The Conquering Sword of Conan (Conan of Cimmeria, Book 3) [Paperback]

Robert E. Howard (Author)

Book Description

Release date: November 29, 2005

“FOR HEADLONG, NONSTOP ADVENTURE AND FOR VIVID, EVEN FLORID, SCENERY, NO ONE EVEN COMES CLOSE TO HOWARD.”
–Harry Turtledove

In a meteoric career that covered only a dozen years, Robert E. Howard defined the sword-and-sorcery genre. In doing so, he brought to life the archetypal adventurer known to millions around the world as Conan the barbarian.

Witness, then, Howard at his finest, and Conan at his most savage, in the latest volume featuring the collected works of Robert E. Howard, lavishly illustrated by award-winning artist Greg Manchess. Prepared directly from the earliest known versions–often Howard’s own manuscripts–are such sword-and-sorcery classics as “The Servants of Bit-Yakin” (formerly published as “Jewels of Gwahlur”), “Beyond the Black River,” “The Black Stranger,” “Man-Eaters of Zamboula” (formerly published as “Shadows in Zamboula”), and, perhaps his most famous adventure of all, “Red Nails.”

The Conquering Sword of Conan includes never-before-published outlines, notes, and story drafts, plus a new introduction, personal correspondence, and the revealing essay “Hyborian Genesis”–which chronicles the history of the creation of the Conan series. Truly, this is heroic fantasy at its finest.

Editorial Reviews

Review

“Howard’s writing seems so highly charged with energy that it nearly gives off sparks.”
–Stephen King

“Howard honestly believed the basic truth of the stories he was telling. It’s as if he’d said, ‘This is how life was really lived in those former savage times!’ ”
–David Drake

“For stark, living fear . . . what other writer is even in the running with Robert E. Howard?”
–H. P. Lovecraft

About the Author

Robert E. Howard (1906–1936) was an American pulp fiction writer who is best known as the creator of Conan, a character that has been featured in film, television, comics, and other media. Despite his suicide at the age of thirty, Howard wrote a huge number of stories in a variety of genres, including fantasy, westerns, horror, and even boxing stories. Todd McLaren was involved in radio for more than twenty years in cities on both coasts, including Philadelphia, San Francisco, and Los Angeles. He left broadcasting for a full-time career in voice-overs, where he has been heard on more than 5,000 TV and radio commercials, as well as TV promos; narrations for documentaries on such networks as A&E, Discovery, and the History Channel; and films, including Who Framed Roger Rabbit?

--This text refers to the Audio CD edition.

See all Editorial Reviews

Product Details

• Paperback: 416 pages
• Publisher: Del Rey; First Edition edition (November 29, 2005)
• Language: English
• ISBN-10: 9780345461537
• ISBN-13: 978-0345461537
• ASIN: 0345461533
• Product Dimensions: 6.1 x 0.8 x 9.2 inches
• Shipping Weight: 1.2 pounds (View shipping rates and policies)
• Average Customer Review: 4.8 out of 5 stars  See all reviews (37 customer reviews)
• Amazon Best Sellers Rank: #56,800 in Books (See Top 100 in Books)

More About the Author

(1906-1936) Robert Erwin Howard was born and rasied in rural Texas, where he lived all his life. The son of a pioneer physician, he began writing professionally at the age of fifteen. Howard killed himself in June 1936 when he learned that his beloved mother had fallen into a coma.

