From Publishers Weekly
Bills's masterful debut traces a deceptively relaxed, almost meandering path to a devastating conclusion that weighs despair and hope in an agonizingly fine balance. The abrupt collapse of her parents' marriage calls KathLeen and her precocious, insightful 10-year-old son Daron back from Las Vegas to the small Mormon township of her childhood, where she is forced to gather up threads of the past left dangling by her sudden departure six years before. Her hard-won independence is challenged by various confrontations: with her family; with Tom, her first lover and the father of Daron; and with her estranged husband Skunk, whose visionary religious obsessions hold out to Kath both the threat of annihilation and the possibility of redemption and spark the narrative's incendiary resolution. Kath's struggle is informed throughout by the stark colors of the Utah desert and by Mormonism, the desert religion--here presented as unforgiving and embracing, anachronistic and Utopian, parochial and millennial. Avoiding condescension and sensationalism in favor of a meticulous accumulation of telling detail, Bills leads us beneath the surface of outwardly unremarkable lives to the secret regions touched by the numinous, the terrible and the profound.
Copyright 1994 Reed Business Information, Inc.
From Library Journal
Set in modern-day Utah and Nevada, this novel tells the story of one woman's trials and tribulations among her Mormon contemporaries. Kath and her son, Daron, conceived by a homosexual man, suffer in an overly orthodox, stifling Mormon household after she returns home to help her father deal with her mother's desertion. Tom, Daron's father, and his lover, Artie, provide needed stability for Daron during this trying time. Bills's novel is ambitious, but though parts of it are well written and developed, ultimately it is disjointed and bloated. The plot is overwritten and melodramatic, and the reader will spend much time trying to figure out transitions in time, place, and voice. Bills's attempt at white-bread humor, using names like JuLee, Clovis, and PearLeen for Kath's relatives, is overdone. Librarians looking for fictional accounts about Mormons and Mormonism may want this book for public library collections. Everyone else can skip. Literary Guild selection.
- Kevin M. Roddy, Univ. of Hawaii at Hilo Lib.Copyright 1994 Reed Business Information, Inc.