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Contemporary Composers on Contemporary Music [Hardcover]

Elliott and Barney Childs, editors SCHWARTZ (Author)
4.0 out of 5 stars  See all reviews (2 customer reviews)


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Product Details

  • Hardcover: 375 pages
  • Publisher: Holt, Rinehart and Winston; 1st edition (1967)
  • Language: English
  • ASIN: B0006D77ES
  • Product Dimensions: 9 x 6.2 x 1.2 inches
  • Shipping Weight: 1.8 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #3,585,489 in Books (See Top 100 in Books)

 

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6 of 8 people found the following review helpful:
3.0 out of 5 stars Comprehensive but not enough; non-selective, October 5, 2001
By A Customer
This ambitious work attempts a comprehensive view of XX Century music as expressed by the composers. Some chapters are esthetically nauseating (e.g. the chapters concerning a couple of straight-line Soviet composers, and some Western charlatans as well), but the historical value of these texts is undeniable. At last could I read the "scandalous" text by Babbit "Who cares if you listen?" However, it seems that in many cases the Editors just put together what was readily available instead of trying further to obtain what would be desirable to publish. Considering that this reviewed edition was published in 1998 maybe some younger composers with appreciable international projection could have been included (e.g. Rihm, Essl). Some very important composers are missing (Berio, Messiaen, Boulez).
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5.0 out of 5 stars Contemporary Composers on Contemporary Music, June 29, 2009
A very nice compilation of essays, speeches, and excerpts. Definitely worth a read if you're interested in composition, later 20th century music, or just music in general. Some essays are insightful, and some are... not, but that's to be expected when you get artists together into one "place."
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Inside This Book (learn more)
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First Sentence:
Although he was most famous in his lifetime - and is best remembered today - as a pianist rather than as a composer, Busoni's influence upon the course of music history has been considerable. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
certain organic mode, expressive sensation, pictorial sensation, spatial music, autonomous fragment, peasant music, new esthetic, electronic studio, overtone series, third stream, practical music, recent music
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, John Cage, United States, World War, Charles Ives, Richard Strauss, Vaughan Williams, Alban Berg, Middle Ages, Pyotr Meshtshaninov, Steve Reich, New England, Royal Academy of Music, Soviet Union, Ann Arbor, Arnold Schoenberg, Brian Ferneyhough, Darius Milhaud, Ferruccio Busoni, Harry Partch, Morton Feldman, Nadia Boulanger, Paul Hindemith, Robert Ashley, Roger Sessions
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