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Most Helpful Customer Reviews
25 of 27 people found the following review helpful:
5.0 out of 5 stars
A breath of fresh air in epic fantasy...,
By rick cash (Heflin, AL United States) - See all my reviews
This review is from: Conqueror's Moon (The Boreal Moon Tale, Book 1) (Hardcover)
In a genre marked by bloated, badly-written, and over-hyped series, Julian May's newest novel is a much-needed breath of fresh air; "Conqueror's Moon" is the real deal. Unlike some of her present-day contemporaries, she can actually write. And (note to said contemporaries): she also researches, infusing her world-building with truly original ideas. Her magic system alone is worth the price of admission. Also, she demonstrates that one can write solidly entertaining fantasy without being a clone of Tolkien or McCaffrey. The prose reminded me of a cross between Zelazny and Katherine Kerr (Deverry novels), who I consider two of the finest stylists in fantasy & SF literature. Forget Goodkind & Jordan; get this book now--then join the impatient wait for the next book in the series!
13 of 15 people found the following review helpful:
3.0 out of 5 stars
Saddened by a fading Julian May,
By
This review is from: Conqueror's Moon (The Boreal Moon Tale, Book 1) (Hardcover)
For years, Julian May was my favorite author. Her Pliocene Exile tetralogy remains the pinnacle of epic fiction in my mind. I enjoyed the Galactic Milieu tetralogy as well, and attributed some of my small disappointment to the sheer scope of the tale. Finally, the Rampart Worlds was entertaining, tongue-in-cheek with fleeting moments of the type of musical prose that had enraptured me with her writing years before. But now... now I must admit that I think Ms. May is fading from her peak.
While Conqueror's Moon was a solid work from the genre perspective, she fell far short of my lofty expectations. She's a good writer, that much is certain. Better by far than Jordan or Goodkind or Newcombe... and there is always the possibility that her editors have hacked and slashed some of her narrative. But her "decline" is not dis-similar to that of Terry Brooks'. "The Sword of Shannara" was fine, lively, colorful writing. Subsequent books, while perhaps more intriguing from a conceptual and storytelling standpoint, lost the magical descriptions and mood-setting narrative of his first work. He succumbed, IMO, to the commercial muse. May's latest work is not that corrupt. The world is interesting, original. The magic is fresh and new (for the genre-- although I can't help thinking it is the watered-down "fantasy" version of the space opera metapsychics from her Pliocene and Milieu series). But the storyline is fairly ordinary otherwise, and her characters (usually one of her great strengths) are quite uninteresting, almost cardboard thin. There is little evolution in them, little growth in this first book... They just are, and static, and not that interesting. Moreover, the music is seemingly gone. In her "Pliocene Companion" May was interviewed as saying that she heard music in her head when she wrote-- different pieces that helped her feel the mood of the scene in the book she was writing at the time. I could tell what she meant when I read it. Her words were Joycean-- they reached out and stimulated all five senses in harmonious rapture. Not so, anymore. For the genre, her prose remains above-average, but without an enthralling storyline, this book is just OK. It's good enough to finish. I'm steadily making my way through the second book, "Ironcrown Moon" as we speak. I've been on a fantasy binge of late-- seven other books, most of which I'll not review. I lament that the Julian May of old has not been rekindled thus far here. If you were looking for a synopsis in this review, I apologize. To me, this book was more about the author than the story. I guess that really says it all about this book.
10 of 12 people found the following review helpful:
3.0 out of 5 stars
Strong writing overcomes unsympathetic characters,
By
This review is from: Conqueror's Moon (The Boreal Moon Tale, Book 1) (Hardcover)
When Didion not only rejected Cathra's claim of sovereignty, it executed the ambassadors, Prince Conrig of Cathra decides to claim the sovereignty by force. Of course, there's the little matter of getting an army across the high and well-defended mountains that separate the two nations, but Conrig has a plan for that--a plan based on the magical powers of the beautiful Princess Ullanoth. In return, she asks his support in her plans to be the next Queen of her own kingdom and plenty of money. Of course, a more fertile relationship isn't to be ruled out either--if Conrig's current wife can be dealt with. Conrig's plans would have failed quickly if not for the efforts of a young servant--Snudge. Snudge has a wild magical talent--one that even practiced mages cannot detect. The talent allows him to detect enemies spying on the prince--and track them to their hiding places. On one spy he discovers a stone that allows invisibility--a powerful tool for a spy or for a commando. Author Julian May offers a fascinating world and magical system. The political infighting and backbiting all ring true. Unlike much fantasy, May doesn't portray a battle of good against evil. All of the major characters, with the possible exception of the thief/spy Snudge, are morally ambivalent. Cathra's desire to conquer its neighbor may have been motivated by Didion's murder of the ambassadors, but Conrig would have attempted the conquest without the excuse. Although May's world is more real as a result of this decision, it also distances the reader from the action. Since we don't really like any of the characters (again with the possible exception of Snudge), it is hard to care too much whether Conrig's military adventure is successful or not. The sympathetic character of Snudge and May's strong writing work, however. I found myself getting emeshed in the story and wanting to find out what would happen next--even when I found the characters largely unsympthetic.
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