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34 customer reviews

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Frequently Bought Together

Conquest + Roger Corman's Cult Classics Sword And Sorcery Collection (Deathstalker, Deathstalker II, The Warrior And The Sorceress & Barbarian Queen) + The Barbarians / The Norseman: Double Feature
Price for all three: $40.28

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Editorial Reviews

Violeta Cela, Andrea Occhipinti. Barbarians and bare maidens do battle in this surreal feast of brawn and beauty from Italian director Lucio Fulci. 1983/color/93 min/NR.

Special Features

  • Theatrical Trailers
  • Poster & Still Galleries
  • Lucio Fulci Bio

Product Details

  • Actors: Jorge Rivero, Andrea Occhipinti, Conrado San Martín, Violeta Cela, José Gras
  • Directors: Lucio Fulci
  • Writers: Giovanni Di Clemente, Carlos Vasallo, Gino Capone, José Antonio de la Loma
  • Producers: Giovanni Di Clemente
  • Format: Multiple Formats, Color, NTSC, Widescreen
  • Language: English (Dolby Digital 2.0 Surround)
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Blue Underground
  • DVD Release Date: July 27, 2004
  • Run Time: 88 minutes
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (34 customer reviews)
  • ASIN: B0002C9DJU
  • Amazon Best Sellers Rank: #65,790 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Conquest" on IMDb

Customer Reviews

Most Helpful Customer Reviews

38 of 42 people found the following review helpful By Stanley Runk VINE VOICE on August 1, 2004
Format: DVD
Ever wonder what a sword and sorcery flick by Lucio Fulci would be like? Look no further than Blue Underground's recent release of Conquest. Ya know, I'd been looking for this movie since I was 12 years old for crying out loud! Thanks again to Blue Underground.
CONQUEST: We got our first hero who I'll call "Idiot", mainly because he is. Idiot is given a magical bow by some old mystic guy. He's not given any particular quest or anything, some claptrap about reaching his manhood. I guess he's just supposed to be an all around do-gooder. The bow is magical because once it runs out of arrows it's able to pull the sun from the sky and shoot really cool blue sun-power arrows. To me this is kind of a lame contraption coz personally, I'd just throw away all the regular arrows and just use the sun powered ones. Our hero doesn't do this coz he's not too bright. Our villian is a topless, masked sorceress who's job is basically to send out her army of men in cheap werewolf costumes to make life miserable for everyone in the land. After a successful raid and a shot of a fantasyland equivalent of LSD/cocaine(administered in the same fashion as launching a spitball), she sees a vision of Idiot coming to kill her, so she sends out her silly Chewbacca/werewolf things to kill him. Around this time we meet our second hero who I call Manowar-basically coz he looks like he may have tried out for the band once, but got the boot. Manowar's job for the rest of the film is to save Idiot's butt when ever he gets captured or in trouble. Manowar is the true hero of the film. This is the basis of our movie. Idiot and Manowar meet lots of perils and dangers while on the run and in pursuit of the masked naked woman until the final showdown. Who wins? You'll have to watch. This film is 100% heckle material.
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41 of 50 people found the following review helpful By cookieman108 on October 21, 2004
Format: DVD Verified Purchase
Lucio Fulci...while many may not be familiar with the name or his work, he has developed a dedicated and even hardcore audience, mostly due to the extremely graphic nature of the horror films he made from the late 70's into the 80's. What some may not know are those films only made up part of his repertoire, as he also was involved in thrillers, musicals, comedies, westerns, and even a sword and sorcery picture, titled Conquest (1983). This Italian/Spanish/Mexican production (it states this in the beginning during the credits, and, for some reason, it didn't inspire a sense confidence in this viewer), directed by Fulci, stars individuals I've never heard of, including a fairly well muscled Jorge Rivero (Rio Lobo), the very effeminate Andrea Occhipinti (Bolero), and the very naked Sabrina Siani (sounds like a western...The Muscled, the Effeminate, and the Naked).

So what is the film about? I really wish I could say with a degree of certainty, but the plot, what there was, was pretty convoluted. There's a young warrior named Ilias (Occhipinti) who, prior to leaving his village (I guess to go off to become more manly), is presented with a magical bow, one that shoots arrows made of pure light, that is once the user figure out how to activate that feature. Until that happens, it can be used to shoot regular arrows. Anyway, Ilias goes off, and meets up with a nomadic wanderer named Mace (Rivero), whose main choice of weapon is a very poorly made pair of nunchucks, or, two harden pieces of wood attached by a length of rope. While they're running around bonding and stuff (ew), a local evil sorceress named Ocron (Siani), I thought it was Okra, as that what it kept sounding like throughout the film, learns of a man with a strange and powerful weapon (the bow...
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8 of 9 people found the following review helpful By Just a Guy on Amazon on January 27, 2012
Format: DVD Verified Purchase
I have to jump right into this with both feet and state here and now, that CONQUEST is a sword & sorcery triumph. To those who would measure this film on its music or 'special effects' to the yardstick of today's Hollywood industry, I say 'Foul!' To appreciate this film, and I do mean this, one must allow for me to put my case.

Fulci was a master of creating worlds where the viewer accepted all that was seen solely because Fulci placed it before them. His artistic eye for delivering bizarre horizons, multi-cloured skies, and all manner of life forms while backed up by the pop synthesizer that made the 80s music what it was, had audiences believing what they saw on screen was the norm, and never looked back.

Now, the general consensus of CONQUEST by its detractors seems to be that "Conquest" marked the beginning of Fulci's descent into both commercial and artistic mediocrity, and while the former may be true, I'm not understanding the latter. In light of what Fulci's work aspires to be; "Conquest" can in many ways be seen as a culmination of his style, and if your best criticisms of the movie are that it's "plotless and cheap," I wonder why you're watching a Fulci movie in the first place.

Yes, the plot is rudimentary hodgepodge that in the end amounts mostly to characters wandering back and forth as an excuse to get them into perilous situations involving traps and monsters, but Fulci's visual sensibilities are positively amazing here, so much so that the limitations of the story become pretty much moot as you take in the fog covered lands and the weird denizens that live there. They make the other-wordly mythic fantasy environment that Fulci attempting to create with what appears to be a shoe string budget and a deserted piece of island property.
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