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The Conformist (Extended Edition) (1970)

Jean-Louis Trintignant , Stefania Sandrelli , Bernardo Bertolucci  |  R |  DVD
4.4 out of 5 stars  See all reviews (79 customer reviews)

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Product Details

  • Actors: Jean-Louis Trintignant, Stefania Sandrelli, Gastone Moschin, Enzo Tarascio, Fosco Giachetti
  • Directors: Bernardo Bertolucci
  • Writers: Bernardo Bertolucci, Alberto Moravia
  • Producers: Giovanni Bertolucci, Maurizio Lodi-Fè
  • Format: Color, Dolby, Subtitled, Widescreen, NTSC
  • Language: Portuguese (Dolby Digital 2.0 Mono), English (Dolby Digital 2.0 Mono), Italian (Dolby Digital 2.0 Mono), French (Dolby Digital 2.0 Mono), Spanish (Dolby Digital 2.0 Mono)
  • Subtitles: English, Spanish, Portuguese
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.66:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Paramount
  • DVD Release Date: December 5, 2006
  • Run Time: 111 minutes
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (79 customer reviews)
  • ASIN: B000IHYXH6
  • Amazon Best Sellers Rank: #54,238 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "The Conformist (Extended Edition)" on IMDb

Special Features

  • Original theatrical version
  • The Rise of The Conformist: The Story, The Cast featurette
  • Shadow and Light: Filming The Conformist featurette
  • The Conformist: Breaking New Ground featurette

Editorial Reviews

Product Description

This story opens in 1938 in Rome, where Marcello has just taken a job working for Mussollini and is courting a beautiful young woman who will make him even more of a conformist. Marcello is going to Paris on his honeymoon and his bosses have an assignment for him there. Look up an old professor who fled Italy when the fascists came into power. At the border of Italy and France, where Marcello and his bride have to change trains, his bosses give him a gun with a silencer. In a flashback to 1917, we learn why sex and violence are linked in Marcello's mind.

With The Conformist, Bernardo Bertolucci delivered one of his signature masterworks and joined the ranks of world-class directors. Based on the acclaimed novel by Alberto Moravia (who greatly admired Bertolucci's adaptation), this milestone of cinematic style concerns one of Bertolucci's dominant themes--the duality of sexual and political conflict--in telling the story of Marcello (Jean-Louis Trintignant), a 30-year-old Italian haunted by the memory of a sexually traumatic childhood experience. As an adult with repressed homosexual desires, Marcello wants nothing more than to conform to the upper-crust expectations of Italian society, so he marries the dim-witted, petit-bourgeois Giulia (Stefania Sandrelli), and willfully joins the Italian Fascist movement, traveling from Rome to Paris with an assignment to assassinate his former academic mentor, Prof. Quadri (Enzo Tarascio). As he grows attracted to Quadri's bisexual wife Anna (Dominique Sanda), who is in turn attracted to Giulia, Marcello's path of duplicity parallels that of Mussolini's inevitable downfall. He's on an irreversible course of self-destruction, on which his troubled past and morally corrupted present will collide in a soul-crushing heap of personal contradictions.

While the psychosexual aspects of Bertolucci's Oscar®-nominated screenplay remain dramatically compelling, The Conformist is now better known as a dazzling stylistic breakthrough, with sweeping camera moves, oblique angles, and innovative editing brilliantly applied to Bertolucci's rich themes of internalized conflict. In close collaboration with master cinematographer Vittorio Storaro, Bertolucci crafted one of the greatest films of the 1970s, offered here with its richly relevant "Dance of the Blind" scene fully intact. This five-minute scene was cut from the original American release, then restored for the film's 1994 re-release. It's a welcome enhancement of the film's suspenseful historical context, which is fully explored in three bonus featurettes in which Bertolucci and Storaro discuss the story, production, and innovative style of The Conformist in fascinating detail. For serious collectors of important films, The Conformist is absolutely essential. --Jeff Shannon

Customer Reviews

Most Helpful Customer Reviews
128 of 134 people found the following review helpful
5.0 out of 5 stars one of the 10 best films I've ever seen June 29, 2006
Format:VHS Tape
What kind of man gets himself in such a pickle that --- on his honeymoon --- he's given a gun and asked to kill a professor he's always admired?

That is the question presented to us at the beginning of "The Conformist," as Marcello Clerici (Jean-Louis Trintignant) sits in a Paris hotel room, waiting for the call that will tell him it's time to kill the professor. If you love movies, the answer --- told in a series of flashbacks, and, on occasion, flashbacks within flashbacks --- will make for one of the most rewarding cinematic experiences of your life.

Let's get the praise out of the way right off. Bernardo Bertolucci --- known to most moviegoers for his Oscar-winning "The Last Emperor" and his down-and-dirty "Last Tango in Paris" --- made "The Conformist" at 29. It is a young man's film, drenched in ambition. It is also Bertolucci's greatest film. Indeed, it is one of the ten greatest films I've ever seen.

My reasons?

First, "The Conformist" is beautiful in the extreme. The cinematographer was the great Vittorio Storaro, and his color palette is so exquisite that Francis Ford Coppola watched this film over and over before making "The Godfather" --- and then hired Storaro to shoot "Apocalypse Now." The production designer was Ferdinando Scarfiotti, whose credits include "Death in Venice" and "Scarface." And Georges Delerue, who did the scores for "Jules and Jim" and "Platoon", composed the music.

