This clearly-written and lively introduction analyses 25 years of popular French film including recent developments in all genres. Reflecting French cinema’s diversity since the New Wave, chapters include the Heritage Film; Thrillers; War Movies; Cinema-du-Look; representations of sexuality; women film-makers; and much more. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of individual films from Les Valseuses to Les Visiteurs and Delicatessen. Those looking at French film for the first time will have the opportunity to read at length about the internationally renowned work of Cinema-du-Look directors Luc Besson, Jean-Jacques Beineix and Leos Carax, as well as the recent blockbusters of the Heritage genre from Cyrano de Bergerac and Jean de Florette to Germinal and La Reine Margot. There is also a useful glossary and detailed filmography.
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“Crisp, up-to-date and well-informed, Guy Austin's book traces cinematic attitudes to national identity, sexuality, the changing 'polar' (thriller) and heritage ... A novelty is his treatment of the 'cinéma du look', comprised by the films of Jean-Jacques Beineix, Luc Besson and Léos Carax, contextualised here by writings from French critics." --Sight and Sound (on the first edition)
About the Author
Guy Austin is Reader in French at the University of Sheffield
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4 of 4 people found the following review helpful:
3.0 out of 5 stars
too contemporary to be aptly critical,
By Jonah Schwartz (New Brunswick, NJ United States) - See all my reviews
This review is from: Contemporary French Cinema: An Introduction (Paperback)
Contemporary French Cinema is certainly helpful as it is one of only a few books to be published in English about French cinema from 1980 on. Unfortunately, as is common with many contemporary cultural studies, the book lacks a historical perspective, and therefore explores some avenues that may be relatively insignificant, while glancing over others that perhaps should have been studied more closely. This book is also a little too unorganized, with Austin moving rather uneloquently between subjects, movements, and genres. Still, it gives a nice overview of stylistic tendencies and movements of contemporary French film.
1 of 1 people found the following review helpful:
4.0 out of 5 stars
Good text for a course,
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This review is from: Contemporary French Cinema, 2nd Edition (Paperback)
I have used the first edition of Guy Austin's text in teaching film to undergraduate students, supplementing with articles and/or other texts.
It provides a nice overview of French cinema, and lots of relevant examples, from which I can choose cinematic clips to illustrate the points. It's an easy read and includes some photos. I'm glad there is a new edition that will have some updated material as well.
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