Most Helpful Customer Reviews

61 of 62 people found the following review helpful

5.0 out of 5 stars Conan's Swan Song September 18, 2006

By amster

Format:Paperback

The Conquering Sword of Conan is the third and final volume in the Wandering Star/Del Rey collection of Howard's complete "Conan of Cimmeria". For fans of Robert E. Howard, this is a major achievement, because its the first time all of the Howard Conan stories have been published in the order that they were written, completely uncensored and pastiche free. Now, we are able to get a much more accurate look at the both the evolution of the character, as well as Howard's skill as a writer. In the Lancer/Ace editions, the stories were placed in chronological order and peppered with dreadful pastiches. The problem with this is that it was never Howard's intention for his stories to be read that way. The Conan saga is not a unified Joseph Campbell style hero's journey such as "Star Wars" or "Lord of the Rings". Rather, it's more akin to James Bond. Each story can be read and enjoyed on its own, without any prior knowledge of the events or characters in previous stories. In fact, in no Conan story are the plot details of any other Conan story ever even mentioned, except in the most general of terms (Conan gives a brief overview of his career in "Red Nails"). This was by nature, a matter of necessity, as these "pulp fiction" stories were geared towards the casual magazine reader who might be picking up a copy of "Weird Tales" for the first time.

Of the five stories in this volume, three of them are considered by fans and literary scholars to be among the best work that Howard ever produced. They are "Beyond the Black River", "The Black Stranger, and "Red Nails".

Beyond the Black River: this is generally considered Howard's finest work, transcending the level of pulp fiction and worthy of serious critical analyses.... Even if viewed as a simple adventure story, it's unbelievably exciting and entertaining. In order for this story to fit into the genre that he invented, which would later be known as "Sword and Sorcery", Howard populates it with the traditional elements, such as an evil sorceror and supernatural monsters. However, these elements are downplayed. This is the most realistic and true to life Conan story that Howard wrote. Its basically an American frontier saga transported to the Hyborian age. The Picts in "Beyond the Black River" bear little of no resemblance to the Picts of Bran Mak Morn or King Kull's time. Here, they serve as thinly vealed stand-ins for native Americans. The story also contains Howard's most famous quote: "Barbarism is the natural state of mankind. Civilization is unnatural. It is a whim of circumstance. And barbarism must always ultimately triumph".

To those who have never read Howard, who think of Conan as a sort of monosyllabic Tarzan on steroids, I urge you to read the aforementioned story. You'll never see Conan the same way again.

The Black Stranger: what's really amazing about this story is that this is the first time most of us have ever read it in its original form. In the Lancer/Ace editions, this story was heavily edited and rewritten by the self serving L. Sprague de Camp so that it could be used to set the stage for his mind numbingly dreadful pastiche, "Conan the Liberator". He also changed the name to "The Treasure of Tranicos". His justification for doing this was equally ludicrous. He claimed he was concerned that the readers would become "confused" with so many Conan stories with "black" in the title (Black Colossus/Pool of the Black One), as if we're a bunch of four year olds.

It continues many of the themes started in "Beyond the Black River", and is once again a thinly vealed American frontier story transported to the Hyborian Age.

Red Nails: This is the most hardcore Conan story of all. Dr. Freud would have field day with this. Graphic violence, deviant sex, sadomasochism; all are here in full display. The editor of these editions, Patrice Louinet, suggests that this story is a subconsious projection of Howard's relationship with Novalyne Price and resulting conflict between this and his VERY unhealthy relationship with his own mother.

One thing that strikes me about this story is Howard's much more realistic portrayal of the female pirate Valeria, when you compare her to Howard's earlier character Belit, from "Queen of the Black Coast". In "Queen", Belit basically throws herself at Conan at their first meeting, and they immediately have sex right there on the deck of the Tigris with the entire crew looking on. While its a very memorable and well written scene, it does come off as an adolescent fantasy of someone who hasn't had much experience with women. In "Red Nails", Valeria is portrayed much more realistically, like a real woman would behave around a man she's attracted to. She sits on Conan's lap and lets him play with her hair. In one scene, she gives him a "you're not getting any tonight" look and slams the door in his face. She doesn't relent until the end of the story, after Conan proves his worthiness by rescuing her. I have no doubt that this new found maturity on the part of Howard's writing is due, at least in part, to his relationship with Ms. Price.

The two lesser stories are "The Servants of Bit-Yakin" and "Shadows of Zamboula". "Shadows", while more of a conventional Conan story, benifits from outstanding writing and some really good scenes. The strangulation scene, and the dance of the cobras are particalrly memorable. I won't go into any detail about "Servants", other than to say it is worth reading. While some are obviously better than others, there are no bad Howard Conan stories.

