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A Connecticut Yankee in King Arthur's Court (Bantam Classics) Mass Market Paperback – October 1, 1983

4.1 out of 5 stars 449 customer reviews

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Editorial Reviews

From School Library Journal

Gr 5 Up-While Mark Twain is most often identified with his childhood home on the Mississippi, he wrote many of his enduring classics during the years he lived in Hartford, Connecticut. He had come a long way from Hannibal when he focused his irreverent humor on medieval tales, and wrote A Connecticut Yankee in King Arthur's Court. The hit on the head that sent protagonist Hank Morgan back through 13 centuries did not affect his natural resourcefulness. Using his knowledge of an upcoming eclipse, Hank escapes a death sentence, and secures an important position at court. Gradually, he introduces 19th century technology so the clever Morgan soon has an easy life. That does not stop him from making disparaging, tongue-in-cheek remarks about the inequalities and imperfections of life in Camelot. Twain weaves many of the well-known Arthurian characters into his story, and he includes a pitched battle between Morgan's men and the nobility. Kenneth Jay's narration is a mix of good-natured bonhomie for Hank and more formal diction for the arcane Olde English speakers. Appropriate music is used throughout to indicate story breaks and add authenticity to scenes. This good quality recording is enhanced by useful liner notes and an attractive case. Younger listeners may need explanations of less familiar words, and some knowledge of the Knights of the Round Table will be helpful. Libraries completing an audiobook collection of Twain titles will enjoy this nice, but not necessary, abridgement.

Barbara Wysocki, Cora J. Belden Library, Rocky Hill, CT

Copyright 2001 Cahners Business Information, Inc.

--This text refers to an out of print or unavailable edition of this title.

Review

"Twain is the funniest literary American writer. . . . [I]t must have been a great pleasure to be him."
--George Saunders
NO_CONTENT_IN_FEATURE


Product Details

  • Mass Market Paperback: 336 pages
  • Publisher: Bantam Classics; Reissue edition (October 1, 1983)
  • Language: English
  • ISBN-10: 0553211439
  • ISBN-13: 978-0553211436
  • Product Dimensions: 4.2 x 0.7 x 6.9 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (449 customer reviews)
  • Amazon Best Sellers Rank: #207,826 in Books (See Top 100 in Books)

More About the Author

Mark Twain (1835-1910) was an American humorist, satirist, social critic, lecturer and novelist. He is mostly remembered for his classic novels The Adventures of Huckleberry Finn and The Adventures of Tom Sawyer.

Customer Reviews

Top Customer Reviews

Format: Mass Market Paperback
This book--at times disjointed, rambling, self-referential, and irreverent--is decades ahead of its time. It's an interdisciplinarian's dream as Twain takes on economics, geography, politics, ancient and contemporary history, and folklore with equal ease. Mostly though, one appreciates his knack for exaggeration, the tall tale, and the outright lie. It's a triumph of tone, as he lets you in on his wild wit, his keen observation, and his penchant for bending the truth without losing his credibility as a guide.
The book's structure is also modern: He recounts his days as a paddlewheel steam boat "cub," piloting the hundreds of miles of the Mississippi before the Civil War, then, in Part 2, returns to retrace his paddleboat route. Although a few of his many digressions don't work (they sometimes sound formulaic or too detailed) most of the narrative is extremely entertaining. Twain seems caught between admiration and disdain for the "modern" age-but he also rejects over-sentimentality over the past. He writes with beauty and cynicism, verve and humor. Very highly recommended!
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Format: Kindle Edition Verified Purchase
I found this to likely be the most interesting book I have ever read. The attention to detail and description place you within the story. This book is actually, I believe, an autobiography of Mark Twain's (Samuel Clemmons) life as a young man piloting steamboats up and down the Mississippi River.

Whether the man, Mark Twain, interests you or not, Life on the Mississippi, is an eye opening look at America in an earlier era.

In my (humble) opinion this is Mark Twain's best work.
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Format: Mass Market Paperback
Let me guess: your total exposure to Mark Twain came in high school, when you were forced to read about the antics of Huck Finn or Tom Sawyer, right? Well, now that you've reached adulthood, you should make time to read _Life on the Mississippi_. It's mandatory reading if you live in a state that borders the great river, anywhere from Minnesota down to Louisiana. It's mandatory reading if you have come to that point in life when you can suddenly appreciate American history and post-Civil War stories written by someone who lived through that time.
Writing in the first half of the 1870s, Twain retraces the steps of his youth: the watery highway he knew when he trained to be a riverboat pilot nearly 20 years earlier. He speaks of how life _was_ along the river, and what life _became_. It's almost a "you can't go home again" experience for him, while the reader gets the benefit of discovering both time periods.
I have two favorite parts that I share with others. Chapter IX includes a wonderful dissertation about how learning the navigational intricacies of the river caused Twain to lose the ability to see its natural beauty. And Chapter XLV includes an assessment of how the people of the North and the South reacted differently to the war experience. If I were a social studies teacher, I'd use that last passage in a unit on the reconstruction period. So put this title on your vacation reading list, and don't fret: the chapters are short and are many -- 60! -- but you can stop at any time, and the words go by fast. _Life on the Mississippi_ should make you forget all about any Twain trauma and report-writing you may have suffered as a teenager. [This reviewer was an Illinois resident when these comments were written.]
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Format: Paperback
As with all of Mark Twain's work this book works on two very different levels. The first of course is a simple adventure story the second is a bitingly satiric work that unmasks many of the hypocracies of "conventional wisdom".

I have to believe that most of his readers of his time (and ours) did not understand his underlying messages regarding society and its institutions. For me, it was hard to miss the way he unmasked the church, the state and society as a whole. I had to laugh out loud at some of the ways he managed to expose the absurdities of government and religion.

This book is a quick read and is immensely satisfying if the reader takes the time to follow Twain's logic to its natural conclusions.
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Format: Hardcover
You might wonder what prompted Mark Twain to sidle from "straight" fiction into the realm of outright fantasy. Twain transports a Connecticut shop foreman twelve centuries into the past [and 5 000 kilometres!] to Camelot and Arthur's court. Initially confused and dismayed, Hank Morgan's Yankee practicality is quickly aroused and he becomes a major figure among the panopolied knights. With the title of The Boss, his rank equals The King or The Pope with its uniqueness. His elevation doesn't distract him from a more profound impulse, however. Hank's Yankee roots and wide experience evoke an ambition - nothing less than revolution. He wants to sweep away the monarchy and aristocracy and establish an American-style republic in Arthurian Britain.
Mark Twain's scathing criticism of the sham of hereditary monarchy bolstered by an Established Church makes this among his choicest writings. He resents the condition of a Church which "turned a nation of men into a nation of worms." A fervent believer in individual freedom, Twain uses Hank to voice his disdain of Britain's royalty. It's no more than might be expected of a man who boasted of but one ancestor - who sat on the jury that executed Charles I. Hank knows revolutions never succeed when implemented from above. Revolution be achieved only when the individual's attitude changes from meek acceptance to
self assertion. Hank's method reaches people through clandestine schools and factories, publication of a newspaper and establishment of a telephone system. These new forms of manufacture and communication become the foundation by which Hank expects to abolish the ancient, mis-named, chivalric tradition. Does he change the course of history?
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