The Marching Season, were also instant New York Times bestsellers and starred two of Silva's most memorable characters: CIA officer Michael Osbourne and international hit man Jean-Paul Delaroche. But it was Silva's fourth novel, The Kill Artist, which would alter the course of his career. The novel featured a character described as one of the most memorable and compelling in contemporary fiction, the art restorer and sometime Israeli secret agent Gabriel Allon, and though Silva did not realize it at the time, Gabriel's adventures had only just begun. Gabriel Allon appears in Silva's next nine novels, each one more successful than the last: The English Assassin, The Confessor, A Death in Vienna, and Prince of Fire, The Messenger, The Secret Servant, Moscow Rules, and The Defector. Silva's forthcoming novel, The Rembrandt Affair, will be published on July 20, 2010.

Silva knew from a very early age that he wanted to become a writer, but his first profession would be journalism. Born in Michigan, raised and educated in California, he was pursuing a master's degree in international relations when he received a temporary job offer from United Press International to help cover the 1984 Democratic National Convention in San Francisco. Later that year Silva abandoned his studies and joined UPI fulltime, working first in San Francisco, then on the foreign desk in Washington, and finally as Middle East correspondent in Cairo and the Persian Gulf. In 1987, while covering the Iran-Iraq war, he met NBC Today National Correspondent Jamie Gangel and they were married later that year. Silva returned to Washington and went to work for CNN and became Executive Producer of its talk show unit including shows like Crossfire, Capital Gang and Reliable Sources.

In 1995 he confessed to Jamie that his true ambition was to be a novelist. With her support and encouragement he secretly began work on the manuscript that would eventually become the instant bestseller The Unlikely Spy. He left CNN in 1997 after the book's successful publication and began writing full time. Since then all of Silva's books have been New York Times and international bestsellers. His books have been translated in to more than 25 languages and are published around the world. Silva continues to reside in Washington with his wife and teenage twins Lily and Nicholas. When not writing he can usually be found roaming the stacks of the Georgetown University library, where he does much of the research for his books. He is currently at work on a new Gabriel Allon novel and warmly thanks all those friends and loyal readers who have helped to make the series such an amazing success.

Customer Reviews

Most Helpful Customer Reviews

76 of 81 people found the following review helpful:

5.0 out of 5 stars A Thrilling Read, March 3, 2003

By 

Randyll McDermott (Minneapolis, MN, USA) - See all my reviews

This review is from: The Confessor (Hardcover)

Each year I look forward to Daniel Silva's new thriller. The Confessor was worth the wait. After starting off slowly, the novel quickly picks up steam.

As is usual with a suspense novel, there are a few plots to keep track of, three in The Confessor. Though it is hard to remember the various characters at first, they quickly become integral parts of the novel. Silva develops his characters wonderfully. None are faultless, but all are a joy to read about.

Readers of The Kill Artist and The English Assassin will be familiar with The Confessor's protagonist, Gabreil Allon. This book takes place a few years after the events of The English Assassin. Gabriel is restoring a fresco in a Venetian church when Ari Shamron, his sometimes spymaster, comes to him with a job. Gabriel's friend and fellow spy, Benjamin Stern, had been killed. Shamron wants Gabriel to investigate the death. Gabriel reluctantly accepts and goes off to Munich. It is there that the book really begins.

Gabriel uncovers evidence that Stern had gone to Italy while in the process of researching a book that he (Stern) was writing. As the novel progresses, Gabriel investigates and unearths a conspiracy in the Catholic Church. Like all other Silva novels, The Confessor has a healthy dose of breathless chase scenes, exotic European locales, and multiple assumed identities. The Confessor will be enjoyed by all fans of Silva's earlier work, and those with an interest in international intrigue.

23 of 25 people found the following review helpful:

5.0 out of 5 stars Speculative Historical Fiction, March 26, 2003

By 

Tim Smith (Fresno, CA United States) - See all my reviews

This review is from: The Confessor (Hardcover)

Realistic and thought-provoking, THE CONFESSOR is actually speculative historical fiction about the role of the Catholic Church during WW II. Since the Vatican has chosen not to open the Secret Archives, the public (and gifted authors)can only speculate about the role of the Catholic Church and particularly Pope Pius XII as Hitler was devastating Europe and carrying out his Final Solution.

