Customer Reviews

Consecration: The Final Recordings Part 2

5 star:		(4)
4 star:		(2)
3 star:		(0)
2 star:		(0)
1 star:		(1)

 

 

I had assumed that these recordings fit into the category of "he plays well under the circumstances." Forget the qualifiers. Listening to this set and the previously released "The Last Waltz" is a bit like sharing the experience of the wild-eyed poet who has returned from feasting on the milk of paradise in Coleridge's "Kubla Khan." After tasting such nectar, nothing henceforward can satisfy the palette. So if the two sets (16 discs) comprising Bill's last stand seem extravagant in quantity and price, consider the possibility that they represent the musical equivalent of Keats' Grecian Urn, offering "all ye know and need to know."

Not that Bill's playing over eight nights is uniformly sublime. The first couple of discs might sound, to a trained Evans' observer, just a trifle more tentative whereas the last two bear a few faint traces of fatigue and auto-pilot. So if you have an opportunity to choose, go with Discs 3 and 4 of either set. In particular, I especially recommend Disc 3 as evidence of Bill at the zenith of his creative powers not to mention piano prowess. He was late in arriving, so another headliner pianist--Denny Zeitlin--temporarily filled in for him. Knowing, first, that the bar had already been set high and, second, that Zeitlin was still hanging around in the audience, Bill turns in an extraordinary set. On "Your Story" the dynamics positively "swell" from ppp to fff and back, yet the piano sound remains full-bodied at every volume level. On "Someday My Prince Will Come," Bills launches perfectly-executed, not-stop pyrotechnical phrases at breathtaking speed. (Cinderella has never sounded this animated, dramatic and alive!)

How to explain this extraordinary demonstration by a human being who would virtually self-destruct the following week? Little has been said about what a perfect mechanical specimen Bill was, practically "designed" for one purpose: to the play the piano. His exceptionally thick and heavy fingers, his hand position, his arm placement--none of these deserted him even when the internal organs had gone. The combination of muscle memory and a mind capable of focusing on nothing beyond the musical instant managed to keep death at bay through the vitality of art.

The music herein is light years beyond what any pianist since has been able to conceive let alone execute. The only "faults" that might be weighed against any part of it are, first, that Bill occasionally has a tendency to get ahead of himself--the force of his passion and complexity of his ideas simply providing more than the moment can bear. All the more remarkable that the form holds, after bending sufficiently to create dramatic tensions that underscore the magnitude of the artist's grandiose design and achievement. Second, Bill invites some disruption of continuity and let-up of dramatic urgency whenever he defers to solos by Johnson or LaBarbara. But these moments, too, are understandable--respites that allow the pianist to gather his strength for yet another glorious burst of lyric energy.

"Consecration" captures all of the first sets of the stand that would prove to be Bill's valedictory, whereas "Last Waltz" is composed of the second sets. But lest that encourage a choice between the two collections, be aware that Bill comes charging out of the gate like a rampaging bull, or perhaps more aptly, a full-grown Keats.

This collection, together with "The Last Waltz", contain some absolutely incredible music. Bill Evans was extremely excited about this trio (Marc Johnson - bass, Joe LaBarbera - drums). Yes, Bill had less than two weeks left to live. Yes, being the perfectionist he was, he might not have approved releasing these performances. But they are not flawed in any way. Bill Evans was one of the greatest musicians of all time, and he still had so much to say, even in his final days.

I happen to prefer this collection a bit more than "The Last Waltz", mainly because of the tracks included. "The Last Waltz" was gleaned mainly from second sets each evening, and therefore features several editions of the closing tune "Nardis" - which at times became a bit disorganized and experimental. The selections on "Consecration" seem crisper and more focused to me, although both sets are essential for fans of Bill Evans' art.

Some of the other reviews refer to inferior sound quality. I certainly have not found that to be the case. All three instruments are clearly recorded, and Baldwin provided Bill with fine, well-tuned pianos at this stage in his career. This is a set I will return to again and again. Highest of recommendations.

I bought this boxed set, together with The Last Waltz, to feel Bill Evans at home with me as long as I live. As compared to the last Vanguard sessions two months prior to these final recordings, I find the recording quality of this boxed set only so so, but Bill's performance unusually passionate and even insane here and there as if Bill was literary burning his last torch. I may play back all 8 CDs contained only once or twice in my life time, but I felt that my Bill Evans experience would never be complete without Consecration and The Last Waltz. A Must Have only for devoted fans.

I am a piano player and a BIG fan of Bill Evans. I probably own every album or nearly every album he has made that is currently available. I have heard him in many contexts and I own a lot of the transcriptions of his playing, which I have studied in a fair amount of depth.

In my opinion, this is Bill Evans at his best, most expressive, most passionate and mature. This particular trio with Marc Johnson is also my favorite context for Bill's playing and in these recordings LaBarbera, Johnson and Evans are solidly in the groove from start to finish.

I have to wonder when I listen to these recordings if Bill knew he was going to die and this was going to be his last performance. There is an intensity behind the his playing that is somewhat beyond anything he did before this period. The recording of Letter to Evan on one of these CDs is highly unusual compared to how he has performed it in the past. When I heard it for the first time, I thought just having this recording was worth the cost of the set!

Finally, the sound quality here is as good as you are going to get for Bill's recordings. His sensitivity and tone shine through and the spirit of a live performance is captured. There is electricity in the air. In short, this is a great recording and a "must have" for any Bill Evans fan. The Last Waltz: The Final Recordings Live which was cut from the same engagement is also excellent.

This set, which was recorded at the Keystone Korner in San Francisco during the week of August 31 through September 7th 1980, is Identical to the 8 CD set released by ALFA music Inc (Tokyo, Japan) in 1997 but has been not been available in the US until now. Bill Evans died 7 days after this recording was made. The music is amazing and it is unfathomable that his death was to come only days later. He is like a super nova star exploding before his death. He playing is superb and the set is highly recommended.

This completes the full Keystone Korner recordings of Bill Evans, his last. These should be heard in conjunction with the Village Vanguard set recorded a few months earlier. It is unfortunate that the two Keystones box sets were not properly sequenced for a full performance. It would be nice if they had, at least, included a proper discography that at least told us what sets we are listening to.

Never-the-less is is sublime and bursting with energy. In these last few years with La Barbera and Johnson, he rediscovered the core of his creativity. The Paris concert shows them at their best, unfortunately and not unexpectably, his health did effect the Keystone shows. Evans was a comet heading into the heart of the sun. Down a star for recording quality

Last time I purchase anything from this vendor who charged me after taxes over double the price that the same item is now on sale for. When I attempted to reckon this through Amazon, I was given the run-around such that I had to take appropriate actions myself. I am a loyal customer of Amazon. And when treated this way I very much disappointed. This Vendor whose selling practices make me feel taken advantaged of and that will never happen again. Rating does not refer to the item but to the behavior of the Vendor.