From Publishers Weekly
Death, unnatural creatures, household pets and the conflicts of the natural world with the rules of society are elements in this striking collection of 10 stories by the author of A Recent Martyr, Alexandra and Set in Motion. Martin's characters are women at odds with the world or young girls confronting powerful and defining situations. In the title story a family forges new bonds as it unites in battle with a monstrous rat. In "The Freeze," a woman coping with humiliating rejection is too distracted to realize that the clinking noise outside her window is that of a desperate cat who dies with his head stuck in a can. "The Woman Who Was Never Satisfied" must literally drain herself to find temporary solace. In "Spats," a woman whose husband has left her seeks a sad revenge by having his beloved dog, so like him in many ways, put to sleep. Some of the stories have supernatural components. In "Death Goes to a Party," a wolf-man turns out to be wearing no mask after all. "Sea Lovers" conjures up a hideous mermaid whose fatal seduction of a fisherman provides better reason than Jaws for staying out of the water. Only the last story, "Elegy for Dead Animals," is less than compelling. While well written, it is more of a Dillard-like essay than a story, and Martin is only telling us what we already know deeply because we have been reading her fiction. The reiterations of theme are superfluous. But despite the letdown of the last few pages, The Consolation of Nature is an outstanding collection.
Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
Martin includes ten stories here, two previously published in literary magazines. Preoccupied with hatred and death, the tales are either weak imitations of Edgar Allan Poe or reveries of middle-aged women resentful of their personal character deficiencies. They rely on insufficient explanation for plot shifts, inserted digression, unexplained or underdeveloped characters, and excessive exposition. In fact, sometimes the stories are all exposition, as in "The Parallel World," which gives one character's thoughts, supposedly deep and philosophical. Amateurish attempts at inner-world/other-world revelations, these pieces are inferior fiction.Glenn O. Carey, Eastern Kentucky Univ., Richmond
Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