Daniel Silva uses the center of power of the Roman Catholic Church, a newly chosen Pope and the powerful men of the Vatican, as key elements of the plot in this realistic thriller. As familiar protagonist Gabriel Allon is restoring a painting of the Virgin by Bellini, he is summoned by the enigmatic Israeli, Ari Shamron, to investigate the murder of Gabriel's writer friend Benjamin Stern who had been gathering information about the role of the Church during WWII and the effects on the Jewish people.

Naturally, Gabriel answers the call. During his investigation, he meets several intriguing and mysterious characters, encounters many close calls requiring his skills of deception, and undergoes formidable personal challenges on his journey to uncover the truth. Therein lies the power of Silva's writing. He is able to involve the reader in the characters and their development throughout a complex, absorbing plot while maintaining realism and emotional depth. He uses the continuity of the characters' past, especially Gabriel Allon, by referring to events which occurred in his previous novels. This adds color and intensity to the characters, making their behavior more realistic and the plot more believable.

THE CONFESSOR is another bold, well-written thriller by an author who has maintained a high standard of thought-provoking, realistic novels since he burst on the spy-fiction suspense scene with AN UNLIKELY SPY. This latest addition to his highly regarded body of work should interest, entertain, and challenge you; it is HIGHLY RECOMMENDED!

24 of 27 people found the following review helpful:

5.0 out of 5 stars Spine-Tingling Thriller! Daniel Silva's Best To Date!, July 25, 2003

By 

Jana L. Perskie "ceruleana" (New York, NY USA) - See all my reviews
(VINE VOICE)    (HALL OF FAME REVIEWER)    (TOP 500 REVIEWER)    (REAL NAME)   

Amazon Verified Purchase

This review is from: The Confessor (Hardcover)

Daniel Silva brings back his enigmatic hero, Gabriel Allon, in "The Confessor," to investigate the mysterious murder of a dear friend, the unpopular aspirations of a newly elected Pope, a secret society in the Vatican, and long hidden secrets from World War II. Allon, is a brilliant Israeli art restorer and a complex, melancholy man. He had worked for many years as an Israeli intelligence agent, and assassin, (when necessary), losing his young son and wife to violence as a consequence of his work. Now he just wants to restore paintings and be left alone with his grief and his guilt.

Allon's boyhood friend and associate, Benjamin Stern, is murdered in his Munich apartment while writing a secret expose on Pope Pius XII and the Church's involvement in the Holocaust. Ari Shamron, Gabriel's old mentor, former head of Israeli intelligence, and the father of Ben Stern, finds Allon in Venice, restoring a Bellini altarpiece. He has little difficulty persuading Allon to accept this assignment to find Stern's killer, even though it means leaving the Bellini, at least temporarily.

Although Allon runs into a stone wall with his investigation in Munich, he begins to discover clues to the secrets of his friend's manuscript. Apparently Stern had been writing about material from top secret Vatican archives that proves Pope Pius XII, and the Church, were directly involved with the Nazis in the implementation of the Holocaust. Evidence also points to a deadly secret Vatican society, the Crux Vera.

Pope Paul VII, known by his Vatican detractors as "Pope Accidental," has recently been elected to the Papal Throne. He has pledged to review the Church's alleged complicity in the Nazi extermination of the Jews, and make available the Secret Vatican Archives regarding the Holocaust - archives that certain Vatican officials would do anything to keep suppressed. Allon's life, and the Pope's, are in terrible jeopardy.

Whatever your opinion on these controversial issues, Daniel Silva has written his best novel with this mesmerizing tale of Vatican politics, intrigue, murder and World War II history. Mr. Silva's style is reminiscent, but not derivative, of Ken Follett, Frederick Forsyth and John LeCarre. He is definitely in their league and oh, so original, with his 21st century relevant storyline. I have waited for a long time for an author of this caliber to appear and keep me on the edge of my seat, reading through the night. I was unable to put this book down.