Consort of Musicke by William Byrd & Orlando Gibbons; Sweelinck: Fantasia in D (The Glenn Gould Edition)

Glenn Gould (Artist), William Byrd (Artist), Orlando Gibbons (Artist), Jan Pieterszoon Sweelinck (Artist) | Format: Audio CD

Product Details

• Audio CD (June 29, 1993)
• SPARS Code: ADD
• Number of Discs: 1
• Label: Sony
• ASIN: B0000028NB
• In-Print Editions: MP3 Download
• Average Customer Review: 4.8 out of 5 stars  See all reviews (12 customer reviews)
• Amazon Best Sellers Rank: #79,357 in Music (See Top 100 in Music)
  • #4 in Music > Classical > Sacred & Religious > Voluntaries
  • #93 in Music > Classical > Historical Periods > Renaissance (c.1450-1600) > Composers

Customer Reviews

Most Helpful Customer Reviews

33 of 34 people found the following review helpful:

5.0 out of 5 stars A Mystical Extension of the Pianist's Art, August 27, 2000

By 

J. Anderson (Monterey, CA USA) - See all my reviews
(REAL NAME)   

This review is from: Consort of Musicke by William Byrd & Orlando Gibbons; Sweelinck: Fantasia in D (The Glenn Gould Edition) (Audio CD)

Only Glenn Gould, with his effusion of rhapsodic gifts, could effectively create this beautifully austere recording! The application of his genius to these pre-Baroque gems leaves one thunderstruck! The most effective review is to simply implore: Buy This Recording! The choice of pieces is the key, and Gould's abundant mind is everywhere upon them - the Byrd is overflowing, the Gibbons is painted like a mediaeval town, and Sweelinck's Fastasia is at once Stokowskian in urgent intent and regal in repose. There is more than piano playing going on here; Gould rather impersonates this music, so liberated from all confines is the final result. Gould's vision is complete and unutterably right. A perfectly brilliant, absolutely essential recording of which you will never tire.

19 of 19 people found the following review helpful:

5.0 out of 5 stars Gould has never played so sublimely.....Sweelinck is amazing!, September 7, 2006

By 

Brucknerian2006 "josh" (florida, USA) - See all my reviews

This review is from: Consort of Musicke by William Byrd & Orlando Gibbons; Sweelinck: Fantasia in D (The Glenn Gould Edition) (Audio CD)

These recordings are absolute gems. In fact I daresay nothing like these performances has come before nor will come again. Gould is a genius, and the music he performs is timeless as well as historical. One can listen to this music and be transported to the 16th century, such is the power, beauty and effectiveness of Gould's interpretations. I cannot say enough of Gibbons and Sweelink, these masters are terribly underrated and unheard. Gould's touch is magical, technical virtuosity meets a true anachronistic artist. To the naysayers I say they have ears to ear yet do not hear, or in one ear and out the other. Anyone sensitive to true art will appreciate this music. Gould's performances and the composed music transcends banal quibbles like "he plays it too fast", or "it should be played on a virginal". Long live Byrd, Gibbons, Sweelinck and Gould!

16 of 17 people found the following review helpful:

5.0 out of 5 stars Glenn Gould's strange genius, Sony's parsimony, March 11, 2007

By 

Kevin Orth - See all my reviews
(REAL NAME)   

Amazon Verified Purchase

This review is from: Consort of Musicke by William Byrd & Orlando Gibbons; Sweelinck: Fantasia in D (The Glenn Gould Edition) (Audio CD)

Glenn Gould was a master of slow tempos, holding long melodic and contrapuntal lines together without using the damper pedal or any obvious pianistic tricks, and his extraordinary way with simple keyboard pieces shines through on this disc.

And even though these compositions are light stuff compared to the towering Bach masterpieces he recorded, there is plenty to enjoy here. And don't feel bad that Byrd and Gibbons are not played on a virginal. Nearly an hour of twanging away at these intimate, charming and modest pieces might drive an earnest modern listener crazy. Feel good about the heft and color of the modern Steinway. Gould brings body and warmth to what might otherwise be very minor pieces.

The "bonus" Sweelinck piece is further evidence of Gould's genius, but the sound quality is absolutely atrocious--taken from Canadian television in 1964 it sounds like something from a basement behind the Iron Curtain in the darkest, most technologically challenged days of Stalin's Cold War.

These are fine recordings that owe everything to Gould's eccentric and pure musical vision, but it must be stated that Sony Classical has hardly been generous with these reissues. The liner notes to this disc archly refer to "Columbia" in quotes, as if the record company that defined an entire era in classical music, comprehensively recording Bruno Walter, Leonard Bernstein, George Szell, Igor Stravinsky, and Glenn Gould, among countless other icons of the era, were a fictional bygone relic that modern day corporate record executives somehow have to refer to "in quotes."

One can hardly imagine that a perfectionist and technophile like Gould would allow such a poorly reproduced cut to be tacked on to one of the records he so lovingly produced.