Then there is the acting. Trintignant is one of the most familiar faces in French cinema; this is the performance of his life. But mostly, I want to praise Dominique Sanda, then just 22 years old and making only her third movie.
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29 of 34 people found the following review helpful
5.0 out of 5 stars Fall of a Fascista December 18, 2006
Break out the brass section, the DVD has arrived. This landmark film like fine wine, now that it has been remastered by cinematographer Vittorio Storaro, and presented with color intact in widescreen in Italian and French, emerges as a true classic. The dispicable VHS dubbed panned & scanned version that we have been watching for over 20 years can be "retired". Bernardo Bertolucci's truth is once again on display. This release sparkles with clarity, and we can thrill to the carefully presented imagery and the powerful symbolism.

Bertolucci, under 30 when he directed CONFORMIST, has become a wonderfully gifted and powerful force in cinema; and never more so than in this fledging effort. He must have storyboarded every moment. The film is tighter than a Rolex; no wasted seconds or icons. In this film he began to explore the vistas of sensuality and sexuality that only two short years later would blossom into THE LAST TANGO IN PARIS (1972); and then would spill out all over the lens and screen in his latest effort, THE DREAMERS (2003).

Alberto Moravia wrote the original novel at over 300 pages. Bertolucci did a marvelous job of extracting the essence of the protagonist, Marcello Clerici, and constructing a fabulous film, complex, lyrical yet brutal, beautiful yet shocking, shallow one moment and lethal the next, full of madness, repressed homosexuality, religious hypocracy, petty politicos, blind people, assassins, victims, and a never ending line of characters being cajoled or abused or eliminated or shamed or extolled. This is the Italy of the late 30's and early 40's, when the bald bulldog, Mussolini, strutted in the shadow of Hitler, dreaming of a new Roman Empire --about ordinary citizens who either resisted the Fascists or joined them.
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18 of 20 people found the following review helpful
By Anon
Format:VHS Tape|Verified Purchase
I just want to add my voice to those asking - pleading - for The Conformist to be released in a subtitled version on DVD. I first saw The Conformist when it was released about 35 years ago, and have had the good fortune to see it a few times since. (At the risk of rubbing salt in the wound of reviewer James Luckard, I did get to see it when it was at the Nuart in L.A. two years ago.) This film is just absolutely stunning in every way - Jean-Louis Trintignant is of course a great actor, but the thing I find so overwhelming with this film is the way the story, the acting, the cinematography, the lighting, the music, everything just comes together so well.
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15 of 17 people found the following review helpful
5.0 out of 5 stars Italian Version of The Conformist November 26, 2002
Format:VHS Tape
I agree that The Conformist should be released on DVD. I also agree with the reviewer who said that The Conformist is undoubtedly Bertolucci's finest film and perhaps his only true masterwork. However, the dubbing is atrocious--and a similar problem exists with Truffaut's Day for Night--another film that is unavailable on DVD and which has previously been available only in a dubbed version. Since I have seen The Conformist in the theater in the original language, I am confident that they could--with a little effort--release The Conformist in Italian. The Conformist is a truly great film--with stunning cinematography. Bertolucci explores the question of why an intelligent thinker would care to become a fascist. The answer is complex, startling and not ever comforting. It's truly a shame that it has not yet been released on DVD; but it would be a travesty to release it on DVD as a dubbed version (as if voice is not part of acting.)
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Most Recent Customer Reviews
5.0 out of 5 stars pleased with DVD!
I received this after moving and didn't have a DVD player to watch. Checked it out and it seems to be as described. Will watch it from beginning to end some time soon. Read more
Published 5 months ago by jan primozich
5.0 out of 5 stars Fascinating and dark
Beautifully photographed and acted, this film of the French Resistance is gripping! Upsets and surprises abound, along with a few improbabilities, and it fascinates on multiple... Read more
Published 8 months ago by MARILYN G. DERIGHT
2.0 out of 5 stars Thanks, Amazon. [SARCASM]
What they don't tell you when selling this to you is that this film is not released on a format that works in the United States. SO when you try to play it, it simply doesn't work.
Published 10 months ago by Joey
1.0 out of 5 stars Don't even take money to watch this dog
Worse that bad. I don't know how this one got made. It is really astonishingly bad. I've never tried to get through anything that messed up.
Published 11 months ago by Jake Campbell
5.0 out of 5 stars good product, delivery was as agreed and fulfilled expectations. The...
Excelent quality, delivery was as agreed and fulfilled expectations. The product was ready to ship quickly, there were no problems with payment.
Published 19 months ago by Juan Jose Galvis
5.0 out of 5 stars Beautiful
Every cinematographer should study this film as an example of how to make interiors look great and static scenes look energetic. The costumes and locations are also excellent. Read more
Published on September 13, 2012 by mr. contrarian
5.0 out of 5 stars The Empire 5 Star 500 - #117
If the state doesn't model itself on the image of the individual, how will the individual ever be able to model itself in the image of the state? Read more
Published on August 20, 2012 by The Inquisitor
5.0 out of 5 stars An amazing film by Bertolucci
For my money Bertolucci's very best film. It combines many his
recurring themes; politics (especially fascism in Italy and it's
effects), sexuality and identity, the need... Read more
Published on July 7, 2012 by K. Gordon
2.0 out of 5 stars Way overrated except for cinematogrphy
Except for cinematography by Vittorio Storaro, this film is way over rated. It is totally homophobic. Read more
Published on April 13, 2012 by M. Pope
3.0 out of 5 stars Beautiful but unengaging
Consistently beautiful and interesting composition and staging. Completely unengaging on an emotional level. Read more
Published on January 11, 2012 by Michael Harbour
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