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Contemporary Art (Trade) [Hardcover]

Brandon Taylor (Author)


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Book Description

October 1, 2004
This groundbreaking new survey of contemporary art covers all the major art movements since 1970, the impact they have had. Each chapter contains a one or two page spread dedicated to artists commenting on their own work or the work of other artists.

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From the Back Cover

What are the central values of contemporary art? In Contemporary Art Brandon Taylor charts the ideas and practices of new art across a wide international spectrum. From Minimalism and Conceptualism to video and film, from painting and sculpture to performance and installation, he shows how advanced art has continued to provoke and perplex a fascinated public.

Contemporary Art shows how contemporary art of the last three decades has been energized not merely by changing technologies of art-making, but by the spread of new museum architecture, by the voice of the critic, and in recent times by the activity of the powerful international curator. Contemporary Art also shows how the dominant narrative of advanced art in the USA and Western Europe has been invigorated by an expanding international network, from the West Coast of America, from Eastern and Central Europe, and more recently from Asia and Africa.

Reviewing the major controversies of the later twentieth century and the early years of the twenty-first, it also includes a discussion of the impact of the internet and digital art. Generously illustrated in color and with a timeline, Contemporary Art will appeal to students and gallery-goers wishing for a guiding narrative to the most adventurous art of our time.

Brandon Taylor is Professor of History of Art at the University of Southampton, England. He has written art criticism for The Times, The New Statesman, and a range of art magazines. His other books include Art and Literature under the Bolsheviks (two volumes, 1991 and 1992), Art of the Soviets (1993), The Art of Today (1995), Art for the Nation: Exhibitions and the London Public (1999), and Collage: The Making of Modern Art (2004).

--This text refers to an out of print or unavailable edition of this title.

About the Author

Brandon Taylor is Professor of History of Art at the University of Southampton, England. He has written art criticism for The Times, The New Statesman, and a range of art magazines. His other books include Art and Literature under the Bolsheviks (two volumes, 1991 and 1992), Art of the Soviets (1993), The Art of Today (1995), Art for the Nation: Exhibitions and the London Public (1999), and Collage: The Making of Modern Art (2004).

--This text refers to an out of print or unavailable edition of this title.

Product Details

  • Hardcover: 256 pages
  • Publisher: Prentice Hall (October 1, 2004)
  • Language: English
  • ISBN-10: 0131181742
  • ISBN-13: 978-0131181748
  • Product Dimensions: 10.3 x 9.1 x 1 inches
  • Shipping Weight: 3 pounds
  • Amazon Best Sellers Rank: #1,004,905 in Books (See Top 100 in Books)

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Inside This Book (learn more)
First Sentence:
In the Western nations during the last thirty or so years art objects have come to exist that bear no resemblance to the art of former times, presenting experiences of puzzlement, disorder, and in some cases disappointment to the ordinary viewer in search of imaginative stimulation. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
untitled statement, conceptual art, contemporary visual art, radical art, human clay, gallery space
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Los Angeles, East Village, Marks of Identity, United States, The Politics of Painting, New Complexity, Robert Morris, West Coast, Eastern Europe, Gerhard Richter, Museum of Modern Art, Tate Modern, Frank Stella, Lucy Lippard, Museum of Contemporary Art, Sherrie Levine, Tilted Arc, West European, Clement Greenberg, Great Britain, Guggenheim Museum, Jackson Pollock, Judy Chicago, Mike Kelley
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