Since the first film version of Joseph Conrad's Victory appeared on the silent screen in 1919, more than eighty film and video versions of his life and works have been made throughout the world. In a series of essays by leading film and literary scholars Conrad on Film surveys the history and theory of these adaptations, and examines the challenges faced by major directors such as Hitchcock, Welles, Coppola and Wajda in putting Conrad on film. This landmark study of Conrad films, and film adaptations in general, is well illustrated and includes a detailed filmography and film bibliography.
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Book Description
Since the first film version of Joseph Conrad's Victory appeared on the silent screen in 1919, more than eighty film and video versions of his life and works have been made throughout the world. In a series of essays by leading film and literary scholars Conrad on Film surveys the history and theory of these adaptations, and examines the challenges faced by major directors in putting Conrad on film. This landmark study of Conrad films, and film adaptations in general, is well illustrated and includes a detailed filmography and film bibliography.
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Inside This Book
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First Sentence:
The difficulties of translating a literary to a cinematic narrative are many, and they are compounded when the literary text is as introspective, as complex in narrational technique, and as ironic as the typical Conrad novel. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
estimating script, internal narrators, pornography shop, introductory sequence, script materials, terrorist outrage, secret sharer Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Joseph Conrad, Orson Welles, Lord Jim, The Rover, Gaspar the Strong Man, The Woman Alone, Citizen Kane, Gaspar Ruiz, Outcast of the Islands, Colonel Kurtz, United States, Indiana University, Alfred Hitchcock, Assistant Commissioner, British Film Institute, Winnie Verloc, Cambridge University Press, Hitchcock's Sabotage, Eleanor Coppola, General Santierra, Jonathan Rosenbaum, Lilly Library, Maurice Tourneur, Oxford University Press New!
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Front Cover | Table of Contents | First Pages | Index | Surprise Me!
The difficulties of translating a literary to a cinematic narrative are many, and they are compounded when the literary text is as introspective, as complex in narrational technique, and as ironic as the typical Conrad novel. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
estimating script, internal narrators, pornography shop, introductory sequence, script materials, terrorist outrage, secret sharer Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Joseph Conrad, Orson Welles, Lord Jim, The Rover, Gaspar the Strong Man, The Woman Alone, Citizen Kane, Gaspar Ruiz, Outcast of the Islands, Colonel Kurtz, United States, Indiana University, Alfred Hitchcock, Assistant Commissioner, British Film Institute, Winnie Verloc, Cambridge University Press, Hitchcock's Sabotage, Eleanor Coppola, General Santierra, Jonathan Rosenbaum, Lilly Library, Maurice Tourneur, Oxford University Press New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Surprise Me!
Citations (learn more)
This book cites 100
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15
books
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- Heart of Darkness (Dover Thrift Editions) by Joseph Conrad on 48 pages
- Apocalypse Now by Francis Ford Coppola on 31 pages
- Lord Jim (Oxford Bookworms) by Joseph Conrad on 29 pages
- Orson Welles: The Stories of His Life by Peter Conrad on 19 pages
- The Secret Sharer and Other Stories (Dover Thrift Editions) by Joseph Conrad on 11 pages
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- The Poetics Of Transubstantiation: From Theology To Metaphor (Studies in European Cultural Transition) by Douglas Burnham on 5 pages
- Theatres of Human Sacrifice: From Ancient Ritual to Screen Violence (SUNY Series in Psychoanalysis and Culture) by Mark Pizzato in Back Matter (1), and Back Matter (2)
- Joseph Conrad (Routledge Guides to Literature) by Tim Middleton in Back Matter (1), and Back Matter (2)
- Narrative in Fiction and Film: An Introduction by Jakob Lothe in Back Matter (1), and Back Matter (2)
- Conrad's Narratives of Difference: Not Exactly Tales for Boys (Studies in Major Literary Authors) by Lissa Schneider in Front Matter, and Back Matter
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