I really like the artwork by Gregory Manchess. Its an entirely new take on the character, especially the depiction of Conan in a Captain Hook outfit on page 141. While I didn't like the artwork at first, preferring Gary Gianni's interpretaions in the previous volume, it has really grown on me over the months. I can't wait for the Wandering Star edition to be released so that I can finally see these in full color. It's way overdue. Read more ›

24 of 26 people found the following review helpful

2.0 out of 5 stars Kindle Edition - Greedy Publisher Fail March 12, 2011

By Brent Jablonski

Format:Kindle Edition|Amazon Verified Purchase

Let me preface my remarks with this: the stories are fantastic and worth reading and purchase. There is extended content in the physical book; essays about the creation of the stories, artwork, unpublished early drafts that make the volume worthwhile, even though you can find many of these stories in the public domain.

Now, as to the Kindle edition...
When I purchased the Kindle edition, I expected the artwork to be included. The physical book has ink line art that is quite attractive.
The Kindle edition DOES NOT include the artwork from the physical book, not even the cover art. Not certain why, as the Kindle should be able to display the art.

When I bought the Kindle edition it was three dollars cheaper than the physical, but I was still disappointed with the relative 'value' compared to the dead tree edition. Now that the Kindle edition is MORE expensive than the dead tree edition, my scorn for the publisher is without bounds.

Where is the possible justification for this, Del Rey? You charge more for less content, and you Cost of Goods sold is less as well. Bully for your investors, at least until your pricing model cuts your own throat.
For years publishers blamed the price of paper and printing for the increase in the cost of books. Now in the ebook age their song has changed to 'editing and writing are not free'. Utter crap! I get that you charge what the market will bear, but your rhetoric is insulting to anyone using their brain.

Kindle owners: I suggest we boycott the Kindle edition of this book.Get the public domain editions out on Gutenberg, or ManyBooks. Or get the book from your Public Library. Or buy the physical book used. Don't give the publisher another dime....

Based on comments about the other two Conan volumes, they do not include artwork either. I say leave them be. Read more ›

10 of 10 people found the following review helpful

5.0 out of 5 stars a brilliant finale for Howard's greatest character April 21, 2007

By Jay

Format:Paperback

After years of execrable garbage foisted on us by L Sprague de Camp, Lin Carter, and others (though some of the pastiches by other authors than these are decent), we finally get Conan as R. E. Howard envisioned him. Lacking the softer, milder imitation work of the aforementioned writers, this final volume in Wandering Star/Del Rey's reverent reissue of Howard's original work is a brilliant tour de force. All of the stories here range from passable (Servants of Bit-Yakin, Man-eaters of Zamboula) to great (Beyond the Black River, The Black Stranger) to outstanding (Red Nails, of course). Red Nails--the last story Howard wrote about Conan--is my favorite of them all. In the story, Conan is lustful of the voluptuous Valeria but adherent enough to a code of honor not to force himself on her. (Yes, she does finally give in to his advances.) More than the brilliant interpersonal relationship between the two leads though is the theme of death and decay surrounding the city of Xuchotl (an obvious stand-in for Howard's own home in the year before his untimely death). Both Conan and Valeria come to vivid life on page and drag the reader into Howard's fictional universe by sheer force of will. Howard's writing is full-throttle all the way to the bloody (and surprising) climax. What a way for the Dark Barbarian to exit the stage! As for the other stories, they all have their merits as much as Red Nails, some more so than others. What shines through each though is Howard's clear writing and dark, visceral vision of his savage world. Coupled with all this are drafts of some of the stories, an outline of the history of the writing of the Hyborian Age tales, and the letter Howard wrote to fans Miller and Clark detailing some previously unknown things about Conan.... While Howard probably would never have written about Conan again even had he lived, what we have from him is brilliant and worth reading over and over. Thanks to Howard and his publishers for bringing the iconic Barbarian to life for us. Read